The First Councel

I don’t believe it. There it is, right in the center of the board. The name is written with a pen that looks like it’s running out of ink. In thin, capital letters. L.H. Oswald. The ultimate patsy. That’s me.

I pull the note off as fast as I can and step away from the lunchtime crowd. Rushing down the hallway, I head straight for the bank of elevators at the end of the hall. As I alternate between jogging and speed-walking, I unfold the Oswald note one crease at a time. At the top of the page it reads, “How long before you picked up this one?” Always the smart-ass. Right below that it reads “ 1027.” Exactly what I expected. A room number. When I subtract seven, it’s Room 1020.

Inside the elevator, I go straight for the button marked 10. Over and over, my finger attacks it woodpecker-style.

Clamping the elevator’s brass rail in tight fists, I can barely contain myself. Nine floors to go. My eyes are glued to the digital display, and the moment I hear the ping of arrival, I push forward. The doors are still sliding open when I squeeze through and step out on the tenth floor. Almost there, almost there. But as I trace the logical ascent of room numbers to 1020, I feel the hallway closing in. It starts with a sharp pain in my shoulders and works its way up the back of my neck. For better or worse, Vaughn’s going to tell me the truth about Nora. And I’m finally going to get my answer. Of course, I’m not sure what he has, but he said it was worth it. It better be-because I’m counting on taking it straight to Adenauer. No matter how deep it cuts. My stomach starts making noises that are usually reserved for major illnesses. A cold chill slithers up my rib cage and I curse the hotel’s air-conditioning. It’s freezing in here.

Finally, I’m standing in front of Room 1020. I grasp the doorknob, but before I can turn it, I stop. For the past two days, my mind’s been flooded with dozens of questions I couldn’t wait to ask. Now, I don’t know if I want the answers. I mean, how can they possibly help? Can I believe him? Maybe it’s like Adenauer said. Maybe Vaughn can’t be trusted.

I think back to our meeting behind the movie theater. His wrinkled clothes. His tired eyes. And the fear on his face. Over and over, I replay the question: If he was trying to set me up, why would he link his name to me-the one person he knew was going to look like the murderer? I still can’t answer it. So am I ready to take the next step? As with everything lately, I don’t have much choice. I wipe my hand on my pants and knock on the door.

To my surprise, it opens a crack when I hit it. I knock again, opening it a little more. “Vaughn, you in there?” There’re some faint voices, but no one answers.

Down the hallway, I hear the return of the elevator. Someone’s coming. This is no time to be shy. I push open the door. Blinding sunlight pours through the windows at the far end of the room. As soon as the door slams shut behind me, I notice the TV blaring. No wonder he didn’t hear me.

“Whattya doin’? Watching soaps?” I move forward to step into the room, but my foot catches on something and I lose my balance and lurch forward. Putting my hands out to stop my fall, I hit the carpet with a hard thud. And an unnerving squish. My legs are askew, lying over some obstacle.

“What the…?” The whole carpet’s soaked. Sticky. And dark red. My hands are covered in it. I roll back to see what I tripped over. No, not what. Who. Vaughn.

“Oh, God,” I whisper. His mouth is slightly open. Red spit-bubbles collect in the gap between his teeth and his lower lip. Move, move, move! I scramble furiously to get up, pushing myself away from his body, but my hands slip, sending me straight back toward the floor. At the last second, I catch myself on my elbow, with my tie pinned underneath. Now it matches my hands. More blood.

Shutting my eyes, I let my legs do the rest. They scramble their way across Vaughn’s rigid torso, my right knee rubbing against his rib cage. Staggering to my feet, I spin around and get a better look at him lying lengthwise in the entryway. His left forearm is tight against his chest, but his hand’s still reaching upward, frozen in a half-open fist. The bullet hole is in his forehead-off center, above his right eye. It’s a tight wound-dark and crusted. Blood mats his thick black hair to the bone gray carpet. On his face, one eye stares straight forward; the other skews cockeyed to the side. Like Caroline’s. Just like Caroline’s. And all I can think of is the gun inside that utility box by the movie theater. The gun and that damn note-sitting there on Nora’s bed.

CHAPTER 30