He'd attended college in the South, in Georgia where he came from—Mother was from New Jersey—and took farming and animal husbandry. But then he quit and up north, in Trenton, he went to optician's school. Then he was drafted into the army for World War I, then he met Mother, moved with her to East Orange, opened the store, bought the house, then there was the crash, and now he was a waiter on a dining car. But if he couldn't in the dining car, at least at home he was able to speak with all his deliberateness and precision and directness and could wither you with words. He was very fussy about his children's speaking properly. Growing up, they never said, "See the bow-wow." They didn't even say, "See the doggie."
They said, "See the Doberman. See the beagle. See the terrier."
They learned things had classifications. They learned the power of naming precisely. He was teaching them English all the time. Even the kids who came into the house, his children's friends, had their English corrected by Mr. Silk.
When he was an optician and wore a white medical smock over a ministerial dark suit and was working more or less regular hours, he would sit after dessert and read the newspaper at the dinner table.
They all would read from it. Each one of the children, even the baby, even Ernestine, would have to take a turn at the Newark Evening News, and not with the funnies. His mother, Coleman's grandmother, had been taught to read by her mistress and after Emancipation had gone to what was then called Georgia State Normal and Industrial School for Colored. His father, Coleman's paternal grandfather, had been a Methodist minister. In the Silk family they had read all the old classics. In the Silk family the children were not taken to prizefights, they were taken to the Metropolitan Museum of Art in New York to see the armor. They were taken to the Hayden Planetarium to learn about the solar system. Regularly they were taken to the Museum of Natural History. And then in 1937, on the Fourth of July, despite the cost, they were all taken by Mr. Silk to the Music Box Theatre on Broadway to see George M. Cohan in I'd Rather Be Right. Coleman still remembered what his father told his brother, Uncle Bobby, on the phone the next day. "When the curtain came down on George M. Cohan after all his curtain calls, do you know what the man did? He came out for an hour and sang all his songs. Every one of them. What better introduction could a child have to the theater?"
"If I were your father," Coleman's father resumed, while the boy sat solemnly before his empty plate, "you know what I would tell you now?"
"What?" said Coleman, speaking softly, and not because he was winded from all the roadwork but because he was chastened by having told his own father, who was no longer an optician but a dining car waiter and who would remain a dining car waiter till he died, that he was not his father.
"I would say, 'You won last night? Good. Now you can retire undefeated.
You're retired.' That's what I'd say, Coleman."
It was much easier when Coleman spoke to him later, after he had spent the afternoon doing his homework and after his mother had a chance to talk and reason with his father. They were all able to sit more or less peaceably together then in the living room and listen to Coleman describe the glories of boxing and how, given all the resources you had to call on to excel, they exceeded even winning at track.
It was his mother who asked the questions now, and answering her was no problem. Her younger son was wrapped like a gift in every ameliorating dream Gladys Silk had ever had, and the handsomer he became and the smarter he became, the more difficult it was for her to distinguish the child from the dreams. As sensitive and gentle as she could be with the patients at the hospital, she could also be, with the other nurses, even with the doctors, with the white doctors, exacting and stern, imposing on them a code of conduct no less stringent than the one she imposed on herself. She could be that way with Ernestine as well. But never with Coleman.
Coleman got what the patients got: her conscientious kindness and care. Coleman got just about anything he wanted. The father leading the way, the mother feeding the love. The old one-two.
"I don't see how you get mad at somebody you don't know. You especially," she said, "with your happy nature."
"You don't get mad. You just concentrate. It's a sport. You warm up before a fight. You shadowbox. You get yourself ready for whatever is going to come at you."
"If you've never seen the opponent before?" asked his father, with all the restraint on his sarcasm he could muster.
"All I mean," Coleman said, "is you don't have to get mad."
"But," his mother asked, "what if the other boy is mad?"