The James Bond Anthology

James Bond’s choice of reading matter, prompted by a spectacular jacket of a half-naked girl strapped to a bed, turned out to have been a happy one for the occasion. It was called Verderbt, Verdammt, Verraten. The prefix ‘ver’ signified that the girl had not only been ruined, damned and betrayed, but that she had suffered these misfortunes most thoroughly. James Bond temporarily lost himself in the tribulations of the heroine, Gräfin Liselotte Mutzenbacher, and it was with irritation that he heard Captain Sender say that it was five thirty and time to take up their positions.

Bond took off his coat and tie, put two sticks of chewing gum in his mouth and donned the hood. The lights were switched off by Captain Sender and Bond lay along the bed, got his eye to the eye-piece of the Sniperscope and gently lifted the bottom edge of the curtain back and over his shoulders.

Now dusk was approaching, but otherwise the scene, a year later to become famous as ‘Checkpoint Charlie’, was like a well-remembered photograph – the waste-land in front of him, the bright river of the frontier road, the farther waste-land and, on the left, the ugly square block of the Haus der Ministerien with its lit and dark windows. Bond scanned it all slowly, moving the Sniperscope, with the rifle, by means of the precision screws on the wooden base. It was all the same except that now there was a trickle of personnel leaving and entering the Ministry through the door on to the Wilhelmstrasse. Bond looked along at the four dark windows – dark again tonight – that he agreed with Sender were the enemy’s firing points. The curtains were drawn back and the sash windows were wide open at the bottom. Bond’s ’scope could not penetrate into the rooms, but there was no sign of movement within the four oblong, black, gaping mouths.

Now there was extra traffic in the street below. The women’s orchestra came trooping down the pavement towards the entrance – twenty laughing, talking girls carrying their instruments – violin and wind instrument cases, satchels with their scores, and four of them with the drums – a gay, happy little crocodile. Bond was reflecting that some people still seemed to find life fun in the Soviet Sector, when his glasses picked out and stayed on the girl carrying the ’cello. Bond’s masticating jaws stopped still and then reflectively went on with their chewing as he twisted the screw to depress the Sniperscope and keep her in its centre.

The girl was taller than the others and her long, straight, fair hair, falling to her shoulders, shone like molten gold under the arcs at the intersection. She was hurrying along in a charming, excited way, carrying the ’cello case as if it were no heavier than a violin. Everything was flying – the skirt of her coat, her feet, her hair. She was vivid with movement and life and, it seemed, with gaiety and happiness as she chattered to the two girls who flanked her and laughed back at what she was saying. As she turned in at the entrance amidst her troupe, the arcs momentarily caught a beautiful, pale profile. And then she was gone and, it seemed to Bond, with her disappearance a stab of grief lanced into his heart. How odd! How very odd! This had not happened to him since he was young. And now this single girl, seen only indistinctly and far away, had caused him to suffer this sharp pang of longing, this thrill of animal magnetism! Morosely, Bond glanced down at the luminous dial of his watch. Five fifty. Only ten minutes to go. No transport arriving at the entrance. None of those anonymous black Zik saloons he had half expected. He closed as much of his mind as he could to the girl and sharpened his wits. Get on, damn you! Get back to your job!

From somewhere inside the Ministry there came the familiar sounds of an orchestra tuning up – the strings tuning their instruments to single notes on the piano, the sharp blare of individual wood-winds – then a pause and then the collective crash of melody as the whole orchestra threw itself competently, so far as Bond could judge, into the opening bars of what even to James Bond was vaguely familiar.

‘The Polovtsian Dances from Prince Igor,’ said Captain Sender succinctly. ‘Anyway, six o’clock coming up,’ and then, urgently, ‘Hey! Right-hand bottom of the four windows! Watch out!’

Bond minutely depressed the Sniperscope. Yes, there was movement inside the black cave. Now, from the interior, a thick black object, a weapon, had slid out. It moved firmly, minutely, swivelling down and sideways so as to cover the stretch of the Zimmerstrasse between the two waste-lands of rubble. Then the unseen operator in the room behind seemed satisfied and the weapon remained still, fixed obviously to a stand such as Bond had beneath his rifle.

‘What is it? What sort of gun?’ Captain Sender’s voice was more breathless than it should have been. Take it easy, dammit! thought Bond. It’s me who’s supposed to have the nerves.