The students may be on holiday but Ruth isn’t. She has dissertations to mark and lectures for next year to prepare. She climbs the stairs to her office and is touched to find two of her students loitering outside to say goodbye. Ruth teaches postgraduates who are usually on a one-year MA course so this really is the last time she will see them, especially as these two are from the States (she has a lot of overseas students; the university needs the money).
‘Goodbye… good luck… keep in touch… come and see us if you’re ever in Wisconsin…’
Extracting herself, Ruth opens her door and begins collecting papers and books. Seeing her office with its
‘Ruth! How are you?’ It is Phil.
Phil now knows about her pregnancy and is being supportive. He expresses this by talking in a hushed voice and asking her how she is at every opportunity.
‘How was it?’ He means the scan (she had to tell him as attending meant she missed the end-of-term lunch) but Ruth chooses to misunderstand.
‘The post-mortem? OK. The new pathologist is a bit over-keen, jumps to conclusions too much-’
‘I meant… the
‘Oh, fine thanks.’
‘No
‘No.’
Phil stands in the doorway, smiling annoyingly. Ruth longs to get rid of him.
‘Going away this summer?’ asks Phil.
‘No. You?’
‘Well…’ Phil looks embarrassed. ‘Sue and I might get away to our place in France for a few days.’ Ruth wonders what Shona thinks about this. The latest from Shona is that Phil will leave his wife ‘after the final examiners’ meeting’. Why this fairly arbitrary date was chosen, Ruth has no idea; she only knows that Shona clings to it like the promise of the second coming. And if Phil does leave Sue, she thinks cynically, Shona’s problems are only just beginning.
‘Are you planning to drop in on the Swaffham site today?’ asks Phil, changing the subject with alacrity. ‘I hear they’re coming up with some interesting stuff.’
‘I might do.’ In fact, she is planning to go straight home. Her back aches and she longs to lie down. But Phil is enthusiastic about Max’s dig. The Romans are always worth a lottery grant or two, maybe even a TV appearance.
‘Great. Could you pick up some soil samples?’
Damn, now she will have to make the detour into Swaffham and spend ages faffing about with sample bags. Why can’t Phil do it? Probably off to meet Shona.
‘OK,’ she says.
It is almost dark by the time she reaches the site. There are no cars parked on the churned-up earth at the bottom of the bank and Ruth is not sure if she feels pleased or disappointed. She hasn’t seen Max since the Imbolc night and wonders whether it will be awkward when she does. Did the kiss mean anything to him? Probably not, probably in Brighton they kiss each other at every opportunity. But she knows she has been thinking about it. Not all the time, she has too many other things on her plate, but certainly more than is comfortable. All in all, she is pleased to have the place to herself.
Getting a torch from her car, she climbs the slope to the site. Clearly the students have been working hard. Three new trenches have been dug and small piles of stones indicate that new buildings have been discovered. It looks as if there really was a small settlement here or, at the very least, a villa and surrounding buildings. Intrigued, Ruth moves closer.
She realises that she is in the very trench that Max first showed her but now it has been extended to expose a corner of a wall, plus what look like the remains of under-floor heating. This must mean that this was an important house. She also sees a corner of mosaic. She spares a thought for the people who settled here, on this exposed hillside, two thousand years ago. Were they Romano-British or Romans in exile? No wonder they had wanted heating, thinks Ruth, shivering in the evening air.
She is about to leave when, out of habit, she runs her torch along the foundation level of bricks, looking for anything strange or unusual. And then she sees it. Tiny reddish brown writing, less than an inch high. At first she can’t make it out, though the letters look very familiar. Then she realises that the words are written upside down. Craning her head round, she reads: ‘Ruth Galloway’.