Читаем The Good Lord Bird полностью

Bob and I set quiet while this was going on, for they weren’t paying us no mind, but each time I stood up to step toward the door and slip away, catcalling and whistling drove me back to my chair. Women or girls of any type was scarce out on the prairie, and even though I was a mess—my dress was flattened out, my bonnet torn, and my hair underneath it was a wooly mess—the men offered me every kind of pleasure. They outworked a cooter in the nasty chattering department. Their comments come as a surprise to me, for the Old Man’s troops didn’t cuss nor drink and was generally respecters of the woman race. As the night wore on, the hooting and howling toward me growed worse, and it waked Chase, who ended up with his head on the bar, lubricated and stewed past reason, out his stupor.

He rose from the bar and said, “Excuse me, gentlemen. I am tired after killing the most dastardly criminal of the last hundred years. I aim to take this little lady across the road to the Pikesville Hotel, where Miss Abby is no doubt holding my room for me on the Hot Floor, on account of having heard of my late rasslings with that demon who I wrestled the breath from and fed him to the wolves in the name of the free living state of Missoura! God bless America.” He pushed me and Bob out the door and staggered across the street to the Pikesville Hotel.

The Pikesville was a high-class hotel and saloon compared to the previous two shitholes that I aforementioned, but I ought to say here that looking back, it weren’t much better. Only after I seen dwellings in the East did I learn that the finest hotel in Pikesville was a pigsty compared to the lowliest flophouse in Boston. The first floor of the Pikesville Hotel was a dark, candlelit drinking room, with tables and a bar. Behind it was a small middle room with a long dining table for eating. On the side of that room was a door that led to a hall leading to a back alley. At the back of the room was a set of stairs leading to the second floor.

There was a great hubbub when Chase came in, for word had proceeded him. He was pounded on the back and hailed from one corner of the room to the other, drinks shoved into his hands. He hailed everyone with a great big howdy, then proceeded to the back room, where several men seated at the dining table howdied him and offered to give him their seats and more drinks. He waved them off. “Not now, fellers,” he said. “I got business on the Hot Floor.”

On the stairs at the back of the room, several women of the type that frequented Dutch’s place sat along the bottom rungs. A couple were smoking pipes, shoving the black tobacco down into the cups with wrinkled fingers and shoving the pipes into their mouths, clamping down with teeth so yellow they looked like clumps of butter. Chase staggered past them and stood at the bottom of the stairs, hollering up, “Pie! Pie darling! C’mon down. Guess who’s back.”

There was a commotion at the top of the stairs, and a woman made her way from the darkness and stepped halfway down the stairs into the dim candlelight of the room.

I once pulled a ball from the ham of a rebel stuck out near Council Bluffs after he got into a hank out there and someone throwed their pistol on him and left him bleeding and stuck. I cleared him, and he was so grateful, he drove me to town afterward and gived me a bowl of ice cream. That was something I never had before. Best thing I ever tasted in my life.

But the feeling of that ice cream running down my little red lane in summertime weren’t nothing compared to seeing that bundle of beauty coming down them stairs that first time. She would blow the hat off your head.

She was a mulatto woman. Skin as brown as a deer’s hide, with high cheekbones and big brown dewy eyes as big as silver dollars. She was a head taller than me but seemed taller. She wore a flowered blue dress of the type whores naturally favored, and that thing was so tight that when she moved, the daisies got all mixed up with the azaleas. She walked like a warm room full of smoke. I weren’t no stranger to nature’s ways then, coming on the age of twelve as I believe I was more or less that age, and having accidentally on purpose peeked into a room or three at Dutch’s place, but the knowing of a thing is different from the doing of it, and them whores at Dutch’s was generally so ugly, they’d make the train leave the track. This woman had the kind of rhythm that you could hear a thousand miles down the Missouri. I wouldn’t throw her outta bed for eating crackers. She was all class.

She surveyed the room slowly like a priestess, and when she seen Chase, her expression changed. She quick-timed to the bottom of the stairs and kicked him. He toppled off the stair like a rag doll as the men laughed. She came down to the bottom landing and stood over him, her hands on her hips. “Where’s my money?”

Chase got up sheepishly, dusting himself off. “That’s a hell of a way to treat the man who just killed Old John Brown with his bare hands.”

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Павел Павлович Муратов (1881 – 1950) – писатель, историк, хранитель отдела изящных искусств и классических древностей Румянцевского музея, тонкий знаток европейской культуры. Над книгой «Образы Италии» писатель работал много лет, вплоть до 1924 года, когда в Берлине была опубликована окончательная редакция. С тех пор все новые поколения читателей открывают для себя муратовскую Италию: "не театр трагический или сентиментальный, не книга воспоминаний, не источник экзотических ощущений, но родной дом нашей души". Изобразительный ряд в настоящем издании составляют произведения петербургского художника Нади Кузнецовой, работающей на стыке двух техник – фотографии и графики. В нее работах замечательно переданы тот особый свет, «итальянская пыль», которой по сей день напоен воздух страны, которая была для Павла Муратова духовной родиной.

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