There a horn-shielded lamp burning low showed his clothes and accouterments all orderly lying on Nattick's clean worktable. His boots and other leather had been brushed and scrubbed and then re-suppled with neat's-foot oil, and his gray silk tunic and cloak washed, dried, and neatly mended, each new seam and patch interlocked and double-stitched. With a little wave of thanks at the ceiling, he rapidly dressed himself, lifted one of the two large oil-filmed identical keys from their secret hook, unlocked the door, drew it open on its well-greased hinges, slipped into the night and locked the door behind him.
He stood in deep shadow. Moonlight impartially silvered the age-worn walls opposite and their stains and the tight-shuttered little windows and the low, shut doors above the footstep-hollowed stone thresholds and the worn-down cobbles and the bronze-edged drain-slits and the scattered garbage and trash. The street was silent and empty either way to where it curved out of sight. So, he thought, must look the city of Ghouls by night, except that there, there were supposed to be skeletons slipping about on narrow ridgy ivory feet with somehow never a _clack_ or _click._
Moving like a great cat, he stepped out of the shadows. The swollen but deformed moon peered down at him almost blindingly over Nattick's scalloped roof-ridge. Then he was himself part of the silvered world, padding at a swift, long-striding walk on his spongy-soled boots along Cheap Street's center toward its curve-hidden intersections with the Street of the Thinkers and the Street of the Gods. Whore Street paralleled Cheap Street to the left and Carter Street and Wall Street to the right, all four following the curving Marsh Wall beyond Wall Street.
At first the silence was unbroken. When the Mouser moved like a cat, he made no more noise. Then he began to hear it — a tiny pattering, almost like a first flurry of small raindrops, or the first breath of a storm through a small-leafed tree. He paused and looked around. The pattering stopped. His eyes searched the shadows and discerned nothing except two close-set glints in the trash that might have been water-drops or rubies — or something.
He set out again. At once the pattering was resumed, only now there was more of it, as if the storm were about to break. He quickened his stride a little, and then all of a sudden they were upon him: two ragged lines of small low silvered shapes rushing out of the shadows to his right and from behind the trash-heaps and out of the drain-slits to his left and a few even squeezing under the scoop-thresholded doors.
He began to run skippingly and much faster than his foes, Scalpel striking out like a silver toad's tongue to pink one after another of them in a vital part, as if he were some fantastic trash collector and the rats animate small rubbish. They continued to close on him from ahead, but most he outran and the rest he skewered. The wine he'd bibbed giving him complete confidence, it became almost a dance — a dance of death with the rats figuring as humanity and he their grisly gray overlord, armed with rapier instead of scythe.
Shadows and silvered wall switched sides as the street curved. A larger rat got past Scalpel and sprang for his waist, but he deftly flicked it past him on Cat's Claw's point while his sword thrust through two more. Never in his life, he told himself gleefully, had he been so truly and literally the Gray Mouser, decimating a mouser's natural prey.
Then something whirred past his nose like an angry wasp, and everything changed. He recalled in a vivid flash the supremely strange night of decision aboard _Squid_, which had become almost a fantasy-memory to him, and the crossbow rats and Skwee with sword at his jugular, and he realized fully for the first time in Lankhmar that he was not dealing with ordinary or even extraordinary rats, but with an alien and hostile culture of intelligent beings, small to be sure, but perhaps more clever and surely more prolific and murder-bent than even men.
Leaving off skipping, he ran as fast as he could, slashing out repeatedly with Scalpel, but thrusting his dirk in his belt and grabbing in his pouch for Sheelba's black bottle.
It wasn't there. With sinking heart and a self-curse, he remembered that, wine-bemused, he'd left it under his pillow at Nattick's.
He shot past the black Street of the Thinkers with its taller buildings shutting out the moon. More rats poured out. His boot squished down on one and he almost slipped. Two more steel wasps buzzed past his face and — he'd never have believed it from another's lips — a small blue-flaming arrow. He raced past the lightless long wall of the building housing the Thieves' Guild, thinking chiefly of making more speed and hardly at all of rat-slashing.
Then almost at once, Cheap Street curving more sharply, there were bright lights ahead of him and many people, and a few strides later he was among them and the rats all gone.