The Historians' History of the World 01

After the city had been taken, a throne for the king appears to have been placed in some conspicuous spot within the walls. He is represented in the sculptures as sitting upon it, attended by his eunuchs and principal officers, and receiving the prisoners brought bound into his presence. The chiefs prostrate themselves before him, whilst he places his foot upon their necks, as Joshua commanded the captains of Israel to put their feet upon the necks of the captive kings. This custom long prevailed in the East. In the rock sculpture of Behistun, Darius is seen with his foot upon the neck of Gometes, the rebellious Magian, who declared himself to be Bardius, the son of Cyrus. When inferior prisoners were captured, their hands were tied behind, or their arms and feet were bound by iron manacles.

They were urged onward by blows from the spears or swords of the warriors to whom they were entrusted. In a bas-relief from Khorsabad, captives are led before the king by a rope fastened to rings passed through the lip and nose. This sculpture illustrates the passage in 2 Kings xix. 28: “I will put my hook in thy nose, and my bridle in thy lips.” The king is represented in the bas-relief as holding a rope fastened to a ring, which passes through the lips of a prisoner, one of whose eyes he appears to be piercing with his spear.

In the sculptures of Khorsabad and Kuyunjik, captives are seen bringing small models of their cities to the victorious king, as a token of their subjection. Similar models are borne in triumphal processions.

The heads of the slain were generally collected, and brought either to the king or to an officer appointed to take account of their number. When Ahab’s seventy sons were killed, their heads were cut off, and brought in baskets to Jezreel. They were afterwards, laid “in two heaps at the entering in of the gate” (2 Kings x. 8). The Egyptians generally counted by hands. This mode of reckoning the loss of the enemy was long resorted to in the East.

As soon as the soldiers entered the captured city, they began to plunder, and then hurried away with the spoil. They led off the horses, carried forth on their shoulders furniture and vessels of gold, silver, and other metals, and made prisoners of the inhabitants, who, probably, became the property of those who seized them. The Assyrian warriors are seen in the sculptures bearing away in triumph the idols of the conquered nations, or breaking them into pieces, weighing them in scales, and dividing the fragments. Thus Hosea prophesied that the calf, the idol of Samaria, should be carried away by the Assyrians.

When the city had been sacked it was usually given up to the flames and utterly destroyed. The surrounding country was also laid waste. If it had been a capital—a place of strength and renown—it was seldom rebuilt on the same spot, which was avoided as unfortunate by those who survived the catastrophe and returned to the ruins.

ASSYRIAN WAR COSTUMES AND WAR METHODS

The costume of the warriors differed according to their rank and the nature of the service they had to perform. Those who fought in chariots, and held the shield for the defence of the king, are generally seen in coats of scale armour, which descend either to the knees or to the ankles. A large number of the scales were discovered in the earliest palace of Nimrud. They were generally of iron, slightly embossed or raised in the centre, and some were inlaid with copper. They were probably fastened to a shirt of felt or coarse linen. Such is the armour always represented in the most ancient sculptures. At a later period other kinds were used; the scales were larger, and appear to have been fastened to bands of iron or copper. The armour was frequently embossed with groups of figures and fanciful ornaments; but there is no reason to believe that the rich designs on the breasts of the kings were on metal.

The warriors were frequently dressed in an embroidered tunic, which was probably made of felt or leather, sufficiently thick to resist the weapons then in use. On the sculptures of Kuyunjik they are generally seen in this attire. Their arms were bare from above the elbow, and their legs from the knees downward, except when they wore shirts of mail which descended to the ankles. They had sandals on their feet. The warriors on the later Assyrian monuments, particularly on those of Khorsabad, are distinguished by a peculiar ornament, somewhat resembling the Highland phillibeg. It appears to be fastened to the girdle, and falls below the short tunic.