graphic knowledge about the trend of the birth-rate and what needed to be achieved to change it; but he probably thought he knew quite enough, and the upper class he could, if unsystematically, observe. His legislation was not going to produce waves of stout yeomen (unless by imitation of their betters), but what he might achieve was a stable officer class. That such was his aim is corroborated by two other new legal rules that will have had importance mainly for the better-off: first, the introduction of
Augustus was, then, probably telling in the
The act of creative policy, however, that was Augustus' abiding legacy to Rome was the bringing into being of an ideology of rule, parallel to the careful traditionalism of most of what has been spoken of so far — surprising, in that it manifests itself quite early in Augustus' reign, and multifaceted, so that to describe it even summarily involves consideration of many phenomena, of which the 'imperial cult' is only one. Glorification of the personality of the ruler, advertisement of his role, proclamation of his virtues, pageantry over his achievements, visual reminders of his existence, and the creation of a court and a dynasty: those are,
It is a difficult question how far the pattern of ideas and symbols that pervades the culture of Augustus' age was 'orchestrated'. Scholars do make such a claim,[267] and, however great the need to resist exaggeration, at least some of the broad lines of the pattern must have been someone's deliberate contrivance. Augustus was probably entirely sincere when he said he wanted to be remembered as the creator of the 'best possible condition' (