As one might expect in nationalism-ridden Central Europe, several Bohemian cities that were originally dominated by Germans were in 1918 given not only Czech-sounding names (Budweis became Budějovice), but were also equipped with the adjective Czech — as in Český Krumlov. Is this an attempt to falsify history? No, it’s a verbatim translation of the original German name —
The interesting thing, though, is that
The German influence on Czech culture is expressed even more strongly by the nearly half million people with surnames
like Müller, Bauer and Töpfer, or with Germanic surnames masked by Czech orthography (Šubrt). Peculiarly enough,Still, human passion has always been stronger than language barriers and cultural differences. If the colonizers who settled in Bohemia and Moravia were only half as interested in Slavonic women as the hordes of Germans who nowadays visit Czech brothels (see: Sex
), it’s fair to assume that a pretty slice of the Czech population is the product of a fleshy Slavonic-German clash that once took place.Neither has the Czech language
gone untouched. WhileParadoxically enough, Karel Hynek Mácha
, author of the poem “May” and the most brilliant Czech poet who has ever lived, felt more confident when speaking German than Czech. Josef Dobrovský, the lather of the modern Czech language, wrote to himself in German, and his no less famous colleague Josef Jungmann even used a German dictionary as a model for his revolutionary Czech dictionary. In other words,Obviously, the Germans have also left numerous robust traces of (heir seven-century-long presence in Bohemia.
It’s hard to imagine a more loaded symbol of Czech statehood than Prague’s Charles Bridge and St. Vitus’ Cathedral, but both of them, and the St. Barbora Cathedral in Kutná Hora as well, were actually designed by the German builder Peter Parier (1332-1399). Several magnificent examples of Czech baroque, most notably St. Nicholas Cathedral at Prague’s Malá Strana, were built by the Bavarian architect Christopher Dientzenhofer (1655-1722) and his son Kilian (1689-1751) in the aftermath of the Battle of White Mountain. And the Charles Bridge would definitely look naked without the sculptures created by the German artist Ferdinand Brokoff (1688-1731).
Now, add hundreds of synagogues spread all over Bohemia and Moravia plus numerous functionalistic gems erected by ethnic German architects during the First Republic’s
boom, and you’ll realize that a decent part of the elements that make Prague and other Bohemian cities extraordinary should actually be credited to German-speakers. In other words, Prague would never have become a “magic city”, to use a somewhat pathetic term introduced by the Italian literate Angelo Maria Ripellino, had it not been for the Czech-German-Jewish cultural symbiosis.It wouldn’t, of course, be correct to present the Germans’ 700-year-long co-habitation with the Czechs in Bohemia and Moravia as a wholly harmonious affair. True, until 1939, they never waged war against one another, and mixed Czech-German marriages were not totally uncommon during the First Republic. But the sole fact that these two peoples lived side by side for seven centuries without becoming one people proves that the relations were perhaps peaceful, but rather distant.