Читаем The Illuminatus! Trilogy полностью

"We can. We shall. It will take a long, long time to move them all across that pontoon bridge, and they are all on foot. We have vehicles and can catch up with them before half of them are even on the bridge. They'll all be bunched together, and those on the bridge will be a perfect target for machine guns. We shall simply sweep in on them, harvesting their lives as we go. We spent years building up our identity as the American Medical Association just so we could organize the Ingolstadt festival and trap masses of human beings on the shore of Lake Totenkopf, that our sacred lake might run red with their blood. Would you throw all that away?"

"I agree. A brilliant analysis," said Wilhelm.

"We must move on at full speed, then," said Wolfgang. He turned to the car behind him and shouted. "Vorwarts at maximum speed!" General-of-the-SS Hanfgeist stood up, turned toward his subordinates, and moved his blackened lips to form the same words. Immediately the tanks, halftracks, motorcycles, and armored cars began to rev up their engines and the troops started to trot down the road on the double.

A lookout in one of the festival light-and-sound towers spotted them and relayed a warning to the stage, where Robert Pearson spoke into a microphone. "It is my sad duty to inform you that the pigs are intensifying their approach. Now, don't run. But do quicken your pace with all deliberate speed."

Hagbard called in through the doorway of the gold tent, "John, you've had enough, for Discordia's sake. Come on out and let Malaclypse go in."

"I thought you were noncorporeal," said George.

"If you'd known me any length of time you would have noticed that I frequently pick my nose," said the Sartrelike apparition.

"Whew," said John-John Dillinger, emerging from the tent, "who would have thought the old man'd have so much come in him? She says she wants George in there after Mal."

The woman behind the veil was glowing. There was no light in the tent, save for the deep golden radiance that came from her body.

"Come closer, George," she said. "I don't want you to make love to me now- I only want you to learn the truth. Stand here before me."

The woman behind the veil was Mavis. "Mavis, I love you," said George. "I've loved you ever since you took me out of that jail in Mad Dog."

"Look again, George," said Stella.

"Stella! What happened to Mavis?"

I circle around, I circle around…

"Don't play games with yourself, George. You know perfectly well that a moment ago I was Mavis."

"It's the acid," said George.

"The acid only opens your eyes, George. It doesn't work miracles," said Miss Mao.

I circle around, I circle around…

"Oh, my God!" said George. And he thought: And it shall come to pass, that whosoever shall call on the name of the Lord shall be saved.

Mavis was there again. "Do you understand, George? Do you understand why you never saw all of us together at once? Do you understand why, all the time you wanted to fuck me, that when you were fucking Stella you were fucking me? And do you understand that I am not one woman or three women but an infinite number of women?" Before his eyes she turned red, yellow, black, brown, young, middle-aged, a child, an old woman, a Norwegian blonde, a Sicilian brunette, a wild-eyed Greek woman, a tall Ashanti, a slant-eyed Masai, a Japanese, a Chinese, a Vietnamese, and on and on and on.

The paleface kept turning colors, the way people do when you're on peyote. Now he looked almost like an Indian. That made it easier to talk to him. Why shouldn't people turn colors? All the trouble in the world came from the fact that they usually stayed the same color. James nodded profoundly. As usual, peyote had brought him a big Truth. If whites and blacks and Indians were turning colors all the time, there wouldn't be any hate in the world, because nobody would know which people to hate.

Who the hell's mind was that? George wondered. The tent was dark. He looked around for the woman. He rushed out of the tent. No one was looking at him. They were all, Hagbard and the rest of them, staring in awe at a colossal figure that grew ever taller as it strode away from them. It was a golden woman in golden robes with wild gold, red, black hair flowing free. She stepped over the fence that guarded the festival grounds as casually as if it were the threshold of a door. She towered over the Bavarian pines. In her left hand she carried an enormous golden orb..

Hagbard put his hand on George's shoulder. "It is possible," he said, "to achieve transcendental illumination though a multiplicity of orgasms as well as through a multiplicity of deaths."

There were lights advancing down the road. The woman, now ninety-three feet tall, strode toward those lights. She laughed, and the laughter echoed across Lake Totenkopf.

"Great Gruad! What's that?" cried Werner.

"It's the Old Woman!" shouted Wolfgang, his lips falling away from his teeth in a snarl.

Перейти на страницу:

Похожие книги

Тайное место
Тайное место

В дорогой частной школе для девочек на доске объявлений однажды появляется снимок улыбающегося парня из соседней мужской школы. Поверх лица мальчишки надпись из вырезанных букв: Я ЗНАЮ, КТО ЕГО УБИЛ. Крис был убит уже почти год назад, его тело нашли на идиллической лужайке школы для девочек. Как он туда попал? С кем там встречался? Кто убийца? Все эти вопросы так и остались без ответа. Пока однажды в полицейском участке не появляется девушка и не вручает детективу Стивену Морану этот снимок с надписью. Стивен уже не первый год ждет своего шанса, чтобы попасть в отдел убийств дублинской полиции. И этот шанс сам приплыл ему в руки. Вместе с Антуанеттой Конвей, записной стервой отдела убийств, он отправляется в школу Святой Килды, чтобы разобраться. Они не понимают, что окажутся в настоящем осином гнезде, где юные девочки, такие невинные и милые с виду, на самом деле опаснее самых страшных преступников. Новый детектив Таны Френч, за которой закрепилась характеристика «ирландская Донна Тартт», – это большой психологический роман, выстроенный на превосходном детективном каркасе. Это и психологическая драма, и роман взросления, и, конечно, классический детектив с замкнутым кругом подозреваемых и развивающийся в странном мире частной школы.

Михаил Шуклин , Павел Волчик , Стив Трей , Тана Френч

Фантастика / Детективы / Триллер / Фэнтези / Прочие Детективы
Пепел и пыль
Пепел и пыль

Неизвестно, существуют ли небеса. Неизвестно, существует ли ад. Наверняка можно сказать лишь одно: после смерти человек попадает в Междумирье, где царствуют пепел и пыль, а у каждого предмета, мысли или чувства из нашей реальности есть свое отражение. Здесь ползают мыслеобразы, парят демоны внезапной смерти, обитает множество жутких существ, которым невозможно подобрать название, а зло стремится завладеть умершими и легко может проникнуть в мир живых, откликнувшись на чужую ненависть. Этот мир существует по своим законам, и лишь проводники, живущие в обеих реальностях, могут помочь душам уйти в иное пространство, вознестись в столбе ослепительного света. Здесь стоит крест, и на нем висит распятый монах, пронзенный терновником и обреченный на вечные муки. Монах узнал тайну действительности, а потому должен был умереть, но успел оставить завещание своему другу-проводнику, которому теперь придется узнать, как на самом деле устроено Междумирье и что находится за его пределами, ведь от этого зависят судьбы живых и мертвых.

Ярослав Гжендович

Триллер