The Dark Tower

“Maybe he explains on one of the tapes he left us,” Jake said. He had engaged the safety of his new Cobra automatic and tucked it away in the shoulder-bag with the remaining Orizas. Susannah had also helped herself to one of the Cobras, after twirling it around her finger a time or two, like Annie Oakley.

“Maybe he does,” she said, and gave Jake a smile. It had been a long time since Susannah had felt so physically well. So not-preg. Yet her mind was troubled. Or perhaps it was her spirit.

Eddie was holding up a piece of cloth that had been rolled into a tube and tied with three hanks of string. “That guy Ted said he was leaving us a map of the prison-camp. Bet this is it. Anyone ’sides me want a look?”

They all did. Jake helped Eddie to unroll the map. Brautigan had warned them it was rough, and it surely was: really no more than a series of circles and squares. Susannah saw the name of the little town — Pleasantville — and thought again of Ray Bradbury. Jake was tickled by the crude compass, where the map-maker had added a question mark beside the letter N.

While they were studying this hastily rendered example of cartography, a long and wavering cry rose in the murk outside. Eddie, Susannah, and Jake looked around nervously. Oy raised his head from his paws, gave a low, brief growl, then put his head back down again and appeared to go to sleep: Hell wit’choo, bad boy, I’m wit’ my homies and I ain’t ascairt.

“What is it?” Eddie asked. “A coyote? A jackal?”

“Some kind of desert dog,” Roland agreed absently. He was squatted on his hunkers (which suggested his hip was better, at least temporarily) with his arms wrapped around his shins. He never took his eyes from the crude circles and squares drawn on the cloth. “Can-toi-tete.”

“Is that like Dan-Tete?” Jake asked.

Roland ignored him. He scooped up the map and left the cave with it, not looking back. The others shared a glance and then followed him, once more wrapping their blankets about them like shawls.

Three

Roland returned to where Sheemie (with a little help from his friends) had brought them through. This time the gunslinger used the binoculars, looking down at Blue Heaven long and long. Somewhere behind them, the desert dog howled again, a lonely sound in the gloom.

And, Jake thought, the gloom was gloomier now. Your eyes adjusted as the day dialed itself down, but that brilliant spotlight of sun seemed brighter than ever by contrast. He was pretty sure the deal with the sun-machine was that you got your full-on, your full-off, and nothing in between. Maybe they even let it shine all night, but Jake doubted it. People’s nervous systems were set up for an orderly progression of dark and day, he’d learned that in science class. You could make do with long periods of low light — people did it every year in the Arctic countries — but it could really mess with your head. Jake didn’t think the guys in charge down there would want to goof up their Breakers if they could help it. Also, they’d want to save their “sun” for as long as they could; everything here was old and prone to breakdowns.

At last Roland gave the binoculars to Susannah. “Do look ya especially at the buildings on either end of the grassy rectangle.” He unrolled the map like a character about to read a scroll in a stage-play, glanced at it briefly, and then said, “They’re numbered 2 and 3 on the map.”

Susannah studied them carefully. The one marked 2, the Warden’s House, was a small Cape Cod painted electric blue with white trim. It was what her mother might have called a fairy-tale house, because of the bright colors and the gingerbread scalloping around the eaves.

Damli House was much bigger, and as she looked, she saw several people going in and out. Some had the carefree look of civilians. Others seemed much more — oh, call it watchful. And she saw two or three slumping along under loads of stuff. She handed the glasses to Eddie and asked him if those were Children of Roderick.

“I think so,” he said, “but I can’t be completely—”

“Never mind the Rods,” Roland said, “not now. What do you think of those two buildings, Susannah?”

“Well,” she said, proceeding carefully (she did not, in fact, have the slightest idea what it was he wanted from her), “they’re both beautifully maintained, especially compared to some of the falling-down wrecks we’ve seen on our travels. The one they call Damli House is especially handsome. It’s a style we call Queen Anne, and—”

“Are they of wood, do you think, or just made to look that way? I’m particularly interested in the one called Damli.”