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The house was an endless succession of cavernous rooms painted white; it made him feel disembodied. Amita had put Madhusree down to sleep, in a room all her own. Now she showed Prabir his room; it was even larger than Madhusree’s, and despite all the furniture and gadgets it contained, there was a vast amount of unused floor space. Prabir thanked Amita for everything — struggling to conceal his dismay at the sense of debt he felt from being showered with gifts like this — before suggesting that they move Madhusree in with him. ‘She’s not used to being alone.’

Amita and Keith exchanged glances. Amita said, ‘All right. Maybe for a week or two.’

After dinner, Keith bade them goodnight and drove away. Prabir was confused. ‘Doesn’t he live here?’

Amita shook her head. ‘We’re separated. But we’re still good friends, and he’s agreed to spend some time here now that you and Madhusree have arrived.’

‘But why?’ Prabir wanted to kick himself as soon as the words escaped his lips. Amita had made great sacrifices for his sake; he had to put things more diplomatically.

Amita explained, ‘I decided that you and your sister should be exposed to both male and female narratives.’

‘You mean … he’ll help you read to us?’ Prabir didn’t want to sound ungrateful, but surely Amita would be relieved to hear that there was no need to have her ex-lover hanging around just to do the male voices in bedtime stories. ‘I can read for myself. And we could take turns reading to Madhusree.’

Madhusree interjected. ‘I can read, too!’ This wasn’t true, but Prabir had taught her the Latin alphabet in the camp, and her spoken English was already as good as her Bengali.

Amita sighed with amusement and tousled Prabir’s hair. ‘I meant our personal narratives, funny boy. Though all such texts are fluidly gendered, in order to decode and contextualise your own experiences you’ll benefit from familiarity with at least the fundamental binary templates.’

Prabir glanced discreetly at the wine bottle in the middle of the table.

In bed, he lay awake for hours, cocooned in crisp sheets and a heavy blanket. It was cold, he needed the bedclothes, but he felt like he was in a straitjacket. He wasn’t troubled by the unfamiliar shadows in the room, or the faint traffic sounds that faded into silence, though he’d grown used to listening to the chain-smoking men in the camp hawking up mucus all night. It wasn’t just pointless feeling homesick, it was meaningless: there was no right way the room could have looked, no comfort the sounds of the night could have delivered. From his hammock on the island, or his bed in Calcutta, his parents would still have been dead.

He watched Madhusree sleeping. They would never reach the shore, they would never reach safety. There was no such thing. It had all been in his head.

The next time Keith was in the house, Prabir took the opportunity to interrogate him.

‘How did you meet Amita?’ he asked innocently. Amita was out on some errand, so they were alone in the living room with Madhusree, who was playing delightedly with the puppy Keith had brought for her.

‘It was at a performance space in the city,’ Keith began tentatively. ‘Twelve years ago.’ He frowned, struggling to dredge up details. ‘The Anorexic Androgynes were reciting the Unabomber Manifesto, with backing music by Egregious Beards.’ He added helpfully, ‘They were a Country Dada band, but they broke up years ago.’

Prabir wasn’t interested in any of this; he wanted to hear about the couple’s passion for knowledge. ‘So how did you end up working at the university together?’

‘Well, I’d already done a PhD in X-Files Theory at UCLA, and Amita was just starting her Masters in Diana Studies with the University of Leeds, via the net. U Toronto was in the process of opening its own Department of Transgressive Discourse — at last! — so it was only natural that we both applied for positions.’

When Prabir pressed Keith for explanations of all the phrases he didn’t understand in this account, his heart sank. ‘And this is what Amita has done for the last twelve years?’

Keith laughed. ‘No, no, of course not! That was just her Masters; she’s moved on. For her doctorate she tackled an entirely different subject: developing an interactive graphic novel of Conrad’s Nostromo, as an exercise in post-colonial transliteracy. Nostromo becomes a comic-book superhero in Lycra, who loses his powers whenever he’s exposed to radiation from silver ingots. This ironises and recontextualises Conrad’s own highly ambiguous relationship with the economic benefits of imperialism, and cleverly undermines the whole myth of the artist as quasi-divine standard-bearer for transcendent morality.’

Prabir was beginning to wonder if Keith was playing an elaborate joke on him. ‘And what is she studying now?’

Keith smiled proudly. ‘For the past four years, she’s been working on a radical new paradigm in computing. She’s still had no luck getting funding to build a prototype, but that can only be a matter of time.’

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