The Historians' History of the World 02

These kings, or great satraps, of whom we possess both inscriptions and coins, beside many others whose names cannot here be given, have been called Sah or Saha or Sinha kings, from a termination added to many of their names. We should perhaps do best in accordance with a good precedent to designate them Xatrapa (Satrap) kings, as not only did they call themselves so, but also actually were, at least in name, governors for the Mauryas and their successors.

The series begins with a certain Nahapana, who with one or two others preceded Chashtana and his sons and grandsons, and ends with one Svami Rudra Sena, the twenty-sixth mentioned. They ruled, roughly speaking, three hundred years from the beginning of the Saka era (in which we may safely place Chashtana) down to somewhere between 284 and 272 of our era. In its best days (which seem to have been under Rudra Dama, as his inscription indicates), their dominions embraced the peninsula of Guzerat, Surashtra, and Malwa, reaching north as far as the middle of the Indus valley and so onward to the sea.

Inscriptions and coins are certainly safe authorities for history: but they are somewhat inadequate when, as here, little else and nothing certain is added to them. Thus we know but little of the history of this great western or Xatrapa kingdom, not much more than the legend which has grown up round its first beginnings and its final overthrow by the Gupta power.

The Sah or Xatrapa kings, so runs the legend, were overthrown by the Guptas, who ruled between the Jumna and the Ganges. That is, they had independent and viceregal honours, and the man who prepared their downfall is called Kamara Gupta, and was succeeded by his son Skanda Gupta, whose inscription we read on the north side of the Girnar rock.—But we must begin at the beginning.

AN INSCRIPTION OF ASOKA

An inscription on the Asoka pillar at Allahabad, that of Samudra Gupta, mentions the ancestors of his family. Sri Gupta, the “august, noble, great king” and “splendour of the world,” was a petty lord who had successfully raised himself to the government from the Vaisya or middle class and, from 319, had his residence at Allahabad or in Ajodhya, and his dominion to the east of the river.

After a reign of fifteen years he was succeeded by his son Ghatotkacha. On the coins of the latter a reference has been found to his namesake the son of Bhima, of the epic legend. He proudly calls himself “Destroyer of all Kings,” and was probably really “Augmenter of the Kingdom” westward as far as the territory of the Indus. After another fifteen years he was in his turn succeeded by his son Chandra Gupta, and an inscription belonging to the latter has been found in the Sanchi Stupa at Bilsa, besides coins with his half-length portrait,—the earliest we have belonging to these kings. His realm was subsequently extended to Malwa and his rule was also friendly to the children of Sakya. He must have ruled for the space of thirty years, but his son Samudra Gupta, who is spoken of in the great inscription on the lion pillar of Allahabad, far surpassed him in fame, power, and magnificence.

The inscription is a great historical record, one of the greatest which we have for this period. It speaks by name of kings whom Samudra Gupta deposed, of others whom he made tributary to himself, of the extent and frontiers of his dominion. Since we cannot go into details we will here only mention that he subdued almost the whole Aryavarta between the northern and southern ranges to his immediate rule, made subject the hill princes in the north, the Vaudheya, Madraka, and Abhira in the Land of the Five Rivers and in Malwa, brought kings south of the Vindhya under his protectorate and ruled over the east as far as to the sea. In all this there is probably a good deal of boasting—the inscription was made after his death—but it is certain that there is also not a little that is true. He is also renowned as a ruler of high and noble disposition, as a patron of the arts and sciences, of music and poetry, which he himself cultivated. His coins, which have been found in great numbers and scattered over a wide area, some bearing the image of the lion hero and others of the king playing on the vina (harp) confirm to some extent what the long eulogy asserts.