Stranger to the Ground

It takes a while to learn to know many of these men as friends, for many of them, in the fear of being thought braggart or self-styled supermen, do not tell of narrow escapes and brushes with disaster to anyone who inquires. Gradually, with much time, the newcomer to the squadron discovers that Blair had an interesting low-altitude bailout, that Roudabush “coulda kissed that bitch” when his airplane stretched its glide, in the dark, to the Virginia runway; that Travas ran into an air-to-air target in the days when they were made of plastic rag and steel bars, and dragged 70 pounds of steel and 30 feet of polyethylene home, imbedded in his wing.

And the squadron learns, gradually, that the newcomer has had his own share of experience in the world above the ground. A squadron is a swirling multicolored pool of experience, from which is painted the freewheeling sweep of life in the air, in individual brushstrokes. The brilliant shimmering brass of combat in the sun burns itself into the pilots in their cockpit; dark sky and dark sea soak their enormous blue into the man who guides his airplane between them; and, once in a very long while, the scarlet of a fireball against a mountainside glares to outshine all the other hues, in time breaking to tiny sharp sparkles of pain that never quite disappear.

I reach to my right in the red darkness and turn the volume of the radiocompass as low as it will go. It reports now only fragments of the Spangdahlem callsign behind me, and has become more of a thunderstorm indicator than a navigation radio. This is not bad, with the TACAN working well, and I am glad to have a thunderstorm indicator that is so reliable. There is a dim flash in the grey to my right, a momentary suggestion of light that is instantly gone again.

Tuning down the radiocompass was a short break, and the routine of the crosscheck continues. Straight and level. Attitude and airspeed. Needle and ball. No swerving from the target. As if I had a Shape under my wing.

There are Shapes and there are Bugs and there are Blue Boys, all names for the form that houses a few million tightly-controlled neutrons that make an atomic bomb. Or more properly, a Nuclear Device. It is always called a Device.

The first mission of many squadrons of tactical fighters is now a strategic one, and the numbers of many fighter wings are followed by the ominous letters SD.

SD stands for Special Delivery, and means that pilots spend hours studying targets of remote corners of the world and learning selected bits of nuclear physics and building their language to include LABS and Shape and Nuke and the meaning of the T-Zero light. They fly a strange new bombing pattern in their practice, they fly it alone, and only the first bomb counts for score. A pilot away from a fighter cockpit since Korea would not recognize a full panel of switches and lights for the nuclear weapons delivery system. But it is an important panel, today.

Part of my job is to know how to deliver a Shape, and I practice it dutifully. The placing of Device on Target begins with a swirl of charts and dividers and angles and measurements. From that emerge a few highly-classified figures that are given for the nourishment of a pair of computers mounted in my airplane.

Normally, the missions are flown with only a small 25-pound practice bomb to record the effectiveness of the delivery, but once a year I am required to fly with a fullsize, full-weight Shape under my left wing. This is to remind me that when I carry a real atomic bomb, I will have to hold a bit of right stick-pressure to keep the wings level on takeoff.

A practice Shape is smooth and streamlined and not unpretty. The real Device, which looks exactly the same, is the ugliest mass of metal that I have ever seen. Blunt-nosed, olive-drab and heavy, it is like a greedy deformed remora attached to the smooth swept wing of my airplane.

With every other pilot in the squadron, I joined the Air National Guard because I like to fly airplanes. With strafing and rocketing and conventional bombing, of course, our mission passes the realm of mere airplane-flying and becomes one of destroying enemy machines and enemy troops. But the mounting of a Device on the airplane is, as far as the pilots are concerned, one step too many. I do not like it at all, yet the Shape is a part of my mission, and I learn to toss it and hit a target.

Hold the right stick-pressure, and gear up and flaps up and low-level to the target. The trees flick by below, the sky is the same French sky that I have flown for months, the cockpit is the same about me, and I cannot see the Device under my wing. But the lights on its control box glimmer dully in front of me, and I am acutely aware of its nearness. I feel as if I am standing near a lightly-chained gorilla as it awakens. I do not care for gorillas.