Читаем The Good Lord Bird полностью

“For the first time in my ministerial life, I felt I had done a great sin,” he said. “I could not proceed. I accepted her rebuke. I recovered from my shock at length and said, ‘But, Sibonia, yours was a wicked plot. Had you succeeded, the streets would run red with blood. How could you plot to kill so many innocent people? To kill me? And my wife? What have my wife and I done to you?”

“And here she looked at me sternly and said, ‘Reverend, it was you and your wife who taught me that God is no respecter of persons; it was you and your missus who taught me that in His eyes we are all equal. I was a slave. My husband was a slave. My children was slaves. But they was sold. Every one of them. And after the last child was sold, I said, ‘I will strike a blow for freedom.’ I had a plan, Reverend. But I failed. I was betrayed. But I tell you now, if I had succeeded, I would have slain you and your wife first, to show them that followed me that I could sacrifice my love, as I ordered them to sacrifice their hates, to have justice for them. I would have been miserable for the rest of my life. I could not kill any human creature and feel any less. But in my heart, God tells me I was right.’”

The reverend sagged in the chair. “I was overpowered,” he said. “I could not answer easily. Her honesty was so sincere, I forgot everything in my sympathy for her. I didn’t know what I was doing. I lost my mind. I grasped her by the hand and said, ‘Sibby, let us pray.’ And we prayed long and earnestly. I prayed to God as our common Father. I acknowledged that He would do justice. That those deemed the worst by us might be regarded the best by Him. I prayed for God to forgive Sibby, and if we was wrong, to forgive the whites. I pressed Sibby’s hand when I was done and received the warm pressure of hers pressing mine in return. And with a joy I never experienced before, I heard her earnest, solemn ‘Amen’ as I closed.”

He stood up. “I ain’t for this infernal institution no more,” he said. “Hang her if you want. But find someone else to minister to this town, for I am finished with it.”

And with that he got up and left the room.

14.

A Terrible Discovery

They didn’t waste time roasting corn when it come to hanging Sibonia’s coloreds. The next day, they started building the scaffold. Hangings was spectacles in them days, complete with marching bands, militia, and speeches and all the rest. On account of Miss Abby losing so much money, being that four of hers was going to the scaffold, they drug the thing out longer while she fussed about it. But it was already decided. It brought plenty money to the town. Business boomed the next two days. It kept me busy running drinks and food all day long for the folks who come from miles around to watch. There was a sense of excitement in the air. Meanwhile, any master who had slaves slipped out of town taking their colored, they disappeared with their colored and stayed away. Them folks wanted to keep their money.

News of that hanging drawed some other troubles, too, for there was a rumor that Free Staters got wind of it and was roaming around to the south. Several raids was said to have gone on. Patrols was sent out. Every settler walked around with a rifle. The town was locked up tight, with roads in and out closed off to everybody unless you was known to the townsfolk. What with the booming business, the rumors, and the sense of excitement in the air that runned everywhere, the actual thing took nearly a full week before they got to the show itself.

But they finally got to it on a sunny afternoon, and no sooner did the people assemble in the town square and the last militia arrive did they drag Sibonia and the rest of them out. They come out the jailhouse in a line, all nine of them, escorted on both sides by rebels and militia. It was a mighty crowd that came to witness it, and if them coloreds had any notions of being rescued by Free Staters at the last minute, all they had to do was look around to see it weren’t going to happen. There was three hundred rebels armed to the teeth at formation around the scaffold, about a hundred of ’em being militia in uniform with bright bayonets, red shirts, and fancy trousers, even a real drummer boy. The colored from all the surrounding areas was brought in too—men, women, and children. They lined ’em up right in front of the scaffold, to let them witness the hanging. To let them see what would happen if they tried to revolt.

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Павел Павлович Муратов (1881 – 1950) – писатель, историк, хранитель отдела изящных искусств и классических древностей Румянцевского музея, тонкий знаток европейской культуры. Над книгой «Образы Италии» писатель работал много лет, вплоть до 1924 года, когда в Берлине была опубликована окончательная редакция. С тех пор все новые поколения читателей открывают для себя муратовскую Италию: "не театр трагический или сентиментальный, не книга воспоминаний, не источник экзотических ощущений, но родной дом нашей души". Изобразительный ряд в настоящем издании составляют произведения петербургского художника Нади Кузнецовой, работающей на стыке двух техник – фотографии и графики. В нее работах замечательно переданы тот особый свет, «итальянская пыль», которой по сей день напоен воздух страны, которая была для Павла Муратова духовной родиной.

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