Luther looked down the street in both directions. It was an evil place, he thought, though the nature of that evil seemed different every time he was here. It was as though each killing, each death, changed the street, gave it a new character. Last week, after Mrs. Daniels had murdered her husband, the street had seemed angry, a location where rage ruled and violence was the accepted response to any misunderstanding. Today, however, it was a realm of craziness, where it seemed perfectly reasonable for a mother to hang her children in front of her house and leave them dangling like butchered lambs.
But the uneasiness he felt here remained constant. Luther liked nothing about this place, not the street nor the sidewalk nor the yards nor the houses.
Especially one house.
He glanced over at it now. It was an address at which nothing illegal had ever happened, a quiet, nondescript residence where an old widow lived by herself. That widow, Mrs. Hernandez, was the one who had called in about the Daniels murder. He had talked to her afterward, asking what she had seen, and she’d seemed a nice enough old lady, but he had conducted the interview on her porch because he did not want to go into her house.
The house frightened him.
The weird part was that he wasn’t frightened by any one particular thing. No, it was the overall atmosphere of the house that made his skin crawl, that set his nerves on edge. It wasn’t what had happened here but what
Jim had handcuffed the woman, who was still spitting and screaming, and hauled her to her feet. “Do you want me to take her in?” the deputy asked.
“No. I’ll do it. You watch those kids. Take them into the house or the backyard. I’ll send Mrs. Biederman over to get them; then I’ll come back and we’ll cut those other kids down, take them over to Jake’s.”
“Why do you think she did that?” Jim wondered, looking at the two hanging children.
Luther shook his head, said nothing.
But he knew the answer
It was Rainey Street.
Twenty-seven
After calling to make sure Claire and the kids were all right, talking to each of them in turn and assuring them he was okay, Julian made himself a turkey sandwich for dinner and ate in front of the TV while he watched the nightly news. He missed his family, but he was glad they weren’t here. If he had any sense at all, he would have left as well, shoving a For Sale sign into the grass of the front yard and hightailing it out of the neighborhood as quickly as he could.
But he could not do that.
Why? What did he have to prove?
That he wasn’t a coward.
Julian carried his plate and cup into the kitchen, placing the dishes in the sink. He thought of Miles, and had the sudden urge to see a picture of his son, to once again look upon the little boy’s face. He could see it in his mind, of course—the blond bowl cut, the wide green eyes, the mouth that was almost always smiling—but he wanted to look at a photograph, to view not just a memory but a tangible object, a real recording of the boy in a specific place at a specific time.
No one was home, so there was no need to be discreet, and he went down to the basement and began digging through boxes, searching for the photo albums that they kept hidden, the ones they never showed Megan or James, the ones they wanted to save but never looked at.
It took him a while to find the photo albums, and halfway through his search, he realized that the basement did not seem scary to him. Had it ever—or had he just accepted the verdict of the rest of his family? He wasn’t sure, but he knew that he was alone in the house, it was night, and he was down here and not afraid. There was something reassuring about that, and he found himself able to fully concentrate on his search for Miles’s picture without being troubled by any of the usual distractions.
Finally, after what could have been one hour, could have been two—he’d lost track of the time—Julian found, at the bottom of a Hefty bag, beneath Claire’s old maternity clothes, a familiar green album with the gold-embossed word
Miles was right there on the first page.