The Dark Tower

He didn’t draw long. When Susannah saw him nodding over his pad in the orange glare of the fading sunset, she took it from his unprotesting fingers, bedded him down in the back of the cart (propped level with the front end on a convenient boulder jutting from the ground), covered him with hides, and kissed his cheek.

Sleepily, Patrick reached up and touched the sore below her own cheek. She winced, then held steady at his gentle touch. The sore had clotted over again, but it throbbed painfully. Even smiling hurt her these days. The hand fell away and Patrick slept.

The stars had come out. Roland was looking raptly up at them.

“What do you see?” she asked him.

“What do you see?” he asked in turn.

She looked at the brightening celestial landscape. “Well,” she said, “there’s Old Star and Old Mother, but they seem to have moved west. And that there — oh my goodness!” She placed her hands on his stubbly cheeks (he never seemed to grow an actual beard, only a bristly scruff) and turned it. “That wasn’t there back when we left from the Western Sea, I know it wasn’t. That one’s in our world, Roland — we call it the Big Dipper!”

He nodded. “And once, according to the oldest books in my father’s library, it was in the sky of our world, as well. Lydia’s Dipper, it was called. And now here it is again.” He turned to her, smiling. “Another sign of life and renewal. How the Crimson King must hate to look up from his entrapment and see it riding the sky again!”

Six

Not long after, Susannah slept. And dreamed.

Seven

She’s in Central Park again, under a bright gray sky from which the first few snowflakes are once more drifting; carolers nearby are singing not “Silent Night” or “What Child Is This” but the Rice Song: “Rice be a green-o, See what we seen-o, Seen-o the green-o, Come-come-commala!” She takes off her cap, afraid it will have changed somehow, but it still says MERRY CHRISTMAS! and

(no twins here)

she is comforted.

She looks around and there stand Eddie and Jake, grinning at her. Their heads are bare; she has gotten their hats. She has combined their hats.

Eddie is wearing a sweatshirt that says I DRINK NOZZ-A-LA!

Jake is wearing one that says I DRIVE THE TAKURO SPIRIT!

None of this is precisely new. What she sees behind them, standing near a carriage-path leading back to Fifth Avenue, most certainly is. It’s a door about six and a half feet high, and made of solid ironwood, from the look of it. The doorknob’s of solid gold, and filigreed with a shape the lady gunslinger finally recognizes: two crossed pencils. Eberhard-Faber #2’s, she has no doubt. And the erasers have been cut off.

Eddie holds out a cup of hot chocolate. It’s the perfect kind mit schlag on top, and a little sprinkling of nutmeg dotting the cream. “Here,” he says, “I brought you hot chocolate.”

She ignores the outstretched cup. She’s fascinated by the door. “It’s like the ones along the beach, isn’t it?” she asks.

“Yes,” Eddie says.

“No,” Jake says at the same time.

“You’ll figure it out,” they say together, and grin at each other, delighted.

She walks past them. Writ upon the doors through which Roland drew them were THE PRISONER and THE LADY OF SHADOWS and THE PUSHER. Writ upon this one is . And below that:

THE ARTIST

She turns back to them and they are gone.

Central Park is gone.