Strip Jack

It was this last part which swung things for Kinnoul. Noticed by a London-based casting director, he was approached and screen-tested for the part of the assassin in a low-budget British thriller, which went on to do surprising business, picking up good notices in the USA as well as in Europe. The film's director was soon persuaded to move to Hollywood, and he in turn persuaded his producers that Rab Kinnoul would be ideal for the part of the gangster in an Elmore Leonard adaptation.

So, Kinnoul went to Hollywood, played minor roles in a series of major and minor murder flicks, and was again a success. He possessed a face and eyes into which could be read anything, simply anything. If you thought he should be evil, he was evil; if you thought he should be psychotic, he was psychotic. He was cast in these roles and he fitted them, but if things had taken a different turning in his career he might just as easily have ended up as the romantic lead, the sympathetic friend, the hero of the piece.

Now he'd settled back in Scotland. There was talk that he was reading scripts, was about to set up his own film company, was retiring. Rebus couldn't quite imagine retiring at thirty-nine. At fifty, maybe, but not at thirty-nine. What would you do all day? Driving towards Kinnoul's home just outside South Queensferry, the answer came to him. You could spend all day every day painting the exterior of your house; supposing, that is, it was the size of Rab Kinnoul's house. Like the Forth Rail Bridge, by the time you'd finished painting it, the first bit would be dirty again.

Which was to say that it was a very large house, even from a distance. It sat on a hillside, its surroundings fairly bleak. Long grass and a few blasted trees. A river ran nearby, discharging into the Firth of Forth. Since there was no sign of a fence separating house from surroundings, Rebus reckoned Kinnoul must own the lot.

The house was modern, if the 1960s could still be considered 'modern', styled like a bungalow but about five times the scale. It reminded Rebus mostly of those Swiss chalets you saw on postcards, except that the chalets were always finished in wood, whereas this house was finished in harling.

'I've seen better council houses,' he whispered to himself as he parked on the pebbled driveway. Getting out of the car he did, however, begin to see one of the house's attractions. The view. Both spectacular Forth Bridges not too far away at all, the firth itself sparkling and calm, and the sun shining on green and pleasant Fife across the water. You couldn't see Rosyth, but over to the east could just about be made out the seaside town of Kirkcaldy, where Gregor Jack and, presumably, Rab Kinnoul, had been schooled.

'No,' said Mrs Kinnoul – Cath Kinnoul – as. she walked, a little later, into the sitting room. 'People are always making that mistake.'

She had come to the door while Rebus was still staring.

'Admiring the view?'

He grinned back at her. 'Is that Kirkcaldy over there?'

'I think so, yes.'

Rebus turned and started up the steps towards the front door. There were rockeries and neat borders to either side of them. Mrs Kinnoul looked the type to enjoy gardening. She wore homely clothes and a homely smile. Her hair had been permed into waves, but pulled back and held with a clasp at the back. There was something of the 1950s about her. He didn't know what he'd been expecting – some Hollywood blonde, perhaps – but certainly he'd not been expecting this.

I'm Cath Kinnoul.' She held out a hand. 'I'm sorry, I've forgotten your name.'

He'd phoned, of course, to warn of his visit, to make sure someone would be at home. 'Detective Inspector Rebus,' he said.

'That's right,' she said. 'Well, come in.'

Of course, the whole thing could have been done by telephone. The following rare books have been stolen… has anyone approached you…? If anyone should, please contact us immediately. But like any other policeman. Rebus liked to see who and what he was dealing with. People often gave something away when you were there in person. They were flustered, edgy. Not that Cath Kinnoul looked flustered. She came into the sitting room with a tray of tea things. Rebus had been staring out of the picture window, drinking in the scene.

'Your husband went to school in Kirkcaldy, didn't he?'

And then she'd said: 'No, people are always making that mistake. I think because of Gregor Jack. You know, the MP.' She placed the tray on a coffee table. Rebus had turned from the window and was studying the room. There were framed photographs of Rab Kinnoul on the walls, stills from his movies. There were also photos of actors and actresses Rebus supposed he should know. The photos were signed. The room seemed to be dominated by a thirty-eight-inch television, atop which sat a video recorder. To either side of the TV, piled high on the floor, were videotapes.

'Sit down, Inspector. Sugar?'

'Just milk, please. You were saying about your husband and Gregor Jack…?'