Читаем Stranger to the Ground полностью

. . . twenty-two. Three looks back to me at last and I nod my OK. Baker Blue Lead and Two are five seconds down the concrete when Three touches his helmet back to the red ejection seat headrest, nods sharply forward, and we become the last of Falcon formation to release brakes. Left rudder, right rudder. I can feel the turbulence over the runway on my stabilizer, through the rudder pedals. It is taking a long time to gain airspeed and I am glad that we have the full length of the runway for our takeoff roll. Three rocks up and down slightly as his airplane moves heavily over the ripples in the concrete. I follow as if I were a shining aluminum shadow in three dimensions, bouncing when he bounces, sweeping ahead with him, slowly gaining airspeed. Blue Lead and Two must be lifting off by now, though I do not move my eyes from Three to check. They have either lifted off by now or they are in the barrier. It is at this moment one of the longest takeoff rolls I have seen in the F-84F, passing the 7,500-foot mark. The weight of Three’s airplane just now finishes the change from wheels to swept wings, and we ease together into the air. A highly improbable bit of physics, this trusting 12 tons to thin air; but it has worked before and it should today.

Three is looking ahead and for once I am glad that I must watch his airplane so closely. The barrier is reaching to snag our wheels, and it is only a hundred feet away. Three climbs suddenly away from the ground and I follow, pulling harder on the control stick than I should have to, forcing my airplane to climb before it is ready to fly.

The helmet in the cockpit a few feet away nods once, sharply, and without looking, I reach forward and move the landing gear lever to up. There is the flash of the barrier going beneath us, in the same second that I touched the gear handle. We had ten feet to spare. It is good, I think, that I was not number twenty-six in this formation.

The landing gear tucks itself quickly up and out of the way, and the background behind Three changes from one of smooth concrete to rough blurred brush-covered ground; we are very definitely committed to fly. The turbulence, surprisingly enough, was only a passing shock, for our takeoff is longer and lower than any other, and we fly beneath the heaviest whirlpools in the air.

A low and gentle turn to the right to join on Blue Leader and Two as quickly as possible. But the turn is not my worry, for I am just a sandbagger, loafing along on Three’s wing while he does all the juggling and angling and cutting off to make a smooth joinup. The worry of the long takeoff roll is left behind with the barrier, and now, takeoff accomplished, I feel as if I sat relaxed in the softest armchair in the pilots’ lounge.

The familiar routine of a formation flight settles down upon me; I can hold it a little loose here over the trees and away from the crowd. There will be plenty of work ahead to fly the slot during the passes over the base.

There in the corner of my eye drifts Blue Leader and Two, closing nicely above and back to Three’s left wing. Around them are the silver flashes and silhouettes that make the mass of swept metal called Falcon formation, juggling itself into the positions drawn out on green blackboards still chalked and standing in the briefing room. The wrinkles in the monster formation have been worked out in a practice flight, and the practice is paying off now as the finger-fours form into diamonds and the diamonds form into vees and the vees become the invincible juggernaut of Falcon formation.

I slide across into the slot between Two and Three, directly behind Baker Blue Leader, and move my airplane forward until Lead’s tailpipe is a gaping black hole ten feet ahead of my windscreen and I can feel the buffet of his jetwash in my rudder pedals. Now I forget about Three and fly a close trail formation on Lead, touching the control stick back every once in a while to keep the buffet on the rudder pedals.

“Falcon formation, go channel nine.”

Blue Lead yaws his airplane slightly back and forth, and with the other five diamonds in the sky, the four-ship diamond that is Baker Blue flight spreads itself for a moment while its pilots click their radio channel selectors to 9 and make the required cockpit check after takeoff.

I push the switches aft of the throttle quadrant, and the drop tanks under my wings begin feeding their fuel to the main fuselage tank and to the engine. Oxygen pressure is 70 psi, the blinker blinks as I breathe, engine instruments are in the green. I leave the engine screens extended, the parachute lanyard hooked to the ripcord handle. My airplane is ready for its airshow.

Перейти на страницу:

Все книги серии Aviation Trilogy

Похожие книги

Точка опоры
Точка опоры

В книгу включены четвертая часть известной тетралогия М. С. Шагинян «Семья Ульяновых» — «Четыре урока у Ленина» и роман в двух книгах А. Л. Коптелова «Точка опоры» — выдающиеся произведения советской литературы, посвященные жизни и деятельности В. И. Ленина.Два наших современника, два советских писателя - Мариэтта Шагинян и Афанасий Коптелов,- выходцы из разных слоев общества, люди с различным трудовым и житейским опытом, пройдя большой и сложный путь идейно-эстетических исканий, обратились, каждый по-своему, к ленинской теме, посвятив ей свои основные книги. Эта тема, говорила М.Шагинян, "для того, кто однажды прикоснулся к ней, уже не уходит из нашей творческой работы, она становится как бы темой жизни". Замысел создания произведений о Ленине был продиктован для обоих художников самой действительностью. Вокруг шли уже невиданно новые, невиданно сложные социальные процессы. И на решающих рубежах истории открывалась современникам сила, ясность революционной мысли В.И.Ленина, энергия его созидательной деятельности.Афанасий Коптелов - автор нескольких романов, посвященных жизни и деятельности В.И.Ленина. Пафос романа "Точка опоры" - в изображении страстной, непримиримой борьбы Владимира Ильича Ленина за создание марксистской партии в России. Писатель с подлинно исследовательской глубиной изучил события, факты, письма, документы, связанные с биографией В.И.Ленина, его революционной деятельностью, и создал яркий образ великого вождя революции, продолжателя учения К.Маркса в новых исторических условиях. В романе убедительно и ярко показаны не только организующая роль В.И.Ленина в подготовке издания "Искры", не только его неустанные заботы о связи редакции с русским рабочим движением, но и работа Владимира Ильича над статьями для "Искры", над проектом Программы партии, над книгой "Что делать?".

Афанасий Лазаревич Коптелов , Виль Владимирович Липатов , Дмитрий Громов , Иван Чебан , Кэти Тайерс , Рустам Карапетьян

Фантастика / Советская классическая проза / Современная русская и зарубежная проза / Современная проза / Cтихи, поэзия / Проза