Читаем The Good Lord Bird полностью

We found Cook on a quiet dirt road near the Kennedy farm in a state of excitement. Before we could say a word, he blurted out, “We has hived some bees!” He led us to a nearby schoolhouse, where Tidd and Owen stood over two white men and ’bout ten slaves. The coloreds sat on the porch of the schoolhouse, looking bewildered and like they had just got out of bed. Cook pointed to one of the white men setting among ’em under the barrel of Owen’s rifle. “That’s Colonel Lewis Washington,” he said.

“Who’s he?” O.P. asked.

“He’s the great-nephew of George Washington.”

The George Washington?”

“Correct.” He grabbed a shiny, powerful-looking sword lying on the porch floor. “We got this from the mantle of his fireplace.” He turned to O.P. and said, “I presents to you the sword of his great-uncle. It was a gift to Washington from Frederick the Great.”

O.P. looked at that broadsword like it was poison. “Why I got to have it?” he asked.

“The Old Man would want you to. It’s symbolic.”

“I ... I ain’t got no use for it,” O.P. said.

Cook frowned. Stevens snatched it and holstered it in his belt.

I walked over to Colonel Washington to have a look. He was a tall, slender white man in a nightshirt, still wearing his sleeping cap on his head, his face unshaven. He was trembling like a deer. He looked so glum and scared, it was a pity.

“When we busted in his house, he thought we was thieves,” Tidd snorted. “He said, ‘Take my whiskey! Take my slaves. But leave me alone.’ He squawked like a baby.” Tidd leaned down to Colonel Washington. “Be a man!” he barked. “Be a man!”

That got Stevens going, and he was an aggravating soul if I ever saw one. He was overall the best soldier I ever saw, but he was the devilment when it come to wagging his fists and digging into a fight. He strutted over to Colonel Washington and glared down at him, hulking over him. The colonel just shrank beneath him, setting underneath that big feller. “Some colonel you are,” Stevens said. “Ready to trade your slaves for your own wretched life. You ain’t worth a pea thrasher, much less a bottle of whiskey.”

Oh, that riled the colonel, Stevens scratching at him that way, but the colonel held his tongue, for he seen Stevens was mad.

Tidd and Owen produced pikes and rifles and begun handing them out to the coloreds, who, truth be told, looked downright bewildered. Two got up and took them gingerly. Then another grabbed one. “What is the matter with you?” Tidd said. “Ain’t you ready to fight for your freedom?” They said nothing, befuddled by the whole bit. Two of ’em looked like they had just got out of bed. One turned away and refused the weapons handed to him. The rest, after a bit of burbling and showing how chickenhearted they felt ’bout the whole affair, went along more or less, taking whatever weapon was offered and holding them like they was hot potatoes. But I took a notice to one of ’em sitting at the end of the row of the coloreds. He was seated on the floor, this feller in a nightshirt and pantaloons, with his suspenders hung low. He looked familiar, and in my excitement and fear it took me a long minute before I recognized the Coachman.

He weren’t dressed so splendid now, for he weren’t wearing his pretty coachman’s outfit with white gloves, as I seen him before, but it was him, all right.

I started toward him, then turned away, for he seen me and I got the understanding that he didn’t want me to recognize him. I knowed he had some secrets and thought it better to pretend not to know him, with his master there. I didn’t want to get him in trouble. If a feller had the impression that the bottom rail was gonna be on top, he’d act far different if he’d’a knowed that at some point the white man was gonna get the Ferry back and sling the Negro every which way. I seen what was going on down at the Ferry and he did not. Neither did Tidd, Cook, or the rest of the Old Man’s soldiers who stayed back up at the farm. But I saw O.P. pull Tidd aside and give him a mouthful. Tidd said nothing. But the Coachman watched them both, and while he didn’t hear what nar a one of them was saying, I guess he made up his mind at that moment that he weren’t going to play dumb and was going for the whole hog.

He stood up and said, “I am ready to fight,” and grabbed his pike when it was offered. “I needs a pistol as well.” They gave him one of them, too, and some ammunition.

His master, Colonel Washington, was setting on the floor of the schoolhouse porch, watching this, and when he seen the Coachman take them weapons, he couldn’t help hisself. He got snappy. He said, “Why, Jim, sit down!”

The Coachman walked over to Colonel Washington and stood over him with a terrible look on his face.

“I ain’t taking another word from you,” he said. “I been taking words from you for twenty-two years.”

That flummoxed Colonel Washington. Just dropped him. He got hot right there. He stammered, “Why, you ungrateful black bastard! I been good to you. I been good to your family!”

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Павел Павлович Муратов (1881 – 1950) – писатель, историк, хранитель отдела изящных искусств и классических древностей Румянцевского музея, тонкий знаток европейской культуры. Над книгой «Образы Италии» писатель работал много лет, вплоть до 1924 года, когда в Берлине была опубликована окончательная редакция. С тех пор все новые поколения читателей открывают для себя муратовскую Италию: "не театр трагический или сентиментальный, не книга воспоминаний, не источник экзотических ощущений, но родной дом нашей души". Изобразительный ряд в настоящем издании составляют произведения петербургского художника Нади Кузнецовой, работающей на стыке двух техник – фотографии и графики. В нее работах замечательно переданы тот особый свет, «итальянская пыль», которой по сей день напоен воздух страны, которая была для Павла Муратова духовной родиной.

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