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"What can be more natural," he asked, "after seeing all those pretty girls to-day? If one's cousins are of that pattern, the sooner one knows them the better."

"Perhaps they are not," said Eugenia. "We ought to have brought some letters—to some other people."

"The other people would not be our kinsfolk."

"Possibly they would be none the worse for that," the Baroness replied.

Her brother looked at her with his eyebrows lifted. "That was not what you said when you first proposed to me that we should come out here and fraternize with our relatives. You said that it was the prompting of natural affection; and when I suggested some reasons against it you declared that the voix du sang should go before everything."

"You remember all that?" asked the Baroness.

"Vividly! I was greatly moved by it."

She was walking up and down the room, as she had done in the morning; she stopped in her walk and looked at her brother. She apparently was going to say something, but she checked herself and resumed her walk. Then, in a few moments, she said something different, which had the effect of an explanation of the suppression of her earlier thought. "You will never be anything but a child, dear brother."

"One would suppose that you, madam," answered Felix, laughing, "were a thousand years old."

"I am—sometimes," said the Baroness.

"I will go, then, and announce to our cousins the arrival of a personage so extraordinary. They will immediately come and pay you their respects."

Eugenia paced the length of the room again, and then she stopped before her brother, laying her hand upon his arm. "They are not to come and see me," she said. "You are not to allow that. That is not the way I shall meet them first." And in answer to his interrogative glance she went on. "You will go and examine, and report. You will come back and tell me who they are and what they are; their number, gender, their respective ages—all about them. Be sure you observe everything; be ready to describe to me the locality, the accessories—how shall I say it?—the mise en scene. Then, at my own time, at my own hour, under circumstances of my own choosing, I will go to them. I will present myself—I will appear before them!" said the Baroness, this time phrasing her idea with a certain frankness.

"And what message am I to take to them?" asked Felix, who had a lively faith in the justness of his sister's arrangements.

She looked at him a moment—at his expression of agreeable veracity; and, with that justness that he admired, she replied, "Say what you please. Tell my story in the way that seems to you most—natural." And she bent her forehead for him to kiss.







CHAPTER II

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Во втором томе 30-томного Собрания сочинений печатается роман «В круге первом». В «Божественной комедии» Данте поместил в «круг первый», самый легкий круг Ада, античных мудрецов. У Солженицына заключенные инженеры и ученые свезены из разных лагерей в спецтюрьму – научно-исследовательский институт, прозванный «шарашкой», где разрабатывают секретную телефонию, государственный заказ. Плотное действие романа умещается всего в три декабрьских дня 1949 года и разворачивается, помимо «шарашки», в кабинете министра Госбезопасности, в студенческом общежитии, на даче Сталина, и на просторах Подмосковья, и на «приеме» в доме сталинского вельможи, и в арестных боксах Лубянки. Динамичный сюжет развивается вокруг поиска дипломата, выдавшего государственную тайну. Переплетение ярких характеров, недюжинных умов, любовная тяга к вольным сотрудницам института, споры и раздумья о судьбах России, о нравственной позиции и личном участии каждого в истории страны.А.И.Солженицын задумал роман в 1948–1949 гг., будучи заключенным в спецтюрьме в Марфино под Москвой. Начал писать в 1955-м, последнюю редакцию сделал в 1968-м, посвятил «друзьям по шарашке».

Александр Исаевич Солженицын

Историческая проза / Классическая проза / Русская классическая проза / Проза
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Приключения / Морские приключения / Проза / Классическая проза