"We can. We shall. It will take a long, long time to move them all across that pontoon bridge, and they are all on foot. We have vehicles and can catch up with them before half of them are even on the bridge. They'll all be bunched together, and those on the bridge will be a perfect target for machine guns. We shall simply sweep in on them, harvesting their lives as we go. We spent years building up our identity as the American Medical Association just so we could organize the Ingolstadt festival and trap masses of human beings on the shore of Lake Totenkopf, that our sacred lake might run red with their blood. Would you throw all that away?"
"I agree. A brilliant analysis," said Wilhelm.
"We must move on at full speed, then," said Wolfgang. He turned to the car behind him and shouted.
A lookout in one of the festival light-and-sound towers spotted them and relayed a warning to the stage, where Robert Pearson spoke into a microphone. "It is my sad duty to inform you that the pigs are intensifying their approach. Now, don't run. But
Hagbard called in through the doorway of the gold tent, "John, you've had enough, for Discordia's sake. Come on out and let Malaclypse go in."
"I thought you were noncorporeal," said George.
"If you'd known me any length of time you would have noticed that I frequently pick my nose," said the Sartrelike apparition.
"Whew," said John-John Dillinger, emerging from the tent, "who would have thought the old man'd have so much come in him? She says she wants George in there after Mal."
The woman behind the veil was glowing. There was no light in the tent, save for the deep golden radiance that came from her body.
"Come closer, George," she said. "I don't want you to make love to me now- I only want you to learn the truth. Stand here before me."
The woman behind the veil was Mavis. "Mavis, I love you," said George. "I've loved you ever since you took me out of that jail in Mad Dog."
"Look again, George," said Stella.
"Stella! What happened to Mavis?"
I circle around, I circle around…
"Don't play games with yourself, George. You know perfectly well that a moment ago I
"It's the acid," said George.
"The acid only opens your eyes, George. It doesn't work miracles," said Miss Mao.
I circle around, I circle around…
"Oh, my God!" said George. And he thought:
Mavis was there again. "Do you understand, George? Do you understand why you never saw all of us together at once? Do you understand why, all the time you wanted to fuck me, that when you were fucking Stella you
The paleface kept turning colors, the way people do when you're on peyote. Now he looked almost like an Indian. That made it easier to talk to him. Why shouldn't people turn colors? All the trouble in the world came from the fact that they usually stayed the same color. James nodded profoundly. As usual, peyote had brought him a big Truth. If whites and blacks and Indians were turning colors all the time, there wouldn't be any hate in the world, because nobody would know which people to hate.
Who the hell's mind was that? George wondered. The tent was dark. He looked around for the woman. He rushed out of the tent. No one was looking at him. They were all, Hagbard and the rest of them, staring in awe at a colossal figure that grew ever taller as it strode away from them. It was a golden woman in golden robes with wild gold, red, black hair flowing free. She stepped over the fence that guarded the festival grounds as casually as if it were the threshold of a door. She towered over the Bavarian pines. In her left hand she carried an enormous golden orb..
Hagbard put his hand on George's shoulder. "It is possible," he said, "to achieve transcendental illumination though a multiplicity of orgasms as well as through a multiplicity of deaths."
There were lights advancing down the road. The woman, now ninety-three feet tall, strode toward those lights. She laughed, and the laughter echoed across Lake Totenkopf.
"Great Gruad! What's that?" cried Werner.
"It's the Old Woman!" shouted Wolfgang, his lips falling away from his teeth in a snarl.