Театр абсурда

31 Mallarme.Undated letter to Jarry. In: Mallarme. Propos sur la Poesie. Ed. H. Mondor, quoted in J. Robichez. Le Symbolisme au Theatre. Paris, L’Arche, 1957. P. 359, 360.

32 Henri Gheon.L’Art du Theatre. Montreal, Editions Serge, 1944. P. 149.

33 Jarry.Gestes et Opinions du Docteur Faustroll. Paris, Fasquelle,

1955. P. 32. Trans. In: Evergreen Review, N.Y., no. 13, 1960. P. 131

34 Guillaume Apollinaire.Preface to Les Mamelles de Tiresias. In: CEuvres Poetiques. Paris, Pleiade, 1956. P. 865, 866.

35 Ibid. P. 868.

36 Ibid. P. 882.

37 Shattuck.Op. cit. P. 161.

38 Hugo Ball.Dada Tagebuch. In: Arp/Huelsenbeck/Tzara. Die Geburt des Dada. Zurich, Arche, 1957. P. 117.

39 Ibid. P. 139.

40 Oskar Kokoschka.Sphinx und Strohmann. In: Schriften 1907–1955. Munich, Albert Langen, 1956. P. 167.

41 Tristan Tzara.Chronique Zurichoise. In: Die Geburt des Dada. P. 173.

42 Georges Ribemont-Dessaignes.Deja Jadis. Paris, Julliard, 1958.

43 Tzara.Premiere Aventure Celeste de M. Antipyrine. Collection Dada. Ziirich, 1916. Extract in Tzara. Morceaux Choisis. Paris, Bordas, 1947.

44 Ribemont-Dessaignes.Op.cit. P. 73.

45 Tzara.Le Coeur a Gaz. Paris, GLM, 1946. P. 8.

46 Ribemont-Dessaignes.L’Empereur de Chine, suivi de Le Serin Muet. Paris, Sans Pareil, Collection Dada, 1971. P. 127.

47 Yvan Goll.Autobiographical Note. In: K. Pinthus. Menschhe- itsdammerung. Berlin, Rowohlt, 1920. P. 292.

48 Goll.Preface to Die Unsterblichen. In: Dichtungen. Neuwied, Luchterhand, 1960. P. 64.

49 Ibid. P. 64, 65.

50 Ibid. P. 65.

51 Goll.Methusalem. In: Schrei und Bekenntnis. Ed. K. Otten. Neuwied, Luchterhand, 1959. P. 426, 427.

52 Bertolt Brechr.In Dickicht der Stadte. In: Stiicke I. Frankfurt, Suhrkamp, 1953. P. 291, 292.

53 Roger Vitrac.Les Mystferes de Г Amour. In: Theatre II. Paris, Gallimard, 1948. P. 56.

54 Vitrac.Victor, ou Les Enfants au Pouvoir. In: Theatre I. Paris, Gallimard, 1946. P. 90.

55 Antonin Artaud.The Theatre and its Double. Trans. Mary Caroline Richards. N.Y., Grove Press, 1958. P. 7.

56 Ibid. P. 42.

57 Ibid. P. 85.

58 Ibid. P. 28.

59 Ibid. P. 93.

60 Ibid. P. 37.

61 Ibid. P. 71.

62 Ibid. P. 73.

63 Ibid. P. 78.

64 Ibid. P. 110, 111.

65 Ionesco.Pour Cocteau. Cahiers des Saisons. No. 12, October 1957.

66 J. H. Sainmont, H. Robillot,A. Templenul.Introduction to J. Torma. Le Betrou. Paris. College de Pataphysique, year 83 of the pataphysical era

1956. P. 14.

67 Torma.Euphorismes. Paris, 1926. P. 37.

68 Ibid. P. 39.

69 Ibid.

70 Beckett/Georges Duthuit/Jacques Putman. Bram van Velde. N.Y., Grove Press, 1960.

71 R. Penrose.Picasso: His Life and Work. London, Gollancz, 1955. P. 335.

Bentley E.Notes to him. In: From the Modem Repertoire, series II. Indian University Press, 1957. P. 478.

73 E. E. Cummings, quoted by Bentley. Op. cit. P. 487.

ГЛАВА ВОСЬМАЯ

1 Nietzsche.Also Sprach Zarathustra. In: Werke, vol. II. Munich, Hanser, 1955. P. 279.

2 Camus.Le Mythe de Sisyphe. Paris, Gallimard, 1942. P. 29.

3 George Steiner.The retreat from the word. I, Listener, London,

14 July 196o.

4 Ibid. II, op. cit., 21 July 1960.

5 Ludwig Wittgenstein.Philosophical Investigations. I. Oxford, Blackwell, 1958. P. 48, 48-e.

6 Ionesco.Ni un dieu, ni un demon. Cahiers de la Compagnie Madeleine Renaud — Jean-Louis Barrault, Paris, nos. 22, 23, May 1958. P. 131.

7 Eva Metman.Reflections on Samuel Beckett’s plays. Journal of Analitical Psychology. London, Janiary 1960. P. 43.

8 Ibid.

9 Jung.Ulysses. Quoted by Metman. Op. cit. P. 53.

10 Ionesco.Experience du theatre. Nouvelle Revue Frangaise. Paris, 1. February 1958. P. 226.

11 Le Mythe de Sisyphe. P. 94.

12 Lao-tzu, quoted in Aldous Huxley. The Perennial Philosophy. London, Chatto and Windus, 1946. P. 33.

13 St. John of the Cross, quoted in Huxley. Op. cit.

14 Meister Eckhart, quoted, in Huxley. Op. cit.

15 Ionesco, quoted in Towanicki. Spectacles, Paris, No. 2, July 1958.

BIBLIOGRAPHY

I. THE DRAMATISTS OF THE ABSURD

ADAMOV, ARTHUR PLAYS

Thiatre,4 vok, Paris: Gallimard, vol. I, 1953, vol. П, 1955, voL Ш, 1966, vol. IV, 1968.

Vol. I contains: La Parodie, L’Invasion, La Grande et la Petite Manxuvre, Le Projesseur Taranne, Tous Contre Tous. (Le Pro- fesseur Tarannetram, by A. Bermel in Four Modem French Comedies,New York: Capricorn Press, i960; by Peter Meyer in Absurd Drama,Harmondsworth: Penguin Boob, 1965)