Starfish

Clarke follows her, a bit impatiently. There are sounds in Beebe that worry her far more than the futile attack of some misguided fish. Clarke can hear tired alloys negotiating surrender. She can feel the ocean looking for a way in. What if it finds one? The whole weight of the Pacific could drop down and turn her into jelly. Any time.

Better to face it outside, where she knows what's coming. All she can do in here is wait for it to happen.

* * *

Going outside is like drowning, once a day.

Clarke stands facing Ballard, diveskin sealed, in an airlock that barely holds both of them. She has learned to tolerate the forced proximity; the glassy armor on her eyes helps a bit. Fuse seals, check headlamp, test injector; the ritual takes her, step by reflexive step, to that horrible moment when she awakens the machines sleeping within her, and changes.

When she catches her breath, and loses it.

When a vacuum opens, somewhere in her chest, that swallows the air she holds. When her remaining lung shrivels in its cage, and her guts collapse; when myoelectric demons flood her sinuses and middle ears with isotonic saline. When every pocket of internal gas disappears in the time it takes to draw a breath.

It always feels the same. The sudden, overwhelming nausea; the narrow confines of the airlock holding her erect when she tries to fall; seawater churning on all sides. Her face goes under; vision blurs, then clears as her corneal caps adjust.

She collapses against the walls and wishes she could scream. The floor of the airlock drops away like a gallows. Lenie Clarke falls writhing into the abyss.

* * *

They come out of the freezing darkness, headlights blazing, into an oasis of sodium luminosity. Machines grow everywhere at the Throat, like metal weeds. Cables and conduits spiderweb across the seabed in a dozen directions. The main pumps stand over twenty meters high, a regiment of submarine monoliths fading from sight on either side. Overhead floodlights bathe the jumbled structures in perpetual twilight.

They stop for a moment, hands resting on the line that guided them here.

"I'll never get used to it," Ballard grates in a caricature of her usual voice.

Clarke glances at her wrist thermistor. "Thirty four Centigrade." The words buzz, metallic, from her larynx. It feels so wrong to talk without breathing.

Ballard lets go of the rope and launches herself into the light. After a moment, breathless, Clarke follows.

There's so much power here, so much wasted strength. Here the continents themselves do ponderous battle. Magma freezes; seawater boils; the very floor of the ocean is born by painful centimeters each year. Human machinery does not make energy, here at Dragon's Throat; it merely hangs on and steals some insignificant fraction of it back to the mainland.

Clarke flies through canyons of metal and rock, and knows what it is to be a parasite. She looks down. Shellfish the size of boulders, crimson worms three meters long crowd the seabed between the machines. Legions of bacteria, hungry for sulfur, lace the water with milky veils.

The water fills with a sudden terrible cry.

It doesn't sound like a scream. It sounds as though a great harp string is vibrating in slow motion. But Ballard is screaming, through some reluctant interface of flesh and metal:

"LENIE —»

Clarke turns in time to see her own arm disappear into a mouth that seems impossibly huge.

Teeth like scimitars clamp down on her shoulder. Clarke stares into a scaly black face half a meter across. Some tiny dispassionate part of her searches for eyes in that monstrous fusion of spines and teeth and gnarled flesh, and fails. How can it see me? she wonders.

Then the pain reaches her.

She feels her arm being wrenched from its socket. The creature thrashes, shaking its head back and forth, trying to tear her into chunks. Every tug sets her nerves screaming.

She goes limp. Please get it over with if you're going to kill me just please God make it quick — She feels the urge to vomit, but the 'skin over her mouth and her own collapsed insides won't let her.

She shuts out the pain. She's had plenty of practice. She pulls inside, abandoning her body to ravenous vivisection; and from far away she feels the twisting of her attacker grow suddenly erratic. There's another creature at her side, with arms and legs and a knife — you know, a knife, like the one you've got strapped to your leg and completely forgot about — and suddenly the monster is gone, its grip broken.