The Historians' History of the World 05

The poems of Catullus range from gross impurity to lofty flights of inspiration. The fine poem called the Atys is the only Latin specimen which we possess of that dithyrambic spirit which Horace repudiated for himself. The elegy to Hortalus is perhaps the most touching piece of poetry that has been left us by the ancients. The imitation of Callimachus is a masterpiece in its way. The little poems on passing events—pièces de circonstance, as the French call them—are the most lively, natural, and graceful products of the Latin muse. To those who agree in this estimate it seems strange that Horace should only notice Catullus in a passing sneer. It is difficult to acquit the judge of jealousy. For Catullus cannot be ranked with the old poets, such as Livius, Ennius, and others, against the extravagant admiration of whom Horace not unjustly protested. His lyric compositions are as finished and perfect as the productions of Horace, who never wrote anything so touching as the elegy to Hortalus, or so full of poetic fire as the Atys.

With Catullus may be mentioned his friend C. Licinius Macer, commonly called Calvus, whom Horace honours by comprehending him in the same condemnation. He was some fifteen years younger, and was probably son of Licinius Macer the historian. He was a good speaker, and a poet (if we believe other authors, rather than Horace) not unworthy to be coupled with Catullus. He died at the early age of thirty-five or thirty-six.

Another poet highly praised by Catullus was C. Helvius Cinna, supposed to be the unlucky man torn to pieces by the rabble after Cæsar’s funeral by mistake for L. Cornelius Cinna.

At the time that the battles of Philippi secured to Italy somewhat of tranquillity, many others began to devote themselves to poetry. Among these were L. Varius Rufus, celebrated by Horace as the epic poet of his time, and the few fragments from his pen which remain do much to justify the praise. He was the intimate friend both of Horace and Virgil.

Furius Bibaculus also may be mentioned here as an epic poet, who attempted to commit to verse the campaign of Cæsar in Gaul. Horace ridicules his pretensions in two well-known passages; but there is reason to think that in the case of Furius also the satirist was influenced by some personal feeling.

But the fame of all other poets was obscured by the brightness which encircled the names of Virgil and Horace. Properly their history belongs to the Augustan or imperial era. But as they both published some of their best works before the battle of Actium, a slight notice of them may be permitted here.

P. Virgilius (or Vergilius) Maro was born at Andes, a village near Mantua, in the famous year 70 B.C., so that he was entering manhood about the time when Lucretius put an end to his own life. From his father he inherited a small estate. After the battle of Philippi, he was among those whose lands were handed over to the soldiery of the victorious triumvirs. But what seemed his ruin brought him into earlier notice than otherwise might have been his lot. He was introduced to Mæcenas by Asinius Pollio, himself a poet, who had been made governor of Cisalpine Gaul, and was reinstated in his property. This happy event, as everyone knows, he celebrates in his first Eclogue. But it appears that when he tried to resume possession he was nearly slain by the rude soldier who had received a grant of the land, and it was some months before he was securely restored. In company with Horace, Varius, and others, he attended Mæcenas in the famous journey to Brundusium (probably in 37 B.C.). He had already (in the year 40 B.C.) written the famous eclogue on the consulship of Pollio, of which we have before spoken; and soon after this he began the Georgics, at the special desire of Mæcenas. They seem to have been published in their complete form soon after the battle of Actium. For the rest of his life, which he closed at Brundusium in the fifty-first year of his age (19 B.C.), he was occupied with his Æneid, which with modest self-depreciation he ordered to be destroyed. But it was revised by his friends Varius and Plotius, and published by order of the emperor, whom he had accompanied in a tour through Greece just before his death.