Still Life (A Three Pines Mystery)

They all stared at it, willing it to tell them who did this. Gamache knew that Fair Day was screaming at them. The reason for Jane Neal's murder was in that picture. Clara could hear a tap tap tapping on the living-room window and went over to see who was out there. Staring into the darkness a branch suddenly appeared and hit the glass. Hurricane Kyla had arrived, and wanted in.

The party broke up quickly after that, everyone racing for their homes or cars before the worst of the storm hit.

'Don't let a house fall on you,' Gabri shouted after Ruth, who may or may not have given him the finger as she disappeared into the dark. Fair Day was taken to the B. & B. where a group now sat in the large living room sipping liqueurs and espresso. A fire had been laid and lit and outside Kyla moaned and called the leaves from the trees. Rain now whipped against the windows causing them to tremble. Inside the group instinctively huddled closer, warmed by the fire, the drinks and the company.

'Who knew about Fair Day before Miss Neal was killed?' Gamache asked. Peter and Clara were there, as were Ben, Olivier, Gabri and Myrna.

'The jury,' said Peter.

'Didn't you talk about it at your Thanksgiving dinner that Friday night?'

'We talked about it a lot. Jane even described it,' confirmed Clara.

'It's not the same thing,' said Gamache. 'Who saw Fair Day before tonight?'

They looked at each other, shaking their heads.

'Who was on the jury again?' Beauvoir asked.

'Henri Lariviere, Irenee Calfat, Elise Jacob, Clara and me,' said Peter.

'And who else might have seen it?' Gamache asked again. It was a crucial question. The murderer killed Jane because of Fair Day. He or she had to have seen it and seen the threat, enough to alter the picture, enough to murder.

'Isaac Coy,' said Clara. 'He's the caretaker. And I guess it's possible anyone who came in to see the other exhibition, the abstract art, could have wandered into the storeroom and seen it.'

'But not likely,' said Gamache.

'Not by mistake,' Clara agreed. She got up. 'I'm sorry, but I think I've left my purse at Jane's. I'm just going to nip over and get it.'

'In the storm?' Myrna asked, incredulous.

'I'm going home as well,' said Ben. 'Unless there's something else I can do?'

Gamache shook his head and the gathering broke up. One by one they made their way into the black night; arms instinctively up to protect their faces. The night air was filled with driving rain and dead leaves and running people.

Clara needed to think, and for that she needed her safe place, which happened to be Jane's kitchen. She turned on all the lights and sank into one of the big old chairs beside the wood stove.

Was it possible? Surely she'd gotten something wrong. Forgotten something, or read too much into something. It'd struck her first staring at Fair Day during the cocktail, though the beginnings of the idea had started at Arts Williamsburg earlier in the evening. But she'd rejected the thought. Too painful. Too close. Much too close.

But the damning idea had come back with force in the B. & B. just now. As they'd stared at Fair Day all the pieces had come together. All the clues, all the hints. Everything made sense. She couldn't go home. Not now. She was afraid to go home.

'What do you think?' Beauvoir asked, sitting in the chair opposite Gamache. Nichol was lounging on the sofa reading a magazine, punishing Gamache with her silence. Gabri and Olivier had gone to bed.

'Yolande,' said Gamache. 'I keep coming back to that family. So many lines of enquiry lead us back there. The manure throwing, papering the walls. Andre has a hunting bow.'

'But he doesn't have a recurve,' said Beauvoir, sadly.

'He'll have destroyed it,' said Gamache, 'but why use it at all, that's the problem. Why would anyone use an old bow instead of a new compound-hunting bow?'

'Unless it was a woman,' said Beauvoir. This was his favorite part of the job, sitting with the chief late at night with a drink and a fireplace, hashing out the crime. 'A recurve is easier to use and an old recurve easier still. We saw that with Suzanne Croft. She wasn't able to use the modem bow, but she'd obviously used the older one. We're back to Yolande. She'd know her aunt's art, probably better than anyone, and art runs in the family. If we dug we'd probably find she's done some painting in her life. Everyone around here does, I think it's a law.'

'OK, so let's follow this through. Why would Yolande want to kill Jane?'

'For money, or the home, which comes to the same thing. She probably thought she inherited, she probably bribes that crooked notary in Williamsburg for information and God knows she'd be highly motivated to find out about her aunt's will.'