As we got closer to the barnlike structure I could see that it was a kind of wickerwork tenement, four or five stories tall, with porches jutting out at every level. Some of the porches were enclosed in coarse screens, others open to the sky. I could see figures on some of them, perhaps taking the air. The whole thing looked like something some tribe of aborigines might have built for themselves out of willow withes and bamboo, in the days before the European colonizers came along with their whiskey, guns, row houses and syphilis.
It was the biggest structure in sight, but it wasn’t the only one. I began to see sheds nearby, and a couple of peculiar trees, all circled by little clusters of flowering bushes for decoration. The trees were branchless until near the top, where they spread out in a crown like royal palms. The most peculiar thing about the trees was that they were all bent at a sharp angle from the ground up, and all at the same angle. There was something that looked like a wicker band shell-people were moving around it-and, as we moved toward one side, behind the main building a smaller structure appeared of a wholly other kind. This one wasn’t wicker. It was made of the same glossy ceramic stuff as my former cell, though this was pinkish in color. A pair of the Horch Christmas trees were industriously unloading some sort of equipment to take inside it.
I wasn’t pleased to see them there, but Pirraghiz paid them no attention. She set me down carefully. “Wait, Dannerman. I will see if Djabeertapritch is here.”
She left me standing in a plot of damp, spiky grass; I suppose the Horch equivalent of a front lawn. There were low wicker benches scattered around-unoccupied- and a few smaller trees with buttercup-yellow blossoms. Although the robots weren’t paying any attention to me, I was uncomfortable in their presence. I walked a little way around the great house to get out of their sight. When I looked up the woven-sapling side of the building, I discovered that someone was looking back at me. Three or four of those snaky heads were peering over the side of one of the porches. I waved, but the only response I got from them was to pull hastily back, some completely out of sight, one still staring at me with just the nose and eyes showing.
As long as I was here, I told myself, I should be keeping my eyes open for the kind of information the Bureau would want to hear when (I didn’t let myself say “if”) I got back. The trouble was, there didn’t seem to be very much sensitive information lying around.
So I made do with what was available. To start, I heard shrill soprano singing coming from nearby. It was that band-shell thing, and it seemed to be functioning as a kind of Horch kindergarten. Eight or ten tiny Horch infants danced around as they sang, waving their sinuous arms and necks more or less gracefully. The two littlest ones weren’t dancing. They lay on their backs in tiny wicker baskets, looking like some kind of musical calamari as they waved their limbs and piped along with the others. There was one adult with them to conduct the performance. By the swellings under her jumpsuit I judged she was female.
She moved quickly to interpose herself between me and her charges, thrusting her head toward me suspiciously. “What are you?” she demanded.
That wasn’t an easy question to answer. Before I had figured out how to describe myself, she gave the neck-twist that was like a human nod. “Yes, now I remember. You are Djabeertapritch’s new pet.”
I didn’t respond to that. I was digesting the implications of that word, “pet,” and anyway, she was still talking. “Please go away. You are distracting the children and they must prepare to sing for the Greatmother.” Her tone was commanding, and she gestured accordingly.
She was right. All the children had stopped what they were doing to goggle at me. I apologized. “I’m sorry if I interrupted you. I’m just waiting for Beert-for Djabeertapritch, I mean.”
“You should not wait here,” she said crossly. I might have argued, but then I saw two Horch ambling around the perimeter of the building toward us. They seemed in no hurry. They weren’t looking in our direction at all; they were in animated conversation with each other, their necks winding close together except when they paused to examine some detail of the building’s structure.
There was something about them that was different. It took me a moment to figure it out, and then I had it. It was the way they were dressed. All Horch seemed to like to ornament their round little bellies, but not all in the same way. Beert, as well as this teacher-Horch and the little ones in her class, sported a circle of colorfully embroidered fabric there. These two were dressed like the female I had seen with Beert in the interrogation room; their belly bowls were shallow domes of bright metal, as shiny as chrome.