Читаем The Good Lord Bird полностью

The Old Man knowed he was defeated, but couldn’t stand it. He squeezed off one more blast from his seven-shooter, turned to run, and as he did, a cannon volley whipped through the tree line and got him. He was hit square in the back and went down like a rag doll, knocked clean off the ridge and back into the bank. He rolled off the ridge down to the river’s edge and didn’t move. He was done.

Dead.

He weren’t dead, though, only stunned, for that ball had spent itself before it got to him. It plunked a hole in his coat and pierced the skin of his back and lost juice right as it got to him. The Old Man’s skin was thicker than a mule’s ass, and while that ball drawed blood, it didn’t go deep. He jumped up quick as you can tell it, but the sight of him falling off that ridge toward the water drawed a cheer from the Missourians at the top of the bank who smelled red meat but couldn’t see him at the water’s edge, and several jumped down to the bank after him, only to find the Old Man waiting with that seven-shooter which was still dry and loaded. He busted a cap into the face of the first man, cracked the skull of the second man with the butt of that thing—that gun is heavy as the dickens—and sent a third to his Maker with his broadsword just as easy as you please. A fourth feller ran down toward him, and when the poor bastard got over the ridge and seen the Old Man still living, he tried to stop hisself and scramble back to safety. But Owen had scrambled back to the bank to help his Pa and busted a shot at him and blowed out his spark.

It was just them two going at it close, and the sight of them two fighting off rebels attacking ’em from all sides now caused a round of cursing and swearing from the Free Staters who made it to the other side of the river, and they blowed several rounds into the rest of the charging Missourians, who was at the top of the ridge near the tree line. The rebels scattered and fell back. This gived the Old Man and Owen time to get across the river.

I had never seen the Old Man retreat before. He seemed a queer figure there in the river, in a broad straw hat and linen duster, his coattails flung out behind him, arms outspread on the water, as he waded over, a revolver held high in each hand. He climbed onto the opposite bank, out of range of the rebels now, mounted atop his horse, and scrambled his horse up the bank to where I was, followed by the other men, all of ’em joining me on the knoll.

From that knoll you could see Osawatomie clear, the town blazing brightly in the afternoon sun, every house burning to the ground, and every Free Stater stupid enough to hang ’round and try to put out the fire eating his house getting shot to shit by Reverend Martin and his men, who were drunk, laughing and whooping it up. They defeated the Old Man and hollered it all across Osawatomie, several shouting that he was dead and claiming to be the one who done it, whooping that they’d burned his house to the ground, which they’d done.

Most of the other Free Staters who survived had taken the tall timber once they got across the creek to our side. Only the Old Man and his sons remained on our side, watching the rebels celebrate: Jason, John, Salmon, the two younger ones Watson and Oliver, who had joined us, Owen course, all of ’em atop their mounts, staring angrily at the town, for their houses was burning up, too.

But the Old Man didn’t look at it once. When he reached the knoll, he slowly paced his horse back to Frederick and got off it. The rest followed him over.

Fred was where we left him, his little cap atop his head, the Good Lord Bird atop his chest. The Old Man stood over him.

“I should’a come out of hiding to help him,” I said, “but I don’t know how to shoot.”

“And shoot you should not,” the Old Man said. “For you is a girl soon to be a woman. You was a friend to Fred. He was fond of you. And for that I am grateful to you, Little Onion.”

But he might as well have been talking to a hole in the ground, for even as he spoke, his mind was somewhere else. He knelt over Fred. He looked at him several minutes, and for a moment, the old gray eyes softened and it seemed like a thousand years had washed over the Old Man’s face. He sighed, gently pulled Fred’s cap off his head, pulled a feather off the Good Lord Bird, and rose. He turned and stared at the town grimly, burning in the afternoon sun. He could see it plain, the smoke spiraling up, the Free Staters fleeing, the rebels firing at them, whooping and hollering.

“God sees it,” he said.

Jason came up to him. “Father, let’s bury Frederick and let the federals have the fight. They’ll be here soon enough. I don’t want to fight no more. My brothers and me, we had enough. We’re decided on it.”

The Old Man was silent. He fingered Fred’s cap and eyed his sons.

“Is that how you want it, Owen?”

Owen, setting atop his horse, looked away.

“And Salmon. And John?”

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Павел Павлович Муратов (1881 – 1950) – писатель, историк, хранитель отдела изящных искусств и классических древностей Румянцевского музея, тонкий знаток европейской культуры. Над книгой «Образы Италии» писатель работал много лет, вплоть до 1924 года, когда в Берлине была опубликована окончательная редакция. С тех пор все новые поколения читателей открывают для себя муратовскую Италию: "не театр трагический или сентиментальный, не книга воспоминаний, не источник экзотических ощущений, но родной дом нашей души". Изобразительный ряд в настоящем издании составляют произведения петербургского художника Нади Кузнецовой, работающей на стыке двух техник – фотографии и графики. В нее работах замечательно переданы тот особый свет, «итальянская пыль», которой по сей день напоен воздух страны, которая была для Павла Муратова духовной родиной.

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Биографии и Мемуары / Искусство и Дизайн / История / Историческая проза / Прочее