Anyway, there were eleven published books by the end of 1959, when I must have delivered
I had been pondering what kind of girlfriend would be right for Steve Carella, you see. Carella was merely one of the cops in the first book. I chose a deaf mute (I know, I know, the politically correct expression these days is “speech and hearing impaired,” but Teddy Carella knows where she’s coming from, and so do I) because I felt I could place her in desperate situations from which she had to be rescued by her stalwart police detective husband. I soon tired of these “Mr. and Mrs. North” shenanigans, however. Teddy was too strong a character to need rescuing all the time.
By the time I started concocting the villain of
I think it’s interesting, by the way, that most people don’t waste too much sympathy on deaf persons. They’ll risk their lives to help a blind man cross the street in heavy traffic, but the best a deaf person can hope to evoke is impatience. I hope the deaf man in these pages inspires a bit more than that. Fear perhaps? Perhaps even awe. It ain’t easy being a villain.
It ain’t easy writing about one, either.
There would be more than five deaf man novels were it not for the fact that’s he’s brilliant, and I’m not. He must forever come up with these extraordinary schemes, you see, which are foiled not by the Keystone Kops of the Eight-Seven, but instead by accident. That’s hard to do. I like to think there’ll be another deaf man novel down the pike. He still owes something to a woman named Gloria, I believe, who shot him and left him tied to a bed in
But we shall see.
Meanwhile…
Harry…thanks again.
Without you, this book wouldn’t have happened.
Ed McBain
Weston, CT
June 2002