In this case, maybe it had saved his life.
The elevator moved back into the shaft, sideways, down, and he readied himself for the shock of what might be revealed next.
“In the cellar,” Dana continued. “All that shit we were playing with. They made us choose. They made us choose how we die.”
“Yeah,” Marty said, remembering how nervous he’d been at the prospect of Dana reading the Latin in that little old diary. If he had stopped her, maybe Jules would have solved a kid’s puzzle and brought werewolves upon them. Or Holden might have smashed a bottle and brought them girls with teeth instead faces.
Dana started smashing at the glass with her fists. Her blows did no damage-they’d have to make the glass incredibly strong to contain all these things, he realized-but still she pounded, kicking as well, thrashing, and he had to hold her tight to stop her from hurting herself.
And it was like that, arms wound around each other, sharing the warmth of their bodies and the pain of their wounds, that they emerged into a huge underground space like a warehouse where countless elevators shifted left and right, up and down, running on almost invisible rails and columns and passing soundlessly across junctions, swapping position constantly. In each elevator was something of shade or light, and whether dark or light, it was always horrible.
Vampires, not of the limp, fluffy-collared variety, but with pale skin and too many teeth.
Three people-two adults and a child-with horribly cracked, blistered skin, beneath which lava seemed to boil.
A gorgeous naked woman with teeth in place of a vagina.
A man with six arms, each of the hands replaced with a grafted weapon of some kind, from a knife to a shotgun.
A screaming banshee with hair flowing around its head as if in slow motion.
Six elevators contained small babies that seemed to explode again and again, scattering bladed blood-red shards. A giant rabbit with oversized teeth, a woman with a scorpion’s sting curved from the small of her back, a child with three heads-vampire, zombie, werewolf-a shade of something terrible, a ghostly figure surrounded by fumes that must be toxic, a minotaur with a monstrous phallus, a woman with writhing snakes instead of pubic hair, a man with steaming pipes inserted into his chest and flames in his eyes, a dog with the head of an alligator…
The horrors were endless and almost beyond imagining, and Marty and Dana held each other tighter as their elevator was carried through the impossible space.
The creatures known and unknown seemed to recognize the intruders for what they were. Marty didn’t see them leaping or scratching at their glass walls to get at one another, but whenever he and Dana drew close they tried to attack.
The basement had been filled with lots of old, random stuff. And every shred of it had been linked somehow to something down here. He had no idea what it could mean, other than some sort of monstrous entertainment. But what lengths to go to. It was beyond belief.
“As soon as we stop,” he said. “We’ll get out as soon as we can.” Still they held each other, but they were beyond comforting. Their world had changed, not only their personal place in it, but their understanding of the wider reality.
Nothing could ever be the same again.
Control had cleared quickly. He hadn’t needed to shout at anyone to leave. As soon as Hadley replaced the receiver and muttered those few words, glasses and bottles were dropped, and everyone raced to try and put right whatever had gone wrong.
Sitterson could smell spilled champagne and there were potato chips crushed across the floor. Truman stood on guard by the door, upright and proper, and perhaps not really comprehending. All seemed normal.
Sitterson held back a giggle.
Lin was down in the lower area of Control, earpiece in place, tapping frantically on a keyboard and muttering to someone unheard. Sitterson and Hadley, chairs pulled closer than before, were scanning through the entire complex on their screens, moving quickly and efficiently. Hadley was checking corridors and stairwells, while on Sitterson’s screens were nine constantly changing views of the interiors of the elevators. He’d seen many of these things before, but some were new even to him. Still, he refused to let curiosity overcome the prime purpose of this search.