Читаем Swords & Dark Magic: The New Sword and Sorcery полностью

“So soon after your last defeat? You are transparent, Here-ward, but I doubt you have found some real advantage. The better player always wins.”

“We shall see,” said Sir Hereward. “Please lay out the set, and if you would be so kind, call down for ale.”

“Oh, and put this back in its place,” said Sir Hereward, stripping the brassard from his arm. “I trust that I will not need it, at least until we reach Bazynghame?”

“Best keep it near,” said Mister Fitz, as he picked up the game box. “There is the small matter of what I was digging for—and what I have found…”

<p>RED PEARLS</p><p>An Elric Story</p><p>Michael Moorcock</p>

MICHAEL MOORCOCK was born in London, England. At the age of sixteen, he became editor of Tarzan Adventures, and later, Sexton Black Library. But it was his editorship of New Worlds magazine, from May 1964 to March 1971, during which he fostered the “New Wave,” perhaps the most important movement in the history of science fiction. Moorcock is best known, however, for his creation of the Multiverse and his influence on sword and sorcery (a subgenre he helped name, together with Fritz Leiber). His character, Elric of Melniboné, is one of the most influential fantasy antiheroes the genre has ever produced. Not only have the novels been in continuous print since the 1970s, but Elric has crossed over into comics, role-playing games, and rock and roll. Moorcock’s influence on sword and sorcery fiction is colossal and no anthology of same could hope to be complete without him. He and his wife, Linda, currently divide their time between Texas, France, and California.

For George Mann and G. H. TeedOver the Edge

The sun, rimmed in copper now and bloated as if with blood, settled upon the horizon, casting long black shadows across the strangely made ship, the Silela Li. On deck, two priestesses of Xiombarg, in their elaborate quilted habits and glinting bronze crowns, stood at the ship’s rail, considering the view and listening to the distant hungry roar which greeted the coming of darkness with godlike glee. The women began to chant, performing their evening prayers, and it seemed to them that a great shadow in the form of a woman, the shape preferred by their deity, appeared in the sky overhead. As they completed their ritual, two men came up from the passenger quarters below. One was short, with a shock of startling red hair, a ruddy complexion, large blue eyes, and a wide, smiling mouth. He wore a thick padded jacket and deerskin britches tucked into soft boots. His tall companion was clad in black, silk and leather, hair the colour of milk, skin pale as the thinnest bleached linen. His long head with its tapering ears and slightly slanting brows was as remarkable as his sharp, glittering ruby-coloured eyes. Like his companion, he was unarmed. The women, lowering their hands, completed their ceremonies and turned, surprised to see the men, who bowed politely. The priestesses acknowledged the two and passed down the companionway, returning to their cabin below decks. The men replaced the women at the rail of the Silela Li. The disc of the sun was halfway below the water now, its light cutting a red road across the sea.

The tall man was well known in the North and West. He was Elric, sometimes called Kinslayer, former emperor of Melniboné, until lately the dominant power in the world; the short man was Moonglum of Elwher in the so-called unmapp’d East. They had been travelling companions for some time and had shared several adventures. Most recently, they had come from Nassea-Tikri, where they had found two more people who had complicated reasons for joining them but this evening had elected to stay below.

Moonglum grinned after the disappearing priestesses. “Xiombarg’s worshippers seem a little more comely in this part of the world. I’m beginning to regret that decision I made in the tavern.”

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