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"But you know what you seek," Taran answered. "I, alas, seek without knowing even where to look." He then told Annlaw of Hevydd the Smith and Dwyvach the Weaver-Woman, of the sword and cloak he had made. "I was proud of my work," Taran went on. "Yet, at the end neither anvil nor loom satisfied me."

"What of the potter's wheel?" asked Annlaw. When Taran admitted he knew nothing of this craft and prayed Annlaw to let him see the shaping of clay, the old potter willingly agreed.

Annlaw drew up his coarse robe and seated himself at the wheel, which he quickly set spinning, and on it flung a lump of clay. The potter bent almost humbly to his work, and reached out his hands as tenderly as if he were lifting an unfledged bird. Before Taran's eyes Annlaw began shaping a tall, slender vessel. As Taran stared in awe, the clay seemed to shimmer on the swiftly turning wheel and to change from moment to moment. Now Taran understood Annlaw's words, for indeed between the potter's deft fingers and the clay he saw no separation, as though Annlacv's hands flowed into the clay and gave it life. Annlaw was silent and intent; his lined face had brightened; the years had fallen away from it. Taran felt his heart fill with a joy that seemed to reach from the potter to himself, and in that moment understood that he was in the presence of a true master craftsman, greater than any he had ever known.

"Fflewddur was wrong," Taran murmured. "If there is enchantment, it lies not in the potter's wheel but in the potter."

"Enchantment there is none," answered Annlaw, never turning from his work. "A gift, perhaps, but a gift that bears with it much toil."

"If I could make a thing of such beauty, it is toil I would welcome," Taran said.

"Sit you down then," said Annlaw, making room for Taran at the wheel. "Shape the clay for yourself." When Taran protested he would spoil Annlaw's half-formed vessel, the potter only laughed. "Spoil it you will, surely. I'll toss it back into the kneading trough, mix it with the other clay, and sooner or later it will serve again. It will not be lost. Indeed, nothing ever is, but comes back in one shape or another."

"But for yourself," Taran said. "The skill you have already put in it will be wasted."

The potter shook his head. "Not so. Craftsmanship isn't like water in an earthen pot, to be taken out by the dipperful until it's empty. No, the more drawn out the more remains. The heart renews itself, Wanderer, and skill grows all the better for it. Here, then. Your hands― thus. Your thumbs― thus."

From the first moment Taran felt the clay whirling beneath his fingers, his heart leaped with the same joy he had seen on the potter's face. The pride of forging his own sword and weaving his own cloak dwindled before this new discovery that made him cry out in sudden delight. But his hands faltered and the clay went awry. Annlaw stopped the wheel. Taran's first vessel was so lopsided and misshapen that, despite his disappointment, he threw back his head and laughed.

Annlaw clapped him on the shoulder. "Well-tried, Wanderer. The first bowl I turned was as ill-favored― and worse. You have the touch for it. But before you learn the craft, you must first learn the clay. Dig, sift, and knead it, know its nature better than that of your closest companion. Then grind pigments for your glazes, understand how the fire of the kiln works upon them."

"Annlaw Clay-Shaper," Taran said in a low voice that hid nothing of his yearning, "will you teach me your craft? This more than all else I long to do."

Annlaw hesitated several moments and looked deeply at Taran. "I can teach you only what you can learn," said the potter. "How much that may be, time will tell. Stay, if that is your wish. Tomorrow we shall begin."

The two wayfarers made themselves comfortable that night in a snug corner of the pottery shed. Gurgi curled on the straw pallet, but Taran sat with knees drawn up and arms clasped about them. "It's strange," he murmured. "The more of the Commot folk I've known, the fonder have I grown of them. Yet Commot Merin drew me at first sight, closer than all the others." The night was soft and still. Taran smiled wistfully in the darkness. "The moment I saw it, I thought it the one place I'd be content to dwell. And that― that even Eilonwy might have been happy here.

"And at Annlaw's wheel," he went on, "when my hands touched the clay, I knew I would count myself happy to be a potter. More than smithing, more than weaving― it's as though I could speak through my fingers, as though I could give shape to what was in my heart. I understand what Annlaw meant. There is no difference between him and his work. Indeed, Annlaw puts himself into the clay and makes it live with his own life. If I, too, might learn to do this…"

Gurgi did not answer. The weary creature was fast asleep. Taran smiled and drew the cloak over Gurgi's shoulders. "Sleep well," he said. "We may have come to the end of our journey."

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Taran Wanderer
Taran Wanderer

The Newbery-winning fantasy series now available in gorgeous new paperback editions! Since The Book of Three was first published in 1964, young readers have been enthralled by the adventures of Taran the Assistant Pig-Keeper and his quest to become a hero. Taran is joined by an engaging cast of characters that includes Eilonwy, the strong-willed and sharp-tongued princess; Fflewddur Fflam, the hyperbole-prone bard; the ever-faithful Gurgi; and the curmudgeonly Doli―all of whom have become involved in an epic struggle between good and evil that shapes the fate of the legendary land of Prydain. Released over a period of five years, Lloyd Alexander's beautifully written tales not only captured children's imaginations but also garnered the highest critical praise. The Black Cauldron was a Newbery Honor Book, and the final volume in the chronicles, The High King, crowned the series by winning the Newbery Medal for "the most distinguished contribution to American literature for children." Henry Holt is proud to present this classic series in a new, redesigned paperback format. The jackets feature stunning art by acclaimed fantasy artist David Wyatt, giving the books a fresh look for today's generation of young fantasy lovers. The companion book of short stories, The Foundling is also available in paperback at this time. In their more than thirty years in print, the Chronicles of Prydain have become the standard of excellence in fantasy literature for children.

Ллойд Александер

Фэнтези

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