Swords & Dark Magic: The New Sword and Sorcery

But, generally speaking, the last few decades was a time when sword and sorcery fiction was once again out of favor. The 1982 film Conan the Barbarian, which made Arnold Schwarzenegger a household name, spawned a sea of poorly executed sequels and imitations that had the effect of stigmatizing the subgenre’s image. Though its practitioners never entirely went away, the fantasy genre came to be dominated by the post-Tolkien variety of epic fantasy. At the short form, sword and sorcery fiction fell out of favor with the larger magazine venues, and the type of adventure fantasy that Robert E. Howard once epitomized was relegated to the domain of the small press (most notably, Black Gate magazine, which has been the definitive source for sword and sorcery short-form works since its launch in 2000). But recently, sword and sorcery has been making a comeback. In the wake of George R. R. Martin, whose Song of Ice and Fire series is notable for bringing a moral ambiguity and gritty realism to the fantasy epic, a host of younger writers have emerged to bring a “sword and sorcery sensibility” back to the epic subgenre. Writers like Steven Erikson, Joe Abercrombie, Scott Lynch, Tom Lloyd, David Anthony Durham, Brian Ruckley, James Enge, Brent Weeks, and Patrick Rothfuss are pioneering a new kind of fantasy, one that blends epic struggles with a gritty realism, where good and evil mixes into realistic characters fraught with moral ambiguities, and struggles between nations are not so one-sided as they are colored by a new, politically savvy understanding. These hard-hitting tales are reinvigorating the fantasy genre, while at the same time its classic forebears are finding new readers. For the first time in many years, Robert E. Howard’s and Michael Moorcock’s original stories are available again, in new, lavishly illustrated editions that restore their original texts, complete with copious historical notes. Leiber’s full saga of Fafhrd and the Gray Mouser is back on shelves, just as C. L. Moore’s oeuvre is out in a complete collection. The MMORG Age of Conan is a huge success, and both Conan and Elric movies are currently in development. While Howard, sadly, left us in 1936, Moorcock has recently been writing new tales of the Melnibonéan, one of which appears in this volume. With all the excitement surrounding this new cadre of writers, combined with the recent celebration of their historic roots, there is no better time for a definitive look at the new fantasy. Here, then, are seventeen original tales of sword and sorcery, penned by masters old and new. What follows are stories of small stakes but high action, grim humor mixed with gritty violence, dry fatalism in the face of strange magics, fierce monsters and fabulous treasures, and, as ever, lots and lots of swordplay. Enjoy!

Lou Anders & Jonathan Strahan

Alabama & Australia

GOATS OF GLORY Steven Erikson