“You took long enough.” It was Tycoon’s new voice. He still liked Geri’s voice—said it sounded “pretty”—but he accepted that it tended to give human listeners the wrong impression. “Are you okay?” he continued. “I’ve had to slow some of the harbor operations. Even the Tropicals don’t like these really clear days.”
“I’ll bet those were Tines with too much pale skin. We humans are dark-skinned all over, perfect for hot, sunny weather.”
“Oh. Right. You know, sometimes the Choir isn’t very careful of itself. I wonder…” Tycoon hummed to himself, no doubt coming up with something crazy. Then, slipping back into bossy mode, he said, “That’s really neither here nor there. We need that camera you’re holding. And
“Hei, Tyco, if you want it perched at the top of everything, the mob is going to knock it down occasionally.” Johanna reseated the camera and righted the tripod. Actually, the assembly was sturdy and bottom-heavy. It would have taken a bump from a large Tine—or the concerted effort of a group—to knock it over.
She struggled to shift the tripod and camera closer to the edge of the parapet, where it would have an unobstructed view. A dozen Tropicals moved in close to her, but they weren’t objecting. Instead they bumped around among themselves. It was quite unlike the coordination of a real pack, but she could tell they were trying to help her move the equipment. Johanna and the moblet tipped the tripod this way and that, in effect walking the gear out onto the stony parapet.
She shooed them back and did the final placement herself, this time making sure that the tripod was wedged between the golden spikes of the parapet. Maybe Tycoon was watching her through his telescopes
Johanna had been watching the Tines as she worked, with just that concern. “Nobody’s complaining. You know I’m special to the Choir.” That was probably true; in any case, she liked to tease Tycoon.
Tycoon made a grumbling response, but in Tinish. Then in Samnorsk: “I don’t mind my employees risking their lives. I just want them to know that’s what they’re doing! Now, since you’re up there, how about pointing the camera so we can get some useful information. I want coverage of the north road.”
“Hei, I’m your advisor, not your employee,” she replied, but she turned the camera toward the northwest horizon. The “road” was really a system of clearings that changed from tenday to tenday, but it extended nearly a thousand kilometers into the deepest jungle of the Fell Basin. At first glance, the Choir was the chaotic saturnalia that Northern packs always claimed, but something more complicated than nonstop joy was going on. The coast needed an enormous hinterland to support itself. With cameras like this—and the remote reservations—Tycoon was beginning to figure it out.
This pattern of Tropical life had existed in some form for centuries, but Tycoon’s reservation had been a revolutionary upgrade—witness the Great Pyramid. Now that revolution was accelerating. Raw materials were flooding in and millions of manufactured items were streaming out. Woodcarver and the Domain saw this as a tidal wave of products. Ravna saw it as advancing her projects by decades in just a year or two. Johanna knew that what Northerners saw was just a fraction of what Tycoon’s factories were producing. Most of that output—and all of the output from the new, far reservations—was being used
Something had awakened here, the combination of the Choir and Tycoon and the shortcuts from