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Doli's face had turned deeply thoughtful. "Caverns," the dwarf muttered. He snapped his fingers. "Caverns! Hear me well," he said quickly. "No more than a day's march from here― yes, I'm sure of it― there's a Fair Folk mine. The best gems and precious stones are gone, and Eiddileg's had no one working there as long as I can remember. But I think we can get into it. Of course! If we follow the main shaft it should bring us out almost at the edge of the Red Fallows. You'll catch up with the Cauldron-Born in no time at all. With all our warriors together we'll stop them one way or another. How, I don't know. That doesn't matter for the moment. We'll cross that bridge when we come to it."

Doli grinned broadly. "My friends, you're with Fair Folk now. When we do something, it's done right. The first half of your worries are over. The second half," he added, "might be something else again.

For the first time since leaving Caer Dallben, Glew appeared in good spirits. The idea of anything resembling a cavern seemed to cheer him, although the result of his improved temper was a further spate of rambling tales about his own feats as a giant. However, after a hard day and night of marching, when Doli halted at the sheer face of a high cliff, the former giant began glancing about fearfully. His nose twitched and his eyes blinked in dismay. The entrance to the ancient mine toward which the dwarf beckoned was no more than a fissure in the rock, barely wide enough for the horses, overhung with icicles glistening like sharp teeth.

"No, no," stammered Glew. "This doesn't compare with my realm on Mona. Not half the size. No, you can't expect me to go stumbling around a shabby den like this."

He would have drawn back had not Fflewddur taken him by the collar and dragged him along.

"Have done, giant!" cried the bard. "In you go with the rest of us." But Fflewddur himself seemed none too eager to lead Llyan through the rocky crevice. "A Fflam is valiant," he murmured, "but I've never been fond of underground passages and all such. No luck with them. Mark my words, we'll be grubbing like moles before we're through."

At the mouth of the cavern Taran halted. Beyond this point there was no hope of finding Eilonwy. Once more he battled the wish of his heart to seek her again before she would be forever lost to him. With all his strength he fought to wrench these thoughts from his mind. But when at last he ruthlessly forced himself to follow the bard, it was as though he had left all of himself behind. He stumbled blindly into the darkness.

At Doli's orders the warriors had fashioned torches. These they now lit, and in the flickering light Taran saw the dwarf had brought them into a shaft that dipped gradually downward. Its walls of living rock rose no higher than Taran's upraised hands. Dismounted, the Commot men led their fearful horses past sharp outcroppings and over broken stones.

This, Doli explained, was not the mine itself, but only one of many side-tunnels the Fair Folk had used when carrying sacks of gems above ground. Indeed, as the dwarf foretold, the passageway soon grew much wider and the rocky ceiling soared three times Taran's height. Narrow platforms of wood, one above the other, followed the walls on either side, though many had fallen into disrepair and the beams had tumbled in a heap over the earthen floor. Lengths of half-rotted timbers shored up the archways leading from one gallery to the next, but of these some had partly crumbled, forcing warriors and steeds to pick their way most cautiously over or around the piles of rubble. The air was stifling after the icy wind above ground, and hung heavy with ancient dust and decay. Echoes flitted like bats through the long-abandoned chambers as the war band moved in a wavering file, with torches raised high above their heads. The twisting shadows seemed to muffle the sound of their footsteps; only the piercing whinny of a frightened steed broke the silence.

Glew, who had not left off his complaining since entering the mine, gave a sharp cry of surprise. He stooped and snatched something from the ground. In the flare of his torch, Taran saw the former giant held a glittering gem as big as a fist.

Fflewddur had seen it, too, and he sternly or­dered, "Put that down, little man. This is a Fair Folk trove, not that bat-ridden cave of yours."

Glew clutched his find to his chest. "It's mine!" he squealed. "None of you saw it. If you had, you'd have kept it for yourselves."

Doli, who had glanced at the gem, snorted scornfully. "It's rubbish," the dwarf said to Taran. "No Fair Folk craftsman would waste his time on it. We use better quality than that to mend a roadbed. If your mushroom-faced friend wants to burden himself, he's more than welcome."

Without waiting to be told twice, Glew hastily thrust the gem into the leather pouch dangling at his side, and his flabby features took on an expression Taran had seen only when the former giant was in the midst of a meal.

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Taran Wanderer
Taran Wanderer

The Newbery-winning fantasy series now available in gorgeous new paperback editions! Since The Book of Three was first published in 1964, young readers have been enthralled by the adventures of Taran the Assistant Pig-Keeper and his quest to become a hero. Taran is joined by an engaging cast of characters that includes Eilonwy, the strong-willed and sharp-tongued princess; Fflewddur Fflam, the hyperbole-prone bard; the ever-faithful Gurgi; and the curmudgeonly Doli―all of whom have become involved in an epic struggle between good and evil that shapes the fate of the legendary land of Prydain. Released over a period of five years, Lloyd Alexander's beautifully written tales not only captured children's imaginations but also garnered the highest critical praise. The Black Cauldron was a Newbery Honor Book, and the final volume in the chronicles, The High King, crowned the series by winning the Newbery Medal for "the most distinguished contribution to American literature for children." Henry Holt is proud to present this classic series in a new, redesigned paperback format. The jackets feature stunning art by acclaimed fantasy artist David Wyatt, giving the books a fresh look for today's generation of young fantasy lovers. The companion book of short stories, The Foundling is also available in paperback at this time. In their more than thirty years in print, the Chronicles of Prydain have become the standard of excellence in fantasy literature for children.

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