THE FOG GREW thicker for a moment. Pendergast waited, maintaining his concentration. Then through the fog came flickerings of orange and yellow. Pendergast felt heat upon his face. The fog began to clear.
He was standing outside J. C. Shottum’s Cabinet of Natural Productions and Curiosities. It was night. The cabinet was burning. Angry flames leapt from the first- and second-story windows, punching through billowing clouds of black, acrid smoke. Several firemen and a bevy of police were frantically roping off the street around the building and pushing curious onlookers back from the conflagration. Inside the rope, several knots of firefighters arced hopeless streams of water into the blaze, while others scurried to douse the gaslights along the sidewalk.
The heat was a physical force, a wall. Standing on the street corner, Pendergast’s gaze lingered appreciatively on the fire engine: a big black boiler on carriage wheels, belching steam,
The location of the house was a great question. But another, perhaps more pressing, question remained: where had Leng moved his
There was a tremendous, searing crack; roof timbers collapsed inward with a roiling shower of sparks; an appreciative murmur rose from the crowd. With a final look at the doomed structure, Pendergast began threading his way through the crowd.
A little girl rushed up, no older than six, threadbare and frighteningly gaunt. She had a battered straw broom in her hand, and she swept the street corner ahead of him industriously, clearing away the dung and pestilential garbage, hoping pathetically for a coin. “Thank you,” Pendergast said, tossing her several broad copper pennies. She looked at the coins, eyes wide at her good fortune, then curtsied awkwardly.
“What’s your name, child?” Pendergast asked gently.
The girl looked up at him, as if surprised to hear an adult speak to her in a solicitous tone. “Constance Greene, sir,” she said.
“Greene?” Pendergast frowned. “Of Water Street?”
“No, sir. Not—not anymore.” Something seemed to have frightened the girl, and, with another curtsy, she turned and melted away down a crowded side street.
Pendergast stared down the foul street and its seething crowds for some time. Then, with a troubled expression on his face, he turned and slowly retraced his steps. A barker stood in the doorway of Brown’s Restaurant, delivering the bill of fare in a loud, breathless, ceaseless litany:
Pendergast moved on thoughtfully, listening to the City Hall bell toll the urgent fire alarm. Making his way to Park Street, he passed a chemist’s shop, closed and shuttered, an array of bottles in diverse sizes and colors decorating the window:
Two blocks down Park, he stopped abruptly. He was fully attentive now, eyes open to every detail. He had painstakingly researched this region of old New York, and the fog of his memory construct retreated well into the distance. Here, Baxter and Worth Streets angled in sharply, creating a crazy-quilt of intersections known as the Five Points. In the bleak landscape of urban decay that stretched before him, there was none of the carefree revelry Pendergast had found earlier, along Bowery.
Thirty years before, in the 1850s, the “Points” had been the worst slum in all New York, in all America, worse even than London’s Seven Dials. It remained a miserable, squalid, dangerous place: home to fifty thousand criminals, drug addicts, prostitutes, orphans, confidence men, villains of all shape and description. The uneven streets were broken and scored into dangerous ruts, brimming with garbage and offal. Hogs wandered about, rooting and wallowing in the fouled gutters. The houses seemed prematurely aged, their windows broken, tarpaper roofs hanging free, timbers sagging. A single gas lamp threw light into the intersection. On all sides, narrow streets marched off into endless darkness. The doors of the first-floor taverns were flung wide against the summer heat. The smells of liquor and cigar smoke issued forth. Women, bare-breasted, lolled in the doorways, exchanging obscene jeers with whores in the neighboring saloons or soliciting passersby in lurid tones. Across the way, nickel-a-night flophouses, riddled with vermin and pestilence, sat between the shabby cow-sheds of fencers of stolen goods.