All that is left of the garden at Sea’s End House is a thin strip of land, about a metre across, that runs alongside the house. The back garden has disappeared completely. But someone has taken trouble with the tiny piece of ground that is left. There is a narrow ribbon of lawn and someone has been tending the flowerbeds.
‘Strange to see the flowers coming up again after the snow,’ says Stella. ‘They’re hardier than you think, spring flowers.’
‘Are you a keen gardener?’ asks Nelson. He isn’t, though he quite likes mowing the lawn. Michelle loves garden centres; they’re her idea of heaven.
‘No, but we have someone who comes in. There’s not really enough for him to do now but he’s always looked after our garden. And his grandfather before him.’
Something stirs in Nelson’s brain as he looks at the spindly tulips pushing up out of the chalky soil.
‘Wasn’t he in the Home Guard? Your old gardener?’
‘Yes, Donald Drummond. He was devoted to Buster. And to Irene.’
As clear as if it is being amplified into the air around him, Nelson’s hears Hugh Anselm’s voice:
And, like a kaleidoscope spinning before his eyes, so fast that the colours are blurred and the shapes indistinct, Nelson sees himself looking down from Archie Whitcliffe’s window. He is watching the gardener mow the lawn. Then, he sees himself at Hugh Anselm’s sheltered accommodation, admiring the grounds, so beautifully kept, recently mown, newly planted.
‘What’s the name of the gardener you have now? Donald’s grandson?’ he asks, so sharply that Stella steps back.
‘Craig. I assumed you’d know him. He’s an archaeologist too. One of Ruth’s team.’
CHAPTER 30
The hull of the ship is so weathered and encrusted that it seems part of the rocks around it. Peering inside, Ruth sees pools of stagnant water, mussels like obscene growths clinging to the wood, a crab scuttling warily across the remains of a bench seat. But the basic structure remains, there is even a rudimentary cabin with the door bolted shut and, in the lowest part of the ship, partly submerged, two sealed barrels. Ruth leans forward and pulls at something trapped under one of the barrels. It looks like cotton wool, stained and discoloured by the water but smelling unmistakably of sulphur – gun cotton.
She looks at Craig who is peering over the side of the boat.
‘How come no-one’s found this before? It’s quite visible at low tide.’
‘Oh, people know about it. It’s even on the maps. I just don’t think that anyone has made the fire ship connection.’
It’s possible the boat was already a wreck when Hastings and his men primed it, thinks Ruth. It has probably sat in this lonely bay for years. Hastings would have known about it, she is sure that he knew every inch of this coast. He would have come down here in Syd Austin’s boat, probably with Ernst, the clever scientist, and filled the rotting hull with barrels of explosives, stuffed with the lethal cotton. They may even have had a way of setting off the explosion from a distance. The impact would have set the very sea on fire.
‘I wonder what’s in the cabin,’ she says. ‘It’s still locked.’
‘Let me have a look,’ says Craig, climbing over the side of the boat.
‘Funny,’ says Ruth. ‘The lock looks new. It’s not rusted at all.’
‘That’s odd.’ Craig comes to stand beside her. Even though the boat is lodged tight in the rocks, it still tilts slightly with the two of them aboard. The timbers creak and Ruth wonders if they will hold out.
The bolt slides back easily, too easily. Ruth feels the first, slight, frisson of alarm. She hears the sea thundering towards them and the gulls overhead. The tide has turned.
‘Have a look inside,’ says Craig.
Ruth turns, suddenly scared. It is a few seconds before she realises that she is looking down the barrel of a gun.
Nelson is ringing Ruth’s number. No answer. Leaving Stella looking bemused, he runs out of the house, sprints to the end of the drive and along the cliff path. Ruth’s car is in the car park. There is only one other car, a blue Nissan.