Читаем The Good Lord Bird полностью

About a week later, a colored girl from the yard named Nose runned into the saloon carrying a pile of kindling, set it by the stove, and passed by me as she left, whispering, “Bible meeting’s in the slave pen tonight.” That evening I slipped out the back door and found Bob. He was standing near the front gate of the yard, leaning on the fence, alone. He looked tore up. His clothes was a ragged mess, but it was him and he was yet living.

“Where you been?” I asked.

“At the sawmill. They killing me out there.” He glanced at me. “I see you living high.”

“Why you giving me the evil eye? I ain’t got run of this place.”

He glanced nervously ’round the pen. “I wish they’d’a kept me at the sawmill. These niggers in here are gonna kill me.”

“Stop talking crazy,” I said.

“Nobody talks to me. They don’t say nar word to me. Nothing.” He nodded at Sibonia in the back corner, cackling and crowing on her wooden crate. The coloreds surrounded her, working the ground garden with rakes and shovels, making a silent wall ’round her, pushing dirt, slinging up rocks and weeding. Bob nodded at Sibonia. “That one there, she’s a witch. She’s under a mad spell.”

“No, she ain’t. I owe her now on account of you.”

“You owe the devil, then.”

“I done it for you, brother.”

“Don’t call me brother. Your favors ain’t worth shit. Look where I got ’cause of you. I can’t hardly bear to look at you. Look at you,” he snorted. “All high-siddity, playing a sissy, eating well, living inside. I’m out here in the cold and rain. And you sportin’ that new, fancy dress.”

“You said running ’round this way was a good idea!” I hissed.

“I ain’t say get me kilt!”

Behind Bob, a sudden hush come over the yard. The rakes and hoes moved quicker, and every head snapped down to the ground like they was tending work hard. Someone whispered in a hurried fashion, “Darg!” and Bob quickly slipped over to the other side of the yard. He got busy with the rest ’round Sibonia, pulling weeds in the garden.

The back door of a tiny hut on the other side of the slave pen opened up, and a huge colored feller emerged. He was nearly tall as Frederick, but just as wide. He had a thick chest, wide shoulders, and big, thick arms. He wore a straw hat and coveralls and a shawl around his shoulders. His lips was the color of hemp rope, and his eyes was so small and close together, they might as well have been shoved in the same socket. That fool was ugly enough to make you think the Lord put him together with His eyes closed, guessing. But there was power in that man, too, he was raw powerful, and looked big enough to pick up a house. He moved quick, slipping to the edge of the pen a minute and pausing there, peering in, air whooshing out huge nostrils, then he moved along the side to the gate to where I stood.

I backed off when he come, but when he got close, he removed his hat.

“Evening, pretty redbone,” he said, “what you need at my pen?”

“Pie sent me here,” I lied. I didn’t think it was a good thing to bring Miss Abby up, just in case he said something to her about it, for while I had never seen him inside the saloon, knowing he was boss of that yard meant he could pass word to her some kind of way. I weren’t supposed to be there and reckoned he knowed it.

He licked his lips. “Don’t mention that high-siddity bitch to me. What you need?”

“Me and my friend here”—I pointed to Bob—“was just having a word.”

“You soft on Bob, girl?”

“I ain’t soft on him in no way, form, or fashion. I is here to merely visit him.”

He smirked. “This is my yard,” he said. “I tends to it. But if the missus say so, it’s all right, it’s all right. If she don’t, you got to move on. You check with her and come back. Unless”—he smiled, showing a row of huge white teeth—“you can be Darg’s friend. Do old Darg a sweet favor, give him a li’l sugar. You old enough.”

I would step off to hell before I touched that monster-looking nigger with a stick. I backed off quick. “It ain’t that important,” I said, and I was gone. I took one last look at Bob before I cut inside. He had his back turned, pulling weeds in the garden fast as he could, the devil keeping score. I betrayed him, is how he felt. He didn’t want no parts of me. And I couldn’t help him. He was on his own.

* * *

I got nervous about the whole bit and told it to Pie. When she heard I was in the yard, she was furious. “Who told you to consort with them outside niggers?”

“I was looking in on Bob.”

“Hell with Bob. You gonna bring trouble for us all! Did Darg say sumpthing ’bout me?”

“He didn’t bring a word on you.”

“You’s a bad liar,” she snapped. She cussed Darg for several minutes, then throwed me in for good measure. “Keep off them low-down, no-count niggers. Either that, or don’t come ’round me.”

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Павел Павлович Муратов (1881 – 1950) – писатель, историк, хранитель отдела изящных искусств и классических древностей Румянцевского музея, тонкий знаток европейской культуры. Над книгой «Образы Италии» писатель работал много лет, вплоть до 1924 года, когда в Берлине была опубликована окончательная редакция. С тех пор все новые поколения читателей открывают для себя муратовскую Италию: "не театр трагический или сентиментальный, не книга воспоминаний, не источник экзотических ощущений, но родной дом нашей души". Изобразительный ряд в настоящем издании составляют произведения петербургского художника Нади Кузнецовой, работающей на стыке двух техник – фотографии и графики. В нее работах замечательно переданы тот особый свет, «итальянская пыль», которой по сей день напоен воздух страны, которая была для Павла Муратова духовной родиной.

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