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The companions halted while Fflewddur slid from Llyan's back and squatted on the turf to repair his broken string. From his jacket the bard took the large key which he used to tighten the harp's wooden pegs, and began patiently retuning the instrument.

A raucous cry made Taran glance quickly skyward. "It's Kaw!" he exclaimed, pointing to the winged shape plummeting swiftly toward the companions. Gurgi shouted joyfully and clapped his hands as the crow alighted on Taran's wrist.

"So you've found us, old friend," cried Taran, delighted to have the crow with him once again. "Tell me," he went on quickly, "how does Eilonwy fare? Does she miss― all of us?"

"Princess!" Kaw croaked, beating his wings. "Princess! Eilonwy! Taran!" He clacked his beak, hopped up and down on Taran's wrist, and set up such a jabbering and chattering that Taran could barely make out one word from another. The best he could understand was that Eilonwy's indignation at being forced to learn royal behavior had by no means dwindled, and that indeed she missed him― tidings that both cheered Taran and sharpened his yearning for the golden-haired Princess.

In the cavern on Mona, Kaw also managed to convey, Glew the giant had been restored to his original size by Dallben's potion.

Kaw himself was in the best of spirits. Still gabbling at the top of his voice, he flapped his glossy black wings, hopped from Taran's wrist to greet the other companions, and even perched on Llyan's head, where he busily ran his beak through the great cat's tawny fur.

"His eyes will help our search," Taran said to Fflewddur, who had left his harp to come and stroke the bird's sleek feathers. "Kaw can scout the land better than any of us."

"So he can," agreed Fflewddur, "if he has a mind to and if you can make him heed you. Otherwise the scamp will have his beak in everyone's business but his own."

"Yes, yes," Gurgi added, shaking a finger at the crow. "Heed commands of kindly master! Help him with flyings and spyings, not pryings and lyings! "

In answer, the crow impudently thrust out a sharp black tongue. With a flirt of his tail he fluttered to the harp and began rapidly twanging the strings with his beak. At the bard's cry of protest, Kaw hopped from the instrument's curved frame and snatched up the tuning key, which he began dragging across the turf.

"He's brazen as a magpie!" cried Fflewddur, setting off after the crow. "He's thieving as a jackdaw!"

No sooner did Fflewddur come within half a pace of him than Kaw nimbly hopped away again, bearing the key in his beak. Squawking merrily, the crow stayed always out of Fflewddur's grasp, and Taran could not help laughing at the sight of the long-shanked bard vainly racing in circles, while Kaw danced ahead of him. When Gurgi and Taran joined the pursuit and Taran's fingers had come within a hair's breadth of the crow's tail feathers, Kaw shot upwards and flapped teasingly a short distance into the woods. There he lighted on the gnarled branch of a tall, ancient oak, and peered with bright beady eyes at the companions gathered below.

"Come down," Taran ordered as sternly as he could, for the bird's comical antics made it impossible for him to be seriously angry. "I've tried to teach him to behave," Taran sighed, "but it's no use. He'll bring it back when he feels like it and not before."

"Hi, hi! Drop it!" called Fflewddur, waving his arms. "Drop it, I say!"

At this Kaw bobbed his head, hunched up his wings, and dropped the key― not into the bard's outstretched hands but into a hollow of the tree trunk.

"Dropped it! Dropped it!" croaked Kaw, rocking back and forth on the branch, jabbering and chuckling gleefully at his own jest.

Fflewddur snorted. "That bird's ill-mannered as a starling! He's had his merriment, now I shall have the toil." Muttering hard comments about the impudence of waggish crows, the bard flung his arms about the trunk and tried to haul himself upward. Less than halfway, his grip loosened and he came tumbling down to land heavily amid the roots.

"A Fflam is agile!" Fflewddur panted, ruefully rubbing his back. "Great Belin, there's not a tree I can't climb― ah, except this one." He mopped his brow and glared at the high trunk.

"Gurgi climbs, yes, yes!" cried Gurgi, springing to the oak. With shaggy arrris and legs working all at once, in a trice the creature clambered up the tree. While Fflewddur shouted encouragement, Gurgi thrust a skinny hand into the hollow.

"Here is tuneful key, oh, yes!" he called. "Clever Gurgi finds it!" He stopped short. Taran saw the creature's face wrinkle in surprise and perplexity. Tossing the key down to Fflewddur, Gurgi turned once more to the hollow. "But what is this? What else does Gurgi find with gropings? Kindly master," he shouted, "here is strange something all set away in hidings!"

Taran saw the excited creature tuck an object under his arm and slide down the oak tree.

"See with lookings!" cried Gurgi as Taran and the bard pressed around him.

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Taran Wanderer
Taran Wanderer

The Newbery-winning fantasy series now available in gorgeous new paperback editions! Since The Book of Three was first published in 1964, young readers have been enthralled by the adventures of Taran the Assistant Pig-Keeper and his quest to become a hero. Taran is joined by an engaging cast of characters that includes Eilonwy, the strong-willed and sharp-tongued princess; Fflewddur Fflam, the hyperbole-prone bard; the ever-faithful Gurgi; and the curmudgeonly Doli―all of whom have become involved in an epic struggle between good and evil that shapes the fate of the legendary land of Prydain. Released over a period of five years, Lloyd Alexander's beautifully written tales not only captured children's imaginations but also garnered the highest critical praise. The Black Cauldron was a Newbery Honor Book, and the final volume in the chronicles, The High King, crowned the series by winning the Newbery Medal for "the most distinguished contribution to American literature for children." Henry Holt is proud to present this classic series in a new, redesigned paperback format. The jackets feature stunning art by acclaimed fantasy artist David Wyatt, giving the books a fresh look for today's generation of young fantasy lovers. The companion book of short stories, The Foundling is also available in paperback at this time. In their more than thirty years in print, the Chronicles of Prydain have become the standard of excellence in fantasy literature for children.

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