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"Well, I shall put this on again when Fflewddur and Prince Gwydion arrive," said Eil­onwy, taking the golden circlet from her brow, "just so they can see how it looks. But I won't wear it a moment longer. It's rubbed a blister and it makes my head ache― like someone squeezing your neck, only higher up."

"Ah, Princess," Dallben said, with a furrowed smile, "a crown is more discomfort than adornment. If you have learned that, you have already learned much."

"Learning!" Eilonwy declared. "I've been up to my ears in learning. It doesn't show, so it's hard to believe it's there. Wait, that's not quite true, either. Here, I've learned this." From her cloak she drew a large square of folded cloth and almost shyly handed it to Taran. "I embroidered it for you. It's not finished yet, but I wanted you to have it, even so. Though I admit it's not as handsome as the things you've made."

Taran spread out the fabric. As broad as his outstretched arms, the somewhat straggle-threaded embroidery showed a white, blue-eyed pig against a field of green.

"It's meant to be Hen Wen,"' Eilonwy explained as Rhun and Gurgi pressed forward to study the handiwork more closely.

"At first, I tried to embroider you into it, too," Eilonwy said to Taran. "Because you're so fond of Hen and because― because I was thinking of you. But you came out looking like sticks with a bird's nest on top, not yourself at all. So I had to start over with Hen alone. You'll just have to make believe you're standing beside her, a little to the left. Otherwise; I'd never have got this much done, and I did work the summer on it."

"If I was in your thoughts then," Taran said, "your work gladdens me all the more. No matter that Hen's eyes are really brown."

Eilonwy looked at him in sudden dismay. "You don't like it."

"I do, in all truth," Taran assured her. "Brown or blue makes no difference. It will be use­ful―"

"Useful!" cried Eilonwy. "Useful's not the point! It's a keepsake, not a horse blanket! Taran of Caer Dallben, you don't understand anything at all."

"At least," Taran replied, with a good-natured grin, "I know the color of Hen Wen's eyes."

Eilonwy tossed her red-gold hair and put her chin in the air. "Humph!" she said. "And very likely forgotten the color of mine."

"Not so, Princess," Taran answered quietly. "Nor have I forgotten when you gave me this," he added, taking up the battle horn. "Its powers were greater than either of us knew. They are gone now, but I treasure it still because it came from your hands.

"You asked why I sought to know my parentage," Taran went on. "Because I hoped it would prove noble, and give me the right to ask what I dared not ask before. My hope was mistaken. Yet even without it―"

Taran hesitated, searching for the most fitting words. Before he could speak again, the cottage door burst open, and Taran cried out in alarm.

At the threshold stood Fflewddur Fflam. The bard's face was ashen, his ragged yellow hair dung to his forehead. On his shoulder he bore the limp body of a man.

Taran, with Rhun behind him, sprang to help. Gurgi and Eilonwy followed as they lowered the still figure to the ground. Glew, his pudgy cheeks quivering, stared speechless. At the first instant, Taran had nearly staggered at the shock. Now his hands worked quickly, almost of themselves, to unclasp the cloak and loosen the torn jacket. Before him, on the hard-packed earth, lay Gwydion Prince of Don.

Blood crusted the warrior's wolf-gray hair and stained his weathered face. His lips were drawn back, his teeth set in battle rage. Gwydion's cloak muffled one arm as though at the last he had sought to defend himself with this alone.

"Lord Gwydion is slain!" Eilonwy cried.

"He lives― though barely," Taran said. "Fetch medicines," he ordered Gurgi. "The healing herbs from my saddlebags―" He stopped short and turned to Dallben. "Forgive me. It is not for me to command under my master's roof. But the herbs are of great power. Adaon Son of Taliesin gave them to me long ago. They are yours if you wish them."

"I know their nature and have none that will serve better," Dallben answered. "Nor should you fear to command under any roof, since you have learned to command yourself. I trust your skill as I see you trust it. Do as you see fit."

Coll was already hurrying from the scullery with water in a basin. Dallben, who had knelt at Gwydion's side, rose and turned to the bard.

"What evil deed is this?" The old enchanter spoke hardly above a whisper, yet his voice rang through the cottage and his eyes blazed in anger. "Whose hand dared strike him?"

"The Huntsmen of Annuvin," replied Fflewddur. "Two lives they almost claimed. How did you fare?" he urgently asked Taran. "How did you outride them so quickly? Be thankful it went no worse for you."

Taran, puzzled, glanced up at the distraught bard. "Your words have no meaning, Fflewddur."

"Meaning?" answered the bard. "They mean what they say. Gwydion would have traded his life for yours when the Huntsmen set upon you not an hour ago."

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Taran Wanderer
Taran Wanderer

The Newbery-winning fantasy series now available in gorgeous new paperback editions! Since The Book of Three was first published in 1964, young readers have been enthralled by the adventures of Taran the Assistant Pig-Keeper and his quest to become a hero. Taran is joined by an engaging cast of characters that includes Eilonwy, the strong-willed and sharp-tongued princess; Fflewddur Fflam, the hyperbole-prone bard; the ever-faithful Gurgi; and the curmudgeonly Doli―all of whom have become involved in an epic struggle between good and evil that shapes the fate of the legendary land of Prydain. Released over a period of five years, Lloyd Alexander's beautifully written tales not only captured children's imaginations but also garnered the highest critical praise. The Black Cauldron was a Newbery Honor Book, and the final volume in the chronicles, The High King, crowned the series by winning the Newbery Medal for "the most distinguished contribution to American literature for children." Henry Holt is proud to present this classic series in a new, redesigned paperback format. The jackets feature stunning art by acclaimed fantasy artist David Wyatt, giving the books a fresh look for today's generation of young fantasy lovers. The companion book of short stories, The Foundling is also available in paperback at this time. In their more than thirty years in print, the Chronicles of Prydain have become the standard of excellence in fantasy literature for children.

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