Театр абсурда

Vol. П contains: Le Sens de la Marche, Les Retrouvailles, Le Ping- Pong. (Le Ping-Pong trans. by Richard Howard, New York: Grove Press, 1959)

Vol. Ш contains: Paolo Paoli, La Politique des Restes, Sainte Europe Vol. IV contains: M. le MSdtrt, Le Printemps '71

Separately published plays

La Parodie, L’Invasion, pricidies d’une lettre d’Andri Gide, et de tfmoign- ages de Rent Char, Jacques Privert, Henri Thomas, Jacques Lemar- chand,Jean Vilar, Roger Blin, Paris: Chariot, 1950 Paolo Paoli, Paris: Gallimard 1957 (English trans. by Geoffrey Brereton, London: Calder, 1959)

Les Ames Mortes, d’aprh le роете de Nicolas Gogol, Paris: Gallimard,

i960

Comme Nous AvonsEM, Paris: Nouvelle Revue Franfaise, March 1953 (trans. by Richard Howard, As We Were, New York: Evergreen Review, I, 4, 1957)

Theatre de Sociiti. Seines d'Actualiti, Paris: Les Editeurs Franpiis Reunis, 1958, contains three short sketches by Adamov: IntimiU, Je ne Sub pas Francois, La Complainte du Ridicule.

En Fiacre (radio play), unpublished ms., 1939 Le Printemps ’71, Paris: Gallimard, 1961

Si ГЁ1ё Revenait, Paris: Gallimard, 1970

BIBLIOGRAPHY

OTHER WRITINGS

L’Aveu, Paris: Sagittaire, 1946 (one section of this autobiographical confession tram, by Richard Howard, ‘The endless humiliation New York: Evergreen Review, П, 8, 1959)

'Assignation', Paris: L’Heure Nouvelle, no. П, 1945 ‘Le Rejus’, Paris: L’Heure Nouvelle, no. П, 1946 Auguste Strindberg, Dramaturge, Paris: VArche, 1955

* Thiatre, argent et politique’, Paris: Thitre Populaire, no. 17, 1956 ‘Parce que je I’ai beaucoup aimi. (on Artaud), Paris: Cahiers de la Compagnie M. Renaud — J.-L Barrault, nos. 22-3, May 1958 Anthologie de la Commune (ed. Adamov), Paris: Editions Sodales, 1959 Id et Maintenant (collected essays), Paris: Gallimard, 1964 L’Homme et I’Enfant (diaries), Paris: Gallimard, 1968 Je … Ils (reissue of L’Aveu and new memoirs), Paris: Gallimard,

1969

TRANSLATIONS BY ADAMOV

rilke, LeLivre de la Pauvretdet de la Mart, Algiers: 1941 buchner, Thitre Complet, trans. by Adamov and Marthe Robert dostoevsky, Crime et ChStiment JUNG, Le Moi et Tlnconsdent, Paris: 1938 GOGOL, Les Ames Mortes, Lausanne: La Guilde du Livre chekhov, L’Esprit des Bois, Paris: Gallimard (in the series ‘Le Manteau d’Arlequin’) chekhov, Thtre, Paris: Club Franpiis da Livre Strindberg, Le Pelican, Paris: ThiStre Populaire, no. 17,1956 Strindberg, Pbe, Paris: VArche, 1958 kleist, La Cruche Cassie, Paris: Thiatre Populaire, no. 6,1954 Gorki, ThiStre, Paris: L’Arche

ON ADAMOV

gaudy, RENi, Arthur Adamov, Paris: Stock, 1971 lynes, carlos, jr, ‘Adamov or “le sens httdral” in the theatre’, Yak French Studies, no. 14, Winter 1954-5 regnaut, maurice, ‘Arthur Adamov et le sens du fitichisme', Paris: Cahiers de la Compagnie M. Renaud — J.-L. Barrault, nos. 22-3, May

1958

BIBLIOGRAPHY

ALBEE, EDWARD The Zoo Story (written 1958), New York: Evergreen Review, no. 12, March-April i960; also in Absurd Drama, Harmondsworth: Penguin Boob, 1965 The American Dream, A play, New York: Coward-McCann, 1961; London: Cape, 1962; also in New American Drama, Harmondsworth: Penguin Books, 1966 The Zoo Story, The Sandbox, The Death of Bessie Smith, published in one volume, New York: Co war d-McCann, i960 Who’s Afraid of Virginia Woolfi A play, New York: Atheneum, 1963; London: Cape, 1964; Harmondsworth: Penguin Books,

1965

Tiny Alice, London: Cape, 1966 A Delicate Balance, London: Cape, 1968