Читаем The Historians' History of the World 06 полностью

Then again, there are emperors who scorn the capital; Maximin, for example, who for a time transfers the seat of empire to distant Pannonia. It is a strange spectacle when Italian citizens are brought from their residences in Rome to have punishment—punishment, be it understood, not justice—meted out to them in a province on the Danube. Few other emperors go quite to such extremes as this; but more and more as time goes on we feel that the interests of the empire are everywhere except in Rome. After the time of Claudius, who occupies the throne just as the empire is rounding out its third century, it is almost a foregone conclusion that Illyricum will supply the empire with its rulers. The significance of this fact is at once evident, if we recall that Illyricum is that territory north of Greece including Macedonia, Thrace, and Mœsia, which a future emperor will fix on as the seat of New Rome—Constantinople.

The decentralisation of the empire, of which these are significant marks, is still more strikingly manifested in the ever increasing number of rival claimants to the purple. Again and again it happens that the soldiers in different portions of the empire raise different chiefs to nominal imperial power. At one time, while Gallienus is the legitimate holder of the title, there are spurious emperors in Illyricum, Gaul, Greece, Egypt,—everywhere. The time comes to be known as the epoch of the Thirty Tyrants. Doubtless there were not thirty of these rival emperors; but there may have been fifteen or twenty—just how many no one knows or need greatly care to know.

And while internal dissensions are thus weakening the empire, an even greater danger threatens it from without. The peoples whom we have come to speak of rather loosely as barbarian hordes—Franks, Alamanni, Goths—are piercing through the cordon of steel which is the sole safeguard of the empire. The Persians contest the eastern border. They capture a Roman emperor, Valerian, and carry him off to ignominious servitude. The Goths sweep down to the Bosporus, invade Asia Minor, and coast along the shores of Greece. The Alamanni invade Italy, and come almost to Rome itself. For the time being these hordes are repelled. A pest from Egypt carries off the Goths by thousands and renders their motley array of warriors powerless. The arms of Aurelian drive back the Alamanni. For the moment the imperial seat is secure. But so dreadful appears this new threat of the old northern enemies that now, just at the close of the third century of empire, a wall is built about the imperial city. A few generations back that far-outlying wall of steel was all-sufficient; now a narrow circle of stone must safeguard the capital, as in the days of long ago, when Rome had not yet conquered Italy.

This fact alone sufficiently characterises the time. When the proud city, whose subject territories are bounded by the Euphrates and the Atlantic, acknowledges the fear of an enemy at her very portals, the beginning of the end is at hand. The Roman Empire at the close of its third century is no longer dreaming of more distant conquests; it is struggling for life itself. Some salient features of this struggle will now claim our attention.a

Maximin (C. Julius Verus Maximinus), 235-238 A.D.

[235-237 A.D.]

Maximin was originally a Thracian peasant, of enormous size and strength; his stature, we are told, “exceeded eight feet; his wife’s bracelet made him a thumb-ring; he could draw a loaded wagon, break a horse’s leg with a kick, and crumble sandstones in his hands”; he often, it is added, “ate forty pounds of meat in the day, and washed them down with seven gallons of wine.” Hence he was named Hercules, Antæus, and Milo of Croton. He became known to the emperor Severus on the occasion of his celebrating the birthday of his son Geta one time in Thrace. The young barbarian approached him, and in broken Latin craved permission to wrestle with some of the strongest of the camp followers; he vanquished sixteen of them, and received as many prizes, and was admitted into the service. A couple of days after, Severus seeing him exulting at his good fortune, spoke to a tribune about him, and Maximin perceiving that he was the object of the emperor’s discourse began to run on foot by his horse; Severus to try his speed put his horse to the gallop, but the young soldier kept up with him till the aged emperor was tired. Severus asked him if he felt inclined to wrestle after his running: he replied in the affirmative, and overthrew seven of the strongest soldiers. He rose rapidly in the service under Severus and his son; he retired to his native village when Macrinus seized the empire; he disdained to serve Elagabalus, but the accession of Alexander induced him to return to Rome. He received the command of a legion, was made a senator, and the emperor even had thoughts of giving his sister in marriage to the son of the Thracian peasant.

Перейти на страницу:

Похожие книги

MMIX - Год Быка
MMIX - Год Быка

Новое историко-психологическое и литературно-философское исследование символики главной книги Михаила Афанасьевича Булгакова позволило выявить, как минимум, пять сквозных слоев скрытого подтекста, не считая оригинальной историософской модели и девяти ключей-методов, зашифрованных Автором в Романе «Мастер и Маргарита».Выявленная взаимосвязь образов, сюжета, символики и идей Романа с книгами Нового Завета и историей рождения христианства настолько глубоки и масштабны, что речь фактически идёт о новом открытии Романа не только для литературоведения, но и для современной философии.Впервые исследование было опубликовано как электронная рукопись в блоге, «живом журнале»: http://oohoo.livejournal.com/, что определило особенности стиля книги.(с) Р.Романов, 2008-2009

Роман Романов , Роман Романович Романов

История / Литературоведение / Политика / Философия / Прочая научная литература / Психология
100 величайших соборов Европы
100 величайших соборов Европы

Очерки о 100 соборах Европы, разделенные по регионам: Франция, Германия, Австрия и Швейцария, Великобритания, Италия и Мальта, Россия и Восточная Европа, Скандинавские страны и Нидерланды, Испания и Португалия. Известный британский автор Саймон Дженкинс рассказывает о значении того или иного собора, об истории строительства и перестроек, о важных деталях интерьера и фасада, об элементах декора, дает представление об историческом контексте и биографии архитекторов. В предисловии приводится краткая, но исчерпывающая характеристика романской, готической архитектуры и построек Нового времени. Книга превосходно иллюстрирована, в нее включена карта Европы с соборами, о которых идет речь.«Соборы Европы — это величайшие произведения искусства. Они свидетельствуют о христианской вере, но также и о достижениях архитектуры, строительства и ремесел. Прошло уже восемь веков с того времени, как возвели большинство из них, но нигде в Европе — от Кельна до Палермо, от Москвы до Барселоны — они не потеряли значения. Ничто не может сравниться с их великолепием. В Европе сотни соборов, и я выбрал те, которые считаю самыми красивыми. Большинство соборов величественны. Никакие другие места христианского поклонения не могут сравниться с ними размерами. И если они впечатляют сегодня, то трудно даже вообразить, как эти возносящиеся к небу сооружения должны были воздействовать на людей Средневековья… Это чудеса света, созданные из кирпича, камня, дерева и стекла, окутанные ореолом таинств». (Саймон Дженкинс)

Саймон Дженкинс

История / Прочее / Культура и искусство