It does not advance seriously the solution of the racial problem to turn to Greek literary tradition. Now that we are assured of the wide range and the long continuance of the influence of Mycenæan civilisation, overlapping the rise of Hellenic art, we can hardly question that the early peoples whom the Greeks knew as Pelasgi, Minyæ, Leleges, Danai, Carians, and so forth, shared in it. But were they its authors? and who, after all, were they themselves? The Greeks believed them their own kin, but what value are we to attach to the belief of an age to which scientific ethnology and archæology were unknown? Nor is it useful to select traditions,
Sepulchral Enclosure, Mycenæ
THE PROBLEM OF MYCENÆAN CHRONOLOGY
Whether or not the authors of this distinct and stately civilisation included among their achievements a knowledge of letters, their monuments thus far address us only in the universal language of form and action. Of their speech we have yet to read the first syllable. The vase handles of Mycenæ may have some message for us, if no more than a pair of heroic names; and the nine consecutive characters from the cave of Cretan Zeus must have still more to say when we find the key. We may hope, at least, if this ancient culture ever recovers its voice, to find it not altogether unfamiliar: we need not be startled if we catch the first lisping accent of what has grown full and strong in the Achæan epic.
But for the present we have to do with a dumb age, with a race whose artistic expression amazes us all the more in the dead silence of their history. So far as we yet know from their monuments, they have recorded not one fixed point in their career, they have never even written down their name as a people.
Now, a dateless era and a nameless race—particularly in the immediate background of the stage on which we see the forces of the world’s golden age deploying—are facts to be accepted only in the last resort. The student of human culture cannot look upon the massive walls, the solemn domes, the exquisite creations of what we call Mycenæan art, without asking—When? By whom? In default of direct and positive evidence, he will make the most of the indirect and probable.
We have taken a provisional and approximate date for the meridian age of Mycenæan culture—namely, from the sixteenth to the twelfth century B.C. We have also assumed that the Island culture was already somewhat advanced as far back as the earlier centuries of the second millennium before our era. This latter datum is based immediately on geological calculations: M. Fouqué, namely, has computed a date
Here we call in the aid of Egyptology. In Greece we find datable Egyptian products in Mycenæan deposits, and conversely in datable Egyptian deposits we find Mycenæan products.