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And, finally, one must mention the unique collection of sixteenth- to nineteenth-century instruments, which contains rare sundials and sidereal clocks, telescopes, drawing and geodetic instruments, including some made in the workshops of the Academy of Sciences under the supervision of Mikhail Lomonosov and Ivan Kulibin. Among the various serrated saws and copying lathes of Peter the Great’s time there is some interesting machinery with self-propelled supports of advanced design, whose invention is usually accredited to Andrei Nartov.

The Department’s exhibitions are supplemented by displays arranged in several state rooms of the Winter Palace. The Concert Hall (designed by Quarenghi in 1793 and rebuilt by Stasov in 1839 after its destruction by fire in 1837) — an interior faced with white stucco — houses an exhibition of seventeenth- to twentieth-century Russian silver. The famous Malachite Room (1838—1839, designed by Alexander Briullov), whose malachite decor is unique, is connected with the events of the October Revolution. Here the counter-revolutionary Provisional government held its meetings. On the night of 25—26 October (N. S. 7—8 November) 1917, the ministers were arrested in the room next door (the so-called Private Dining Room) by the Military Revolutionary Committee of the Petrograd Soviet. In 1957 the Private Dining Room was turned into a memorial room and furnished as it had been in 1917.

A special place among the state rooms belongs to the 1812 War Gallery which Alexander Pushkin made the subject of one of his poems. It was constructed to Carlo Rossi’s designs in 1826 and restored after the 1837 fire. The gallery contains 332 portraits of generals who took part in the 1812 War and the foreign campaigns of 1813—14. The pictures were painted by the English artist George Dawe and by the Russians Alexander Poliakov and Vasily Golike.

The Great Throne Room (designed in 1792—1795 by Quarenghi; rebuilt after the 1837 fire by Stasov) is decorated in a colour scheme of white and gold: white Carrara marble and gilded bronze. In 1948 a mosaic map of the Soviet Union, made from Russian coloured stones, was installed here. The room also houses an exhibition of eighteenth- and nineteenth-century carved stones.

In 1980 the Palace of Alexander Menshikov, one of the closest associates of Peter the Great, was placed, after years of reconstruction and restoration, at the disposal of the Hermitage. Situated on the University Embankment, the Palace is a most interesting monument of the history and architecture of St Petersburg in the first quarter of the eighteenth century. It is planned to unfold here an exhibition devoted to the Russian culture of the Petrine period.

The first eleven halls are already open to visitors. They include a walnut room and four rooms in which the ceiling and walls are faced with Dutch tiles.

G. Komelova, V. Vasilyev



170

St Nicholas of Mozhaisk

Wooden sculpture. Russia. 17th century



171

Silver cup with enamel inlays

Russia, Solvychegodsk. 17th century



172

Bronze candelabrum

Russia. Mid-19th century



173

Lidded silver tureen

Russia. Made by the craftsman Kuzov. 1790



174

Carlo Bartolommeo Rastrelli. 1675—1744. Russia

Peter the Great. 1723—30



175

Glass goblet engraved with ships

Russia, St Petersburg. Imperial Glassworks. 18th century



176

Steel casket

Russia, Tula. Made by the craftsman Leontyev. Late 18th century



177

Ivan Chessky. 1777/82—1848. Russia

Spit of Vasilyevsky Island. Watercolour. 1817



178

Andrei Martynov. 1768—1826. Russia

View of Nevsky Prospekt from the Anichkov Palace

Watercolour. C. 1810



179

Dmitry Levitsky. 1735—1822. Russia

Portrait of Yakov Bilibin. 1810s



180

Karl Briullov. 1799—1852. Russia

Portrait of Sophia Bobrinskaya. 1849



181

Alexei Tyranov. 1808—1859. Russia

Interior of the Winter Palace Cathedral. 1829



182

Nikifor Krylov. 1802—1831. Russia

Portrait of Vladimir Apraxin. 1829



183

Peter Ernest Rockstuhl. Russia

Portrait of Alexander Osterman-Tolstoy. 1800s



184

Vase of ruby-coloured glass

Russia, St Petersburg, Imperial Glassworks. Mid-19th century



185

Steel samovar decorated with dolphins

Russia, Tula. Early 19th century



186

Silver ash-tray in the form of a dolphin

Russia. Made by Y. Rappoport, Fabergé firm. Late 19th or early 20th century



187

Silver vase (hock-cup) painted in enamel

Russia, Ovchinnikov’s firm. Late 19th century



188

Silver jug with swans

Russia. Made by the craftsman Grigoryev. 1825



189

Cashmere gown and Kolokoltsov-style shawl

Russia. 1820s



190

Porcelain figurines

Russia, St Petersburg, Imperial Porcelain Factory. Second half of the 18th century

The Department of Numismatics




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