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The children they discourage simply with displays of the cudgel. Where ramblers and visitors are concerned, they are more inventive, only using physical force as a last resort if tales of new-planted grass, or a dangerous bull on the loose, are not sufficient.

Very rarely someone comes to Wall knowing what they are looking for, and these people they will sometimes allow through. There is a look in the eyes, and once seen it cannot be mistaken.

There have been no cases of smuggling across the wall in all the Twentieth Century, that the townsfolk know of, and they pride themselves on this.

The guard is relaxed once every nine years, on May Day, when a fair comes to the meadow.

The events that follow transpired many years ago. Queen Victoria was on the throne of England, but she was not yet the black-clad widow of Windsor: she had apples in her cheeks and a spring in her step, and Lord Melbourne often had cause to upbraid, gently, the young queen for her flightmess. She was, as yet, unmarried, although she was very much in love.

Mr. Charles Dickens was serializing his novel Oliver Twist; Mr. Draper had just taken the first photograph of the moon, freezing her pale face on cold paper; Mr. Morse had recently announced a way of transmitting messages down metal wires.

Had you mentioned magic or Faerie to any of them, they would have smiled at you disdainfully, except, perhaps for Mr. Dickens, at the time a young man, and beardless. He would have looked at you wistfully.

People were coming to the British Isles that spring. They came in ones, and they came in twos, and they landed at Dover or in London or in Liverpool: men and women with skins as pale as paper, skins as dark as volcanic rock, skins the color of cinnamon, speaking in a multitude of tongues. They arrived all through April, and they traveled by steam train, by horse, by caravan or cart, and many of them walked.

At that time Dunstan Thorn was eighteen, and he was not a romantic.

He had nut-brown hair, and nut-brown eyes, and nut-brown freckles. He was middling tall, and slow of speech. He had an easy smile, which illuminated his face from within, and he dreamed, when he daydreamed in his father’s meadow, of leaving the village of Wall and all its unpredictable charm, and going to London, or Edinburgh, or Dublin, or some great town where nothing was dependent on which way the wind was blowing. He worked on his father’s farm and owned nothing save a small cottage in a far field given to him by his parents.

Visitors were coming to Wall that April for the fair, and Dunstan resented them. Mr. Bromios’s inn, the Seventh Magpie, normally a warren of empty rooms, had filled a week earlier, and now the strangers had begun to take rooms in the farms and private houses, paying for their lodgings with strange coins, with herbs and spices, and even with gemstones. As the day of the fair approached the atmosphere of anticipation mounted. People were waking earlier, counting days, counting minutes. The guards on the gate, at the sides of the wall, were restive and nervous. Figures and shadows moved in the trees at the edge of the meadow.

In the Seventh Magpie, Bridget Comfrey, who was widely regarded as the most beautiful pot-girl in living memory, was provoking friction between Tommy Forester, with whom she had been seen to step out over the previous year, and a huge man with dark eyes and a small, cluttering monkey. The man spoke little English, but he smiled expressively whenever Bridget came by.

In the pub’s taproom the regulars sat in awkward proximity to the visitors, speaking so: “It’s only every nine years.”

“They say in the old days it was every year, at midsummer.”

“Ask Mister Bromios. He’ll know.” Mr. Bromios was tall, and his skin was olive; his black hair was curled tightly on his head; his eyes were green. As the girls of the village became women they took notice of Mr. Bromios, but he did not return their notice. It was said he had come to the village quite some time ago, a visitor. But he had stayed in the village; and his wine was good, so the locals agreed.

A loud argument broke out in the public lounge between Tommy Forester and the dark-eyed man, whose name appeared to be Alum Bey.

“Stop them! In the name of Heaven! Stop them!” shouted Bridget. “They’re going out the back to fight over me!” And she tossed her head, prettily, so that the light of the oil lamps caught her perfect golden curls.

Nobody moved to stop the men, although a number of people, villagers and newcomers alike, went outside to spectate.

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