There are enormous differences between peace and war. When the troops were camped here while the crusaders decided whether they would stay or leave, and there was no warfare apart from the brief skirmish or exchange of arrows and insults, Lisbon looked almost like a jewel resting against the slope and exposed to the voluptuaries of the sun, sparkling all over, and surmounted on high by the mosque of the fortification, resplendent with green and blue mosaics, and, on the slope facing this side, the neighbourhood from where the population had not yet withdrawn, a scene that could only be compared with the ante-chambers of paradise. Now, outside the walls, the houses have been burnt down and the walls demolished, and even from a distance you can see the onslaught of destruction, as if the Portuguese army were a swarm of white ants as capable of gnawing wood as stone, although they might break their teeth and the thread of life in this arduous task, as we have seen, and it will not stop here. Mogueime is not sure if he is afraid of dying. He finds it only natural that others should die, in war this always happens, or is it for this reason that wars are fought, but were he capable of asking himself what he really fears at this time, he would perhaps reply that it is not so much the possibility of meeting his death, who knows, perhaps in the very next assault, but something else which we shall simply call loss, not of life in itself, but of what might happen in life, for example, if Ouroana were to be his the day after tomorrow, unless destiny or Our Lord Jesus Christ should ordain that he must die tomorrow. We know that Mogueime has no such thoughts, he travels by a more straightforward route, whether death comes late or Ouroana comes soon, between the hour of her arrival and the hour of his departure there will be life, but the thought is also much too complicated, so let us resign ourselves to not knowing what Mogueime really thinks, let us turn to the apparent clarity of actions, which are translated thoughts, although in the passage from the latter to the former, certain things are always lost or added, which means that, in the final analysis, we know as little about what we do as about what we think. The sun is high, it will soon be midday, the Moors are certain to be observing any movements in the encampment, watching to see whether the Galicians will stage another attack like that of yesterday when the muezzins summon the faithful to prayer which only goes to show how little respect these heartless creatures have for the religion of others. In order to shorten his journey, Mogueime fords the estuary at the level of the Praça dos Restauradores, taking advantage of the low tide. Soldiers from the detachment assigned to the Porta de Alfofa roam these parts, seeking some distraction from the horrors of battle and trying to catch small fish in the estuary, they have certainly come a long way, and even in those days there was the saying, Out of sight, out of mind, but the allusion here is not to interrupted love affairs, but a question of finding some respite away from the arena of warfare, a sight the more delicate find unbearable once the heat of battle is over. And to avoid any desertions, commanding officers patrol the area, like shepherds or their dogs guarding the flock, there is no other solution, for the soldiers have been paid until August and there is much to be done, day by day, until this period expires, save for any impediment resulting beforehand because another period of expiry has been completed, that of life. Mogueime cannot ford the second branch of the estuary, for it is deeper, even when the tide is out, so he goes up the embankment until he comes to the freshwater streams, where one day he will see Ouroana washing clothes and he will ask her, What is your name, a mere pretext to start up a conversation, for if Mogueime knows anything about this woman, it is her name, he has said it to himself so often that, contrary to appearances, it is not only the days that go on repeating themselves, What is your name Raimundo Silva asked Ouroana, and she replied, Maria Sara.