The Delicate Prey: And Other Stories

She knew just how many steps there were to each flight of stairs: nineteen for the first and fifteen for the others. The halls were tiled in black and white, like a bathroom, and tonight, to add to that impression, the stairs and floors were thoroughly wet with the melting snow people had tracked in; the air smelled of wet doormats, wet rubbers, wet clothing. On the third floor a huge perambulator of black leatherette nearly blocked the passageway between the stairs. She frowned at it and thought of the fire regulations.

Because she did not want to be out of breath she mounted the stairs slowly. Not that Van would be there when she arrived—it was still too early—but being out of breath always created in her a false kind of excitement which she particularly wanted to avoid tonight. She turned the key in the lock and stepped inside. It gave her a strange sensation to push open the door all by herself and stand there in the hall alone, smelling the special odor of the place: an amalgam in which she imagined she detected furniture polish, shaving cream and woodsmoke. Woodsmoke there surely was, because he had a fireplace. It was she who had persuaded him to have it installed. And it had not been nearly so ex-pensive to build as he had imagined it was going to be, because since this was the top floor the chimney had only to be built up through the roof. Many times he had said to her: “That was one sensible idea you had,” as though the others had not been just as good! They had cut down the legs of all the living-room furniture so that it nestled nearer the floor and made the room seem spacious; they had painted each wall a different shade of gray, adding the occasional wall brackets of ivy; they had bought the big glass coffee table. All these things had made the place pleasanter, and they had all been her ideas.

She shut the door and went into the kitchen. It was a little chilly in the apartment; she lit the gas oven. Then she unwrapped the wet brown paper from around the rubber plant, and set the pot upright on the table. The plant leaned somewhat to one side. She tried to make it stand straight, but it would not. The ice-box motor was purring. She took out two trays of ice and dumped the cubes into a bowl. Reaching up to the top shelf of the cabinet she brought down an almost full bottle of Johnny Walker, and set it, along with two highball glasses, onto the big lacquer tray. The room suddenly seemed terribly close; she turned off the oven. Then she scurried about looking for newspapers with which to lay a fire. There were only a few, but she found some old magazines in the kitchen. She rolled the newspapers into thin little logs and set them at various angles across the andirons. Underneath she pushed crumpled pages of the magazines, and on top she put what kindling wood there was. The logs she decided to leave until the kindling already was burning. When the fire was laid, but not lighted, she looked out the window. The snow was coming down thicker than it had been when she came in. She drew the heavy woolen curtains; they covered one entire wall, and they too had been her idea. Van had wanted to have Venetian blinds made. She had tried to make him see how hideous they would be, but although he had agreed that the black-and-white curtains were smart, he never would admit that Venetian blinds were ugly. “Maybe you’re right, for this room,” he said. “For every room in the world,” she had wanted to declare, but she decided against it, since after all, he had given in.

It wasn’t that Van had really bad taste. He had an innate sensitivity and a true intelligence which became manifest whenever he talked about the books he had read (and he read a good many during odd moments at the bookshop). But his aesthetic sense had never been fully awakened. Naturally she never mentioned it—she merely made small suggestions which he was free to take or to leave as he saw fit. And usually, if she let her little hints fall at strategic moments, he would take them.