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Lucas Corso observed the field. The solution was Ney, of course. The bravest of the brave. He placed him at the front, with Erlon and the Jerome division, or what remained of it, and made them advance at a charge along the Brussels road. When they made contact with the British troops, Corso leaned back slightly in his chair and held his breath, sure of the im­plications of his action: in a few seconds he had just sealed the fate of twenty-two thousand men. Savoring the feeling, he looked lovingly over the compact blue and red ranks, the pale green of the forest of Soignes, the dun-colored hills. God, it was a beautiful battle.

The blow struck them hard, poor devils. Erlon’s corps was blown to pieces like the hut of the three little pigs, but the lines formed by Ney and Jerome’s men held. The Old Guard was advancing, crushing everything in its path. The English formations disappeared one by one from the map. Wellington had no choice but to withdraw, and Corso used the French cavalry’s reserves to block his path to Brussels. Then, slowly and deliberately, he dealt the final blow. Holding Ney between his thumb and forefinger, he made him advance three hexa­gons. He compared forces, consulting his tables: the British were outnumbered eight to three. Wellington was finished. But there was still one small opening left to chance. He consulted his conversion table and saw that all he needed was a 3. He felt a stab of anxiety as he threw the dice to decide what the small factor of chance would be. Even with the battle won, losing Ney in the final minute was only for real enthusiasts. In the end he got a factor of 5. He smiled broadly as he gave an affectionate little tap to the blue counter representing Napoleon. I know how you feel, friend. Wellington and his remaining five thousand wretches were all either dead or taken prisoner, and the emperor had just won the battle of Waterloo. Allans enfants de la Patrie! The history books could go to hell.

He yawned. On the table, next to the board that represented the battlefield on a scale of 1 to 5,000, among reference books, charts, a cup of coffee, and an ashtray full of cigarette butts, his wristwatch showed that it was three in the morning. To one side, on the liquor cabinet, from his red label the color of a hunting jacket, Johnny Walker looked mischievous as he took a step. Rosy-cheeked little so-and-so, thought Corso. Walker didn’t give a damn that several thousand of his fellow country­men had just bitten the dust in Flanders.

Corso turned his back on the Englishman and addressed an unopened bottle of Bols on a shelf between Memoirs of Saint Helena in two volumes and a French edition of The Red and the Black that he lay before him on the table. He tore the seal off the bottle and leafed casually through the Stendhal as he poured himself a glass of gin.

Rousseau’s Confessions was the only book through which his imagination pictured the world. The collection of Grande Armee reports and the Memoirs of Saint Helena completed his bible. He would have died for those three books. He never believed in any others.

He stood there sipping his gin and stretching his stiff limbs. He gave a last glance to the battlefield, where the sounds of the fighting were dying down after the slaughter. He emptied his glass, feeling like a drunken god playing with real lives as if they were little tin soldiers. He pictured Lord Arthur

Wellesley, Duke of Wellington, handing over his sword to Ney. Dead young soldiers lay in the mud, horses cantered by without riders, and an officer of the Scots Greys lay dying beneath a shattered cannon, holding in his bloody fingers a gold locket that contained the portrait of a woman and a lock of blond hair. On the other side of the shadows into which Corso was sinking he could hear the beat of the last waltz. And the little dancer watched him from her shelf, the sequin on her forehead reflecting the flames in the fireplace. She was ready to fall into the hands of the spirit of the tobacco pouch. Or of the shop­keeper on the corner.

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