The king was only the first of the nobility, and the only rights he possessed which were not shared by them was that of commander in battle and high priest. Therefore, if he wished to excel others as real ruler, everything depended on his personality; he had to surpass others in riches, bodily strength, bravery, discernment, and experience. The king brought the sacrifice to the gods for the totality and directed the religious ceremonies. He also sat in judgment, but mostly in company with experienced old men from the nobility, being really arbitrator and protector of the weak against the strong; for if no plaintiff appeared there was no trial at the public judgment-seat. It was the king’s duty to offer hospitality to the ambassadors of other states and to be hospitable to strangers generally. His revenues consisted only of the voluntary donations of his subjects, of a larger share in the spoils of war, and of the produce of certain lands assigned to him. The only signs of his royalty were the sceptre and the herald that went before him. He took the first place at all assemblies and feasts, and at the sacrificial repasts he received a double helping of food and drink. He was addressed in terms of veneration, but otherwise one associated with him as with any other noble, and there was no trace of the oriental forms of homage towards kings among the ancient Greeks.
The nobility was composed of men of certain families to whom especial strength and dexterity were attributed as hereditary prerogatives; they sought to keep these up by means of knightly practices and to prove them on the battle-field. As has already been said, they took part in the government of the country. The common people or free citizens of the second class were assembled on all important occasions, to give their votes for peace or war, or any other matter of importance. The assemblies of the people described in the
In time of war the decision depended more upon the bravery of the kings and nobles than upon the fighting of the people, who arranged themselves in close masses on the battle-field. The chiefs were not trained to be generals or leaders, but rather brave and skilled fighters. Swiftness in running, strength and certainty in throw, and skill in wrestling as in the use of arms, of the lance and the sword, were the most important items. Every leader had his own chariot, with a young companion by his side to hold the reins, while he himself fought with a javelin. The fortifications of the towns consisted of a trench and a wall with towers. As yet they had no knowledge of how to conduct a siege. They knew of no implement which would serve in the taking of a town.
Music and poetry played an important part in the lives of these warlike people. These were inseparable from their meals, their feasts, and military expeditions. The lyre, the flute, and the pipe were the musical instruments in the heroic age; the trumpet was not used until the end of that time. Flute and pipe were the instruments of shepherds and peasants. The lyre, on the other hand, was played by poets and singers and even by many of the kings and nobles, and always served as the accompaniment of songs. The subjects of their songs were the deeds of living or past heroes. There were singers or bards who composed these songs and sang them while men stood round to listen and these bards were held in great esteem.
Religion and politics were closely connected; but there was no trace of a priesthood with predominant influence. The king was the director of sacrifices, the presence of a priest not being required. There already existed, to be sure, besides the ancient oracle of Dodona, the oracle of Delphi in Phocis, which became so celebrated at a later period; but neither had any great influence in the heroic age. On the other hand, there were so-called soothsayers, who were supposed to possess much wisdom and at the same time a kind of association with the gods. For this reason they were consulted, so as to foretell the results of important undertakings, and to discover the cause of general misfortunes as well as a means of removing them.
The most renowned of these men were Orpheus, who played the part of prophet in the expedition of the Argonauts; Amphiaraus, who joined the expedition of the Seven against Thebes in the same character; Tiresias, who was the prophet of the Thebans both at that time and in the war of the Epigoni; and lastly Calchas, the soothsayer of the Greeks in the Trojan war. Even these men had no influence to be compared with the oriental priesthood.