Свободное движение и пластический танец в России

Chim`enes M. Pieds nus dans les salons de la Belle 'Epoque. Les debuts parisiens d’Isadora Duncan // Isadora Duncan 1827–1927: une sculpture vivante. Paris: Mus'ee Bourdelle, 2009. P. 24–27.

Cirul M. La formation de la personnalit'e // Archives Internationales de la danse. 1935. № 5. Р. 20–21.

Clowes E.W. The Revolution of Moral Consciousness: Nietzsche in Russian Literature, 1890–1914. DeKalb, Ill.: Northern Illinois U.P., 1988.

Copeland R. Beyond expressionism: Merce Cunningham’s critique of “the natural” // Dance History: A Methodology for Study / Ed. J. Adshead and J. Layson. New York: Routledge, 1994. P. 182–197.

Counsell C. Dancing to utopia: modernity, сommunity and the movement choir // Dance Research. Vol. XXII, no. 2 (winter 2004). P. 154–167.

Craig E.G. The Actor and the "Uber-Marionette [1908] // Craig E.G. On the Art of the Theatre. New York: Theatre Arts Books, 1956. P. 80–94.

Dagognet F. Etienne-Jules Marey: A Passion for the Trace / Transl. R. Galota. New York: Zone Book, 1992.

Daly A. Done into Dance, Isadora Duncan in America. Bloomington: Indiana U.P., 1995.

Daly A. Isadora Duncan and the distinction of dance // Critical Gestures: Writing on Dance and Culture. Middletown, Connecticut: Wesleyan U.P., 2002. Р. 246–262.

Daly A. Isadora Duncan’s dance theory // Critical Gestures: Writing on Dance and Culture. Middletown, Connecticut: Wesleyan U.P., 2002. Р. 262–273.

La danse grecque antique / Dir. G. Prudhommeau. T. I, II. Paris: Centre National de la Recherche Scientifique, 1965.

The Dance Theatre of Kurt Jooss / Ed. S.K. Walther // Choreography and Dance: An International Journal. 1993. Vol. 2. Pt 3.

Daston L., Vidal F. Doing what comes naturally // The Moral Authority of Nature / Еd. L. Daston and F. Vidal. Chicago and London: U. of Chicago Р., 2004. Р. 1–20.

David A.P. The Dance of the Muses: Choral Theory and Ancient Greek Poetics. Oxford: Oxford U.P., 2006.

Delavaud-Roux M.-H. Embodied sense in motion: defining and redefining freedom in ancient Greek poetry and dance in cultural contexts. The example of the dactylic rhythm // Свободный стих и свободный танец: движение воплощенного смысла: Сборник материалов конференции, МГУ, 1–3 октября 2010 г. М.: Факультет психологии МГУ, 2011. С. 38–44.

Demen"y G. M'ecanisme et l’'education des mouvements. Paris: 'Editions Revue E.P.S, 1903/1993.

Didi-Huberman G. Invention of Hysteria: Charcot and the Photographic Iconography of the Salp^etri`ere / Trans. A. Hartz. Cambridge, MA: The MIT Press, 2003.

Didi-Huberman G., Mannoni L. Mouvements de l’air. Etienne-Jules Marey, photographe des fluides. Paris: Gallimard, 2004.

Dienes G.Р. A Mozdulatm"uv'eszet T"ort'enete: A History of the Art of Movement. Budapest: Orkesztika Alap'itv'any, 2005.

Dienes V. Az Orkesztika Iskola T"ort'enete K'epekben / Ed. M. Fenyves. Budapest: Orkesztika Alap'itv'any, 2005.

Dienes G.P. Early days of modern dance in Hungary // Материалы конференции «Свободный танец: история, философия, пути развития». Москва, 7–8 июля 2005 г. [электронный текст, URL.

Dienes G.P. Isadora in Sweden // Remembering Isadora Duncan – Eml'ekk"onyv. Budapest: Orkestika Alap'itvany, 2002. Р. 71–85.

Dikovskaya L., Hill G.M.F. In Isadora’s Steps: The Story of Isadora Duncan’s School in Moscow, Told by Her Favourite Pupil. London: Dance Books, 2008.

Dufresne C. Il 'etait une fois Jos'ephine Baker. Neuilly-sur-Seine: Michel Lafon, 2006.

Duncan I. Ce que devrait ^etre la danse // Musica-No"el. 1912. № 123. P. 240.

Duncan I. Isadora Speaks / Ed. Franklin Rosemont. San Francisco, 1981.

Duncan I. My Life. New York: Boni and Liveright, 1927.

Duncan I., Macdougall A.R. Isadora Duncan’s Russian Days and Her Last Years In France. New York: Covici Friede, 1929.

Emmanuel M. The Antique Greek Dance, After Sculpture and Painted Figures / Transl. H.J. Beavley. London: John Lane, 1916 (1^st ed.), 1927 (2^nd ed.).

Emmanuel M. La danse grecque antique d’apr`es les monuments figur'es. Paris: Hachette, 1896.

Engelstein L. The Keys to Happiness: Sex and the Search for Modernity in Fin-de-Si`ecle Russia. Ithaca and London: Cornell U.P., 1992.

Figes O. Natasha’s Dance: A Cultural History of Russia. New York: Picador, 2002.

Flournoy T. Chor'eographie somnambulique. Le cas de Magdeleine G. // Archives de рsychologie de la Suisse romande. 1904. T. 3. P. 357–374.

Foster S.L. Dancing bodies // Meaning in Motion: New Cultural Studies of Dance / Ed. J.C. Desmond. Durham and London: Duke U.P., 1997. P. 235–257.

Franko M. The Work of Dance: Labor, Movement, and Identity in the 1930s. Middletown, CN: Wesleyan U.P., 2002.

Fuller L. Danseuse de l’art nouveau. Paris: 'Editions de la R'eunion des mus'ees nationaux, 2002.