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By the way, about Fyodor Pavlovich. For a long time before then, he had not been living in our town. Three or four years after his second wife’s death, he set off for the south of Russia and finally wound up in Odessa, where he lived for several years in a row. First, he made the acquaintance, in his own words, of “a lot of Yids, big Yids, little Yids, baby Yids,” but he ended up later being received “not just by Yids but by Jews, too.” We may assume it was during this period of his life that he developed his special skill at knocking money together, and at knocking it out of other people. He came back to our town again, finally, only three years before Alyosha’s arrival. Former acquaintances found him terribly aged, though he was by no means such an old man. He behaved, shall we say, not with more dignity but somehow with more effrontery. There appeared in this old buffoon, for example, an insolent need to make others into buffoons. He now loved to be outrageous with the female sex, not simply as before, but even, somehow, in a more repulsive way. He soon became the founder of a number of new taverns throughout the district. It was apparent that he had maybe as much as a hundred thousand, or perhaps only a little less. Many inhabitants of our town and district immediately got into debt with him, naturally on the best securities. Lately he had somehow become bloated; he began somehow to be erratic, lost his self-control, and even fell into a sort of lightheadedness; he would start one thing and end up with another; he somehow became scattered; and he got drunk more and more often. If it hadn’t been for the very same servant Grigory, who by then had also aged considerably, and who looked after him sometimes almost like a tutor, Fyodor Pavlovich would not have gotten away without serious trouble. Alyosha’s arrival seemed to affect him even on the moral side, as if something woke up in this untimely old man, something that had long been stifled in his soul. “Do you know,” he now often said to Alyosha, studying him intently, “you resemble her, the ‘shrieker?” That was how he referred to his dead wife, Alyosha’s mother. The “shrieker’s” grave was finally pointed out to Alyosha by the servant Grigory. He took him to our town cemetery, and there, in a remote corner, showed him a cast-iron marker, inexpensive but well tended, on which there was an inscription giving the name, social position, age, and date of death of the deceased woman, and below that even some sort of four-line verse chosen from the old cemetery lore commonly used on middle-class tombs. Surprisingly, this marker turned out to be Grigory’s doing. He himself had erected it over the grave of the poor “shrieker” at his own expense, after Fyodor Pavlovich, whom he had already pestered with numberless reminders about the grave, finally went off to Odessa, brushing aside not only graves but all his memories. Alyosha did not show any particular emotion at his mother’s grave; he simply listened to a solemn and sensible account of the construction of the marker, stood for a while looking downcast, and walked away without saying a word. After that, perhaps even for a whole year, he did not visit the cemetery. But this little episode also had an effect on Fyodor Pavlovich—and a very original one. He suddenly took a thousand roubles and brought them to our monastery to have memorial services said for the soul of his wife, but not of his second wife, Alyosha’s mother, the “shrieker,” but of the first, Adelaida Ivanovna, who used to thrash him. In the evening of that day, he got drunk and berated monks to Alyosha. He was far from religious; the man probably had never put a five-kopek candle in front of an icon. Strange fits of sudden feelings and sudden thoughts come over such individuals.

I have already mentioned that he had grown very bloated. His physiognomy by that time presented something that testified acutely to the characteristics and essence of his whole life. Besides the long, fleshy bags under his eternally insolent, suspicious, and leering little eyes, besides the multitude of deep wrinkles on his fat little face, a big Adam’s apple, fleshy and oblong like a purse, hung below his sharp chin, giving him a sort of repulsively sensual appearance. Add to that a long, carnivorous mouth with plump lips, behind which could be seen the little stumps of black, almost decayed teeth. He sprayed saliva whenever he spoke. However, he himself liked to make jokes about his own face, although he was apparently pleased with it. He pointed especially to his nose, which was not very big but was very thin and noticeably hooked. “A real Roman one,” he used to say. “Along with my Adam’s apple, it gives me the real physiognomy of an ancient Roman patrician of the decadent period.” He seemed to be proud of it.

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